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UGC NET JUN 2007 : MUSIC PAPER III

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Signature and Name of Invigilator Roll No. (In figures as per admission card) 1. (Signature) (Name) Roll No. 2. (Signature) (Name) J 1 6 0 7 Time : 2 hours] (In words) Test Booklet No. PAPER III MUSIC Number of Pages in this Booklet : 40 [Maximum Marks : 200 Number of Questions in this Booklet : 26 Instructions for the Candidates U U 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U U 2. U U U, U S U U 2. Answers to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. U U No Additional Sheets are to be used. 3. U U U, - S U U U - S U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) - S U U U U U U U S U U- U S S U U (i) To have access to the Test Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. 4. U U 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 5. U U- S (Rough Work) U U DU 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 6. U- S U , U U U U 7. U # U U- S U U U U U # U U U U 7. You have to return the Test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. / U Z U S U 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc. is prohibited. 9. U ( U U) U U 10. There is NO negative marking. 10. U U J 1607 1 P.T.O. MUSIC PAPER III - III NOTE : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. (200) (4) S J 1607 2 SECTION - I U I Note : This section contains five (5) questions based on the following paragraph. Each question should be answered in about thirty (30) words and each carries five (5) marks. (5x5=25 marks) ( 5) (30) ( 5) (5x5=25 ) Our Indian music is the expression of our consciousness, a measure of our fulfilment as human beings. And it reflects and expresses our most deep-felt emotions, our hopes and aspirations in an idiom that is a product of our environment, a language that has been developed and refined over many many years of growth and struggle. It is a part of our life and thought, and it has to be understood and appreciated and criticised in the perspective of our life thought and philosophy. It has played a significant role in our fulfilment as human beings and in the integration of human relationships. J 1607 3 P.T.O. Q - M , M Q , Z , , M 1. What does our Indian music depict ? ? J 1607 4 2. Why has old tradition been preferred in our music ? ? 3. Why should Music be taken as a part of life and thought ? ? J 1607 5 P.T.O. 4. What has our music to do with Indian philosophy ? ? 5. What is the significant role of Indian music ? ? J 1607 6 SECTION - II U II Note : This section contains fifteen (15) questions each to be answered in about thirty (30) words. Each question carries five (5) marks. (5x15=75 marks) (15) (30) (5) (5x15=75 ) 6. Define Sangeet and write about its components. J 1607 7 P.T.O. 7. Give the common features of Hindustani and Karnataka music. S 8. What is meant by MARGI and DESHI TALAS ? ? J 1607 8 9. Write in notation the TALA JHUMARA in AAD Laya. h 10. Describe in short the special features of folk music of any one province of India. J 1607 9 P.T.O. 11. Give a short description of RAGA-LAXANAS. - # 12. Throw light on the four parts of a DHRUPADA : J 1607 10 13. Describe in short any two of the following : CHATURANG, TRIVAT, TILLANA, KRITI, RAVINDRA SANGEET. # , , , , 14. Write the names of five great scholars of medeival period indicating the names of the Granthas written by them. m J 1607 11 P.T.O. 15. Give the names of any five stringed instruments of Vedic period. l 16. Write about the contribution of any two of the following : SHARANG DEO, SRINIWAS, BHARAT, MATANGA, NARADA. X , , , , J 1607 12 17. What is meant by RASA ? Write about the process of RASA-NISHPATTI . ? - c R 18. Write about the GAMAKAS as described in Sangeet Ratnakara. J 1607 13 P.T.O. 19. Describe the relevance of KAKU-PRAYOGA in Music. - Q 20. Write your views on Research in Music . J 1607 14 SECTION - III U III Note : This section contains five (5) questions from each of the electives / specialisations. The candidate has to choose only one elective / specialisation and answer all the five questions from it. Each question carries twelve (12) marks and is to be answered in about two hundred (200) words. (12x5=60 marks) / (5) / (12) (200) (12x5=60 ) Elective - I U I HINDUSTANI MUSIC - VOCAL AND INSTRUMENTAL S - 21. Explain the role of Aesthetics in Hindustani Classical Music. S S - S 22. Throw light on the relationship between Music and Religion. 23. What are the new areas of research in Indian Music ? Discuss them. - ? J 1607 15 P.T.O. 24. What do you mean by Gharana ? Clarity the specialities of Kirana Gharana and write two names of popular singer of this Gharana. ? S C 25. Describe four popular varieties of the Folk music of North India. h Elective - II II KARNATAKA MUSIC - VOCAL, INSTRUMENTAL AND PERCUSSION 21. Write a note on Vivadi Melas. 22. Discuss the varieties of Chapu Talas. 23. The relationship of Sangita and Sahitya - Analyse. 24. The present trend in Karnataka Music concerts - Discuss. J 1607 16 25. The role of Percussion Accompaniment in concerts - Substantiate. l OR / Elective - III III RABINDRA SANGEET 21. UPANISHADS plays a major role in Rabindranath Tagore s Musical Composition Is this concept true to your knowledge. ? 22. How Tagore has assimilated season s emotions in his composition. Give your critical appreciation. ? 23. What was the main idea of Tagore s article on music in Sangeeter Mukti ? Q ? 24. All emotions of our human life are available in Tagore s Music . Try to prove the relevance of this concept with suitable examples. - l Q h 25. How much was Tagore influenced by North Indian Classical Music ? S ? OR / J 1607 17 P.T.O. Elective - IV IV PERCUSSION INSTRUMENT h l 21. Define Tala and describe Tabla/Pakhwaj with diagram. / 22. What do you understand by Layakari ? Explain Aad, Kuaad and Biyad. ? , S C 23. Discuss the aesthetic value of Tabla Sangat . - 24. What is Navhakka ? Write one Navhakka in Tal lipi. P ? P 25. Express your opinion on Avanaddh Vadyas in music. h l J 1607 18 J 1607 19 P.T.O. J 1607 20 J 1607 21 P.T.O. J 1607 22 J 1607 23 P.T.O. J 1607 24 J 1607 25 P.T.O. J 1607 26 J 1607 27 P.T.O. J 1607 28 J 1607 29 P.T.O. SECTION - IV IV Note : This section consists of one essay type question of forty (40) marks to be answered in about one thousand (1000) words on any of the following topics. This question carries 40 marks. (40x1=40 marks) (40) , (1000) (40x1=40 ) 26. Indian classical music and popularity. S OR / Relevance of NOTATION in Indian Classical Music. S S OR / Importance of Music in making a country prosperous. h J 1607 30 J 1607 31 P.T.O. J 1607 32 J 1607 33 P.T.O. J 1607 34 J 1607 35 P.T.O. J 1607 36 J 1607 37 P.T.O. J 1607 38 J 1607 39 P.T.O. FOR OFFICE USE ONLY 1 26 51 76 2 27 52 77 3 28 53 78 4 29 54 79 5 30 55 80 6 31 56 81 7 32 57 82 8 33 58 83 9 34 59 84 10 35 60 85 11 36 61 86 12 37 62 87 13 38 63 88 14 39 64 89 15 40 65 90 16 41 66 91 17 42 67 92 18 43 68 93 19 44 69 94 20 45 70 95 21 46 71 96 22 47 72 97 23 48 73 98 24 49 74 99 25 50 75 Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained 100 Total Marks Obtained (in words) ..................................... (in figures) .................................... Signature & Name of the Coordinator ............................... (Evaluation) J 1607 Date ............................. 40

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Additional Info : Ugc Net June 2007 Question Paper -Music ( Paper III )
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