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UGC NET JUN 2010 : MUSIC PAPER III

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Signature and Name of Invigilator Roll No. 1. (Signature) __________________________ (In figures as per admission card) (Name) ____________________________ 2. (Signature) __________________________ Roll N o.____________________________ (In words) (Name) ____________________________ J 16 Test Booklet No. 10 Time : 2 1/2 hours] PAPER-III MUSIC Number of Pages in this Booklet : 24 Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. Answer to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. No Additional Sheets are to be used. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 7. You have to return the test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc., is prohibited. J-1610 [Maximum Marks : 200 Number of Questions in this Booklet : 26 1. 2. , 3. , - - : (i) - - (ii) - / - - 4. 5. - (Rough Work) 6. - , 7. - 8. / 9. ( ) P.T.O. MUSIC PAPER III III Note : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. : (200) (4) J-1610 2 SECTION I I Note : This section consists of two (2) essay type questions with internal choice. Each question carries twenty (20) marks to be answered in about five hundred (500) words. Candidate has to answer both the questions. (2 20 = 40 marks) : 2 - 20-20 500 (2 20 = 40 ) 1. Indian music has been an important integral part of worship and was a source of spiritual development. How relevant it is in the modern times ? - , ? OR / What is the utility of Electronic Instruments/Equipments in music teaching ? Can such instruments/equipments provide Distant Education of Music ? Give an analysis. / ? / ? _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 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Give your views on the importance and utility of Research in Music. Which factors should be adopted for the systematic completion of Research work ? ? OR / Textual tradition of Music have contributed much in the preservation of many oral traditions. Express your views. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 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_______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ SECTION II II Note : This section contains three (3) questions from each of the electives/specializations. The candidate has to choose only one elective/specialization and answer all the three questions from it. Each question carries fifteen (15) marks and is to be answered in about three hundred (300) words. (3 15 = 45 marks) : / (3) / (15) (300) (3 15 = 45 ) 3. Elective I I Hindustani Music Vocal and Instrumental How far the paintings of Rag Raginees are helpful in the feeling of Rasa in music ? Explain in detail. - - ? J-1610 9 P.T.O. 4. Describe the different kinds of chords of western music and show their importance in the Ras-Nishpatti of music. - 5. Mention in brief the different systems of Rag classification in ancient, medieval and modern times. , OR/ Elective II II Karnatak Music 3. Importance of musical mnemonics in Karnatak Music compositions. - 4. Sollukettu Svaras adopted in the composition of Dikshitar. 5. Chaturdandi Prakasika is an important Lakshana grantha. OR/ Elective III III RABINDRA SANGEET 3. Explain in details the influence of western music on Tagore s compositions. 4. Give an account of Tagore s influence on his contemporary musicians. 5. How has Tagore expressed his feelings for his creator through his compositions ? ? OR/ Elective IV IV PERCUSSION INSTRUMENTS 3. Explain the playing specialities of Delhi and Farrukhabad gharana of Tabla and write in notation two compositions each of the above gharanas. - 4. Write your views on the utility of talas having equal matras and compare any three taal pairs having equal matras. - - J-1610 10 5. Explain the main characteristics of Marg Taal system and write down the Kriyavidhi of Ek-kal chatchatputa and ek-kal chach-put. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 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section contains nine (9) questions each to be answered in about fifty (50) words. Each question carries ten (10) marks. (9 10 = 90 marks) : (9) (50) (10) (9 10 = 90 ) 6. Explain the concept of beauty according to Indian and Western Scholars. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 7. What is the relation between Raga and Season ? Explain with examples of few Ragas in brief. ? OR/ Write your views on the importance of Taal in Indian Music. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ J-1610 17 P.T.O. 8. Explain Rasa and its different kinds in brief. OR/ Describe the classification of instruments in brief. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 9. Tradition of music has been of great importance in Indian Music. Justify this statement with brief introduction of any one Gharana or Sampradaya in this context. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 10. Write notes on any five of the following : Sargam, Vaggeykar, Varna, Alankar, Kalawant, Nayak, Padam, Varnam, Javali, Kriti, Tillana, Theka, Varshamangal, Quaida, Rela. : , , , , , , , , , , , , , , _______________________________________________________________________________________________ _______________________________________________________________________________________________ J-1610 18 _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 11. Swar Mela Kalanidhi Granth is rated high as the authentic work of Pt. Ramamatya in Karnatak Music. Explain with reasons. . ( ) _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 12. Write short notes on any five of the following : Oddissi Dance, Kathak, Bharatnatyam, Kaikottikali, Kajri, Chaiti, Bhangra, Maand, Gitinatya, Nautanki, Lavani, Laggi, Tukda, Paran. : , , , , , , , , , , , , , _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ J-1610 19 P.T.O. _______________________________________________________________________________________________ _______________________________________________________________________________________________ 13. Write in brief on the western time signature and value of notes. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 14. Explain with examples : (a) Musical quality of sound. (b) Vibration and frequency. : ( ) ( ) OR/ Write in notation the following : (a) Tigun of Roopak taal. (b) Aad of Keharwa. : ( ) ( ) _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ J-1610 20 SECTION IV IV Note : This section contains five (5) questions based on the following paragraph. Each question should be answered in about thirty (30) words and carries five (5) marks. (5 5 = 25 marks) : (5) (30) (5) (5 5 = 25 ) Composition is an important part of Indian Music, which can preserve the rich heritage of Indian Music for the future generation. There have been changes in the form of Ragas and Talas, and these changes have directly influenced the compositions. Composition consists of two parts Raga and Tal. When the Prabandh form of music was prevalent, its compositions were in accordance of the same, and did not have the freedom of improvisation. But with the evolution of Dhrupad, the rigid rules of the compositions were relaxed and developed four parts viz. Sthayi, Antara, Sanchari and Abhog. Alap was an integral part of such a form of Dhrupad singing. When Khyal evolved on the basis of Dhrupad, much scope for the elaboration of Rag and Tal became easy in singing of Khyal and Alap, Tan, Sargam, Laykaries and other different embellishments were important in a composition. We find that Swami Haridas, Tansen, Baizu Bakshoo, Sadarang were important amongst them for Dhrupad Style, while Adarang, Saraspriya, Sadarang, Manrang, Harrang, Daraspriya, Prempia, Nehrang and others were important for khyal compositions. But all of them were vaggeykars/scholars who rendered rich tradition of Bandishes by following the rules and laws of Raga. These compositions of the scholars reflect the changing form of Ragas. In present day music, several compositions have been written and composed by musicians but could not be popular and exist for future because these compositions did not have traditional cult and the basic correct ingredients of Raga Roop. In fact the adherence to follow the rules of Raga is important for the aesthetic appeal with a combination of individual talent and improvisation of a scholar musician. - , , , , , - , , , , , J-1610 21 P.T.O. , , , , , , , , , ; , , , , , 15. Describe the importance of composition in music. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 16. How the composition influence the music ? ? _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 17. What was the form of composition in different vocal forms ? ? _______________________________________________________________________________________________ _______________________________________________________________________________________________ J-1610 22 _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 18. Name the composers of the compositions of Dhrupad. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ 19. Name the composers of the compositions of Khyal. _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ _______________________________________________________________________________________________ ________ J-1610 23 P.T.O. FOR OFFICE USE ONLY Marks Obtained Marks Obtained Question Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 Total Marks Obtained (in words) ........................................... (in figures) .......................................... Signature & Name of the Coordinator ................................... (Evaluation) J-1610 Date ......................... 24

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Additional Info : Ugc Net June 2010 Question Paper -Music ( Paper III )
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