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UGC Net JUN 2013 : MUSIC PAPER II

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PAPER-II MUSIC Signature and Name of Invigilator 1. (Signature) __________________________ OMR Sheet No. : ............................................... (To be filled by the Candidate) (Name) ____________________________ Roll No. 2. (Signature) __________________________ (In figures as per admission card) (Name) ____________________________ 16 S Roll No.________________________________ (In words) 1 3 1 Time : 1 /4 hours] [Maximum Marks : 100 Number of Pages in this Booklet : 24 Instructions for the Candidates Number of Questions in this Booklet : 50 1. 2. - 3. , - - , : (i) - / - / (ii) - / - - (iii) OMR - 4. (A), (B), (C) (D) : (C) 5. I OMR OMR , 6. 7. (Rough Work) 8. OMR , , , , , 9. OMR OMR 10. / 11. ( ) 12. 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal / polythene bag on the booklet. Do not accept a booklet without sticker-seal / without polythene bag and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the circle as indicated below on the correct response against each item. Example : where (C) is the correct response. 5. Your responses to the items are to be indicated in the OMR Sheet given inside the Paper I Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification. 9. You have to return the original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is no negative marks for incorrect answers. S-16-13 1 P.T.O. MUSIC Paper II Hindustani / Karnatak / Rabindra Sangeet (Vocal, Instrumental & Musicology and Percussion Instrument) Special Instructions Note : Candidates are required to answer all the 25 questions in Part I, which are compulsory. They should select any one of the groups from Part II, Part III, Part IV, Part V and answer all the 25 questions in that part. Each question carries two (2) marks. PART I Common to Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument. 1. Harvallabha Sangeet Samaroha is observed in which city ? 4. The interval of 4 Shrutis in Staff Notation is (A) Minor tone (B) Major tone (C) Semi tone (D) Octave 5. Which of the following Sitar players does not play Sitar with six strings ? (A) Vilayat Khan (B) Buddhaditya Mukherji (C) Haleem Jaffar Khan (D) Shahid Parvez 6. Who of the following is not a Sitarplayer ? (A) Rahim Sen (B) Amrit Sen (C) Aashish Khan (D) Barkatulla Khan 7. Folk tune of Rajasthan is (A) Heer (B) Beehu (C) Raas (D) Mand (A) Patiala (B) Jallandhar (C) Amritsar (D) Ambala 2. Ma Ni Dha Ni S is the phrase of which Raga ? (A) Miyan Ki Malhar (B) Bahar (C) Desh (D) Bageshri 3. When there are two matras in each measure of Time Signature (A) Simple Time (B) Simple Duple Time (C) Compound Time (D) Simple Triple Time Paper-II 2 S-16-13 II / / ( , ) : I 25 II, III, IV V 25 (2) I / / ? (A) 2. ? (A) (B) (C) (D) 7. (A) (B) (C) (D) , ? (A) (B) (C) (D) 3. 6. (D) : ? (A) (B) (C) (D) (C) ? (A) (B) (C) (D) (B) 4. 5. 1. - (A) (B) (C) (D) S-16-13 3 Paper-II 8. Placement of shudha swaras on the 12. Vaidika Ganam is wire of Veena was initiated by which (A) Sacred Music of the following scholar ? (B) Secular Music (A) Bharat (C) Music with moral theme (B) Sharang Deo (D) None of the above (C) Narad 13. (D) Ahobal Corresponding thaat of Gamanashrama is (A) Bhairav 9. (C) Maihar Band was the creation of (B) (D) Asaveri Marwa Poorvi (A) Ali Akbar Khan (B) (C) 14. Hafiz Ali Khan Amjad Ali Khan Kal ita Sangeeta in Karnatak Music is (A) Improvised (B) 10. Pre Composed (C) (D) Allauddin Khan Devotional only (D) Jaati Sangeet Kuchipudi Dance form is originated from 15. (A) Kerala (B) (A) Shadangas Andhra Pradesh (C) Tamil Nadu (B) Desi Talas (C) (D) Karnataka 11. The 35 Talas scheme is known as Shodashangas (D) Sooladi Sapta Talas 16. One of the Musical Trinity (A) Purandara Dasa Which song is based on Kirtan Ang among the following ? (A) Sei Bhalo, Sei Bhalo (B) Syama Shastri (B) Amra Nutan Joubaneri Dut (C) Swati Tirunal (C) Ami Bhoy Karbo Na (D) Kaler Mandira Je (D) Annamacharya Paper-II 4 S-16-13 8. , , ? (A) (C) (D) (D) (B) (C) ? (A) (B) 12. 13. ? (A) 9. (A) (C) (D) (D) (B) (B) (C) 14. ? (B) 15. (A) (B) (C) ? (D) 10. (A) 35 ? (B) (C) (C) (D) 11. (A) (D) (A) (B) (C) (D) 16. S-16-13 ? (A) , (B) (D) (C) 5 Paper-II 17. Which song created by Rabindranath 21. for children ? (B) Tomari Gehe Palichho Snehe (C) Ustad Ghaseet Khan (C) (A) Duare Dao More Rakhia (B) Originator of Delhi gharana of Tabla (A) Ustad Bugara Khan Ustad Sidhar Khan Je Tomay Chare Charuk (D) Ustad Natthoo Khan 22. (D) Kabe Tumi Asbe Bole Chatasra Triput taal is also known as (A) Ek Taal (B) 18. (C) Which Carnatic Tal is similar to (A) Rupakam (Tishra) 23. Triput (B) 24. based on which Tal ? The number of Deshi Talas described in Sangeet Ratnakar (A) 120 (D) 35 101 108 Jhaptal Teora (B) (C) (A) Chautal (C) T.N. Krishnan (D) Shekh Chinnmoulana Prathama Adi Taba Shakti song is (B) Palghat Mani Ayyer (C) (D) Ektal 19. Well-known Mridangam player (A) Lalgudi Jairaman Rupakam (Chatusra) (C) Aadi Taal (D) Ugadi Taal Rabindrik Tal Ardha Jhaptal (2/3) ? (B) Dwitiya Taal 25. Match the following : List I (D) Sur-faktal List II 3. 16 Matra (iv) Punjabi Taal among the following ? 2. 11 Matra (iii) Rudra Taal Which song is based on Tappa Ang 1. 9 Matra (ii) Vasant Taal 20. (i) Vishnu Taal 4. 17 Matra Codes : (i) (ii) (A) 4 3 2 1 (B) 4 2 1 3 (C) 4 2 3 1 (D) 4 1 2 3 (A) Tomay Natun Kore Pabo Bole (B) Bhalobese Sakhi (C) O re Grihabasi (D) Ami Tarei Khuje Berai Paper-II 6 (iii) (iv) S-16-13 17. (A) (A) (B) (C) . . (D) 24. (A) 120 (B) 108 (C) 101 (D) 35 25. : I (i) (ii) (iii) (iv) : (2/3) ? (A) ( ) (B) ( ) (C) (D) ? (A) (B) (C) (D) 20. 23. (A) (B) (C) (D) (D) 19. 22. (C) (A) (B) (C) (D) (B) 18. 21. ? ? (A) (B) (C) (D) S-16-13 (A) (B) (C) (D) 7 (i) 4 4 4 4 1. 2. 3. 4. (ii) (iii) 3 2 2 1 2 3 1 2 II 9 11 16 17 (iv) 1 3 1 3 Paper-II PART II Hindustani Music (Vocal / Instrumental) 26. 27. 31. Which of the following Gram is mentioned in Dattilam ? (A) Madhyam Gram (B) Shadaj Gram (C) Gandhar Gram (D) Gandharv Gram 28. From the following find out the artist who is not a dancer ? (A) Pt. Birju Maharaj (B) Pt. Gokulostav Maharaj (C) Pt. Shambhu Maharaj (D) Pt. Achhan Maharaj 32. Who wrote Sangeet Raga Kalpadrum ? (A) Krishnanand Vyas (B) Sir Sourindra Mohan Tagore (C) Raja Pratapsingh Dev (D) Pt. Vishnu Narayan Bhatkhande Match the following : (i) Pt. Kumar Gandharv (ii) Pt. Balwantrai Bhatt (iii) Pt. Ramashray Jha (iv) Prof. B.R. Devdhar Codes : (i) (ii) (iii) (A) 2 3 4 (B) 3 4 2 (C) 4 1 2 (D) 4 3 2 Kaivalyakumar Gurav is associated with (A) Delhi Gharana (B) Jaipur Gharana (C) Agra Gharana (D) Kirana Gharana 29. Which Gharana prefers to sing in Vilambit Teental ? (A) Patiala (B) Gwalior (C) Jaipur (D) Kirana 30. Match the following : List I (i) Pt. Nikhil 1. Banerjee (ii) U. Amjad Ali 2. Khan (iii) Vidushi 3. Kishori Amonkar (iv) Shaswati Sen 4. Codes : (i) (A) 1 (B) 2 (C) 3 (D) 4 Paper-II (ii) 3 1 4 2 1. Bhavarangalaheri 2. Abhinav Geetanjali 3. Raga-bodh 4. Anoop Raga Vilas (iv) 1 1 3 1 33. 34. Vidushi Mogubai Kurdikar (iii) (iv) 2 4 4 3 2 1 1 3 8 In Bharat Kaal there were (A) 10 Jatis (B) 12 Jatis (C) 16 Jatis (D) 18 Jatis 35. List II U. Hafiz Ali Khan U. Allauddin Khan Pt. Birju Maharaj Name the type of Veena which was in use in Vedic period. (A) Bhamari (B) Shadbhamari (C) Vallaki (D) Kachhapi Find out the artist who was equally good as a Violinist and Vocalist. (A) Pt. V.G. Jog (B) Pt. Puttur Devdas Joshi (C) Pt. Gajananrao Joshi (D) Pt. Shridhar Parsekar S-16-13 II ( / ) 26. 27. 31. , ? (A) (B) (C) (D) 28. ? (A) . (B) . (C) . (D) . 32. ? (A) (B) (C) (D) . : (i) . (ii) . (iii) . (iv) . . . : ? (A) (B) (C) (D) 29. ? (A) (B) (C) (D) 30. : I (i) . (ii) . (iii) (iv) (A) (B) (C) (D) S-16-13 3. 4. - (ii) (iii) 3 4 4 2 1 2 3 2 (iv) 1 1 3 1 33. (i) 1 2 3 4 , ? (A) . . . (B) . (C) . (D) . . 4. ? (A) 10 (B) 12 (C) 16 (D) 18 35. 3. ? (A) (B) (C) (D) 34. II 1. . 2. . : (A) (B) (C) (D) (i) 2 3 4 4 1. 2. (ii) (iii) 3 2 1 4 4 2 2 1 (iv) 4 3 1 3 9 Paper-II 36. At present who is the Editor of Sangeet Kala Vihar ? (A) Smt. Sudha Patwardhan (B) Smt. Charusheela Divekar (C) Smt. Madhavi Nanal (D) Dr. Sudha Patwardhan 37. 39. 45. Correct order of writing foot note is (A) Book, Author s name, Page number (B) Author s name, Book, Page no. (C) Page no., Author s name, Book (D) None of the above 47. Which of the following Ragas do not belong to Khamaj Thata ? (A) Jhinjhoti (B) Rageshwari (C) Tilang (D) Bihag 48. In which Raga both the Nishads are not used ? (A) Nat Bihag (B) Mian Ki Sarang (C) Shudh Sarang (D) Mian Malhar 49. Which of the following Ragas do not belong to Audav Audav Jati ? (A) Bhupal Todi (B) Chandra Kauns (C) Sur Malhar (D) Durga 50. The length of Rishabha on the 36 length wire of Veena (A) 27 (B) 20 (C) 32 (D) 30 In which Raga both Re, Ga, Dha, Ni are used ? (A) Basant Bahar (B) Bahar (C) Bageshri B har (D) None of the above 46. The main folk dance form of Assam is (A) Bhangra (B) Garba (C) Ghoomar (D) Beehu Recognise the following swaracombinations : Dha Ni Pa Ma Pa, Ga Ma Re Sa (A) Shahana (B) Mian Malhar (C) Nayaki Kanhra (D) Adana Which of the following pair of Ragas have the same Swaras but different That s ? (A) Miya ki Todi - Multani (B) Bhoop - Deshkar (C) Shree Puriya Dhanashree (D) Madhmad Sarang Megh Malhar Which one is the most consonant interval ? (A) 4 : 3 (B) 3 : 2 (C) 10 : 9 (D) 9 : 8 38. 44. 40. 41. 42. 43. Ustad Rashid Khan is associated with (A) Patiala Gharana (B) Rampur Sahaswan Gharana (C) Delhi Gharana (D) Kirana Gharana Lavani is the folk dance of (A) Bihar (B) Uttar Pradesh (C) Madhya Pradesh (D) Maharashtra Where was the first Music Seminar organised ? (A) Gwalior (B) Varanasi (C) Allahabad (D) Baroda Recognise the following swaracombinations : i Re Ga Ma Ma Ma Ga (A) Basant (B) Kamod (C) Lalit (D) Maru Bihag Paper-II 10 S-16-13 36. 44. : , (A) (B) (C) (D) 45. ? (A) (B) (C) (D) ? (A) (B) (C) (D) . 37. ? (A) 4:3 (B) 3:2 (C) 10:9 (D) 9:8 38. (A) (B) (C) (D) 39. 41. 42. 43. 46. (A) , , (B) , , (C) , , (D) 47. ? (A) (B) (C) (D) 48. ? (A) (B) (C) (D) 49. - ? (A) (B) (C) (D) 50. ? (A) (B) (C) (D) 36 " (A) 27 " (C) 32 " 40. (B) 20 " (D) 30 " ? (A) (B) (C) (D) ? (A) (B) (C) (D) ? (A) (B) (C) (D) : , (A) (B) (C) (D) S-16-13 11 Paper-II PART III Karnatak Music (Vocal, Instrumental, Percussion) 26. Anya Svara in Bilahari ragam is (A) Kakali Nishada (B) Sudha Dhaivata (C) Kaisiki Nishada (D) Sadharna Gandhara 32. Suchindram Temple is famous for (A) Musical inscriptions (B) Annual music festival (C) Sculptures (D) Musical stone pillars 27. Gauri Nayaka Tillana has been composed by (A) Mahavaidyanatha Iyer (B) Swati Thirunal (C) Patnam Subramanya Iyer (D) Sadasiva Rao 33. Sankeerna Jati Jhampa Tala (A) Khanda Mathya (B) Sankeerna Rupaka (C) Misra Triputa (D) Khanda Dhruva 28. Match the following : I. Dharmapuri 1. Subbar yar II. Kavi Kunjara 2. Bharati III. Arunachala 3. Kavirayar IV. Jayadeva 4. Codes : I II III (A) 4 3 1 (B) 2 3 1 (C) 3 4 1 (D) 1 3 2 34. Write the correct sequencing as per mela in ascending order. (A) Bhupalam, Bahudari, Darbar, Hamir kalyani (B) Bhupalam, Darbar, Hamir kalyani, Bahudari (C) Bhupalam, Bahudari,Hamir kalyani, Darbar (D) Bhupalam, Darbar, Bahudari, Hamir kalyani 35. tata and Vitata is played on drums (A) Both hands on each side (B) Hand and stick (C) Sticks only (D) None of the above 36. Sakhi prana in Chencurutti raga is a (A) Varnam (B) Javali (C) Padam (D) Keertanam 37. Assertion (A) : The Kudumiyamalai inscriptions prove the existence of quarter tones. Reasoning (R) : The solfa syllables led to the logical emergence of Adhara Shadja. Codes : (A) Both (A) and (R) are false. (B) (A) is true, (R) is false. (C) (A) is false, (R) is true. (D) Both (A) and (R) are true. 29. Daru Ashtapadi Javali Padam IV 2 4 2 4 Sudha Saveri is a Janya of (A) Kharaharapriya (B) Dhirashankarabharana (C) Natabhairavi (D) Harikamboji 30. The additional Sarani string in Tambura (A) Adi Sarani (B) Mandra Sarani (C) Anusarani (D) Madhya Sarani 31. Ettugada Svaras figure in (A) Varnam (B) Chitrasvara (C) Samashthi Charanam (D) None of the above Paper-II 12 S-16-13 III ( , , ) 26. : (A) (B) (C) (D) 32. 27. ? (A) (B) (C) (D) 33. 28. : I. 1. II. 2. III. 3. IV. 4. : I (A) 4 (B) 2 (C) 3 (D) 1 29. 34. II 3 3 4 3 III 1 1 1 2 35. IV 2 4 2 4 36. ? (A) (B) (C) (D) 37. 30. (A) (B) (C) (D) 31. ? (A) (B) (C) (D) S-16-13 13 ? (A) (B) (C) (D) (A) (B) (C) (D) : (A) , , , (B) , , , (C) , , , (D) , , , ? (A) (B) (C) (D) (A) (B) (C) (D) (A) : (R) : , : (A) (A) (R) (B) (A) , (R) (C) (A) , (R) (D) (A) (R) Paper-II 38. Mula Purusha of Modern Bhajana Paddhati (A) Purandara Dasa (B) Talapakam Chinnaya (C) Narayana Tirthar (D) Sadasiva Bramhendra 39. 45. Prahalada Bhakti Vijayam has been composed by (A) Tyagaraja (B) Gopala Krishna Bharati (C) Kavi Kunjara Bharati (D) Narayana Tirthar Assertion (A) : In applied Music sahitya is given, more importance than music. Reason (R) : Vedic hymns are the earliest source of sacred music. Codes : (A) (A) is false, (R) is true. (B) (R) is false, (A) is true. (C) Both (A) and (R) are true. (D) Both (A) and (R) are false. 46. Nautanki is a popular folk dance drama of (A) Madhya Pradesh (B) Rajasthan (C) Uttar Pradesh (D) Bihar 40. Vartani is also known as (A) Ettugada Svara (B) Akshiptika (C) Makarini (D) Muktayi 47. Vishama graha includes (A) Atita and Anagata (B) Atita graha only (C) Anagata graha only (D) None of the above 41. Ri Gu Ma Dha Nu represent (A) Harikamboji (B) Sarasangi (C) Naganandini (D) Charukesi 48. 42. Tala with 29 aksharakala (A) Sankeerna Jati Mathya (B) Sankeerna Jati Dhruva (C) Sankeerna Jati Ata (D) Sankeerna Jati Jhampa Eranapai Varnam in Raga Todi is composed by (A) Pattanam Subramanya Iyer (B) Pallavi Gopalayyar (C) Vina Kuppayyar (D) Swati Thirunal 49. Match the following : List I I. Vijay 1. Raghava Pancharatna II. Shodasangas 2. III. Pancha 3. Taleswaram IV. Sri 4. Varalaxmi Codes : I II III (A) 3 1 2 (B) 4 2 3 (C) 3 1 4 (D) 4 1 2 43. 44. The Shadangas does not include (A) Guru (B) Plutam (C) Druta Virama (D) Kakapadam A prati madhyama audava raga (A) Mandari (B) Amrita Varshni (C) Vijayasri (D) Saraswaty Paper-II 50. 14 List II Kakapadam Yati Padas Talamalika IV 4 1 2 3 Chaturdandi Prakashika includes (A) Gita (B) Alapa (C) Prabandha (D) All of the above S-16-13 38. 39. 45. 40. 41. 42. 43. 44. 29 (A) (B) (C) (D) ? (A) (B) (C) (D) 49. ? (A) (B) (C) (D) / : (A) (B) (C) (D) 48. ______ (A) (B) (C) (D) ? (A) (B) (C) (D) 47. (A) (B) (C) (D) (A) : (R) : , : (A) (A) , (R) (B) (R) , (A) (C) (A) (R) (D) (A) (R) 46. (A) (B) (C) (D) : I II I. 1. II. 2. III. 3. IV. 4. : (A) (B) (C) (D) I (A) 3 (B) 4 (C) 3 (D) 4 (A) (B) (C) (D) S-16-13 50. II 1 2 1 1 III 2 3 4 2 IV 4 1 2 3 / (B) (D) (A) (C) 15 Paper-II PART IV Rabindra Sangeet 26. 27. 32. 28. 29. 36. Subhro Aasane Birajo song is based on which Tal ? (A) Chautal (B) Ada-chautal (C) Jat Tal (D) Sur-fak Tal 37. Which one is the symbol of one Matra as per Akar Matrik Swarlipi ? The following songs are from which category of Rabindra Sangeet ? 1. Amar Ange Ange 2. O Dekha Diye Chole Gelo 3. Keteche Ekela Birohero Bela (A) Prakiti (B) Puja (C) Prem (D) Anushthanik Ravindranath converted his story Parishodh into a famous dancedrama which is called as (A) Mayar khela (B) Shyama (C) Bhanu Singher Padabali (D) Valmiki Pratibha a, R , G , M sign of Akar Mat ik Swarlipi system denotes which of the following ? (A) Komal Swar (B) Mandra Saptak Swar (C) Tar Saptak Swar (D) Madhya Saptak Swar 30. Radhika Prasad Goswami sung which composition of Rabindranath in Gramaphone record ? (A) Bimalo Anande Jagore (B) Baje Karun Sure (C) Anandaloke Mangalaloke (D) Amar Matha Nata Kore 35. Jadu Bhatt was an expert of which instrument apart from Singing ? (A) Veena (B) Sarangi (C) Tabla (D) Pakhawaj Radhika Prasad Goswami was an expert of which style of vocal tradition ? (A) Bengali Folk music (B) Baul (C) Khyal (D) Dhrupad 34. Match the following : List I List II I. Nishitha Sayane, 1. Puja Prabhu Kheliche II. Naba Anande Jage 2. Prem III. Tumi Kon Kananer 3. Ragashrayi Phul IV. Gram Chara Oyi, 4. Bhatiyali Ranga Matir Path Codes : I II III IV (A) 1 3 2 4 (B) 3 1 2 4 (C) 2 1 3 4 (D) 3 2 4 1 Which song was composed by Rabindranath following Carnatic song Purna Chandranane ? (A) Aaji Subhodine (B) Tumi Kichho Diye Jao (C) Baje Karun Sure (D) Eso he Grihadevata 33. Shaono Gagane Ghor Ghana Ghata song is from which Dance-Drama written by Tagore ? (A) Shyama (B) Bhanu Singher Padavali (C) Chandalika (D) Tasser Desh (A) (C) 31. (B) (D) Which song was composed by Rabindranath following Raga Ashavari ? (A) Tumi Sandhyar Megha Mala (B) Aaj Bari Jhare (C) Anek Diyecho Nath (D) Sada Thako Anande Paper-II 16 S-16-13 IV , .. - ? (A) (B) (C) (D) 27. : I II I. , 1. II. 2. III. 3. IV. , 4. : 26. (A) (B) (C) (D) I 1 3 2 3 II 3 1 1 2 III 2 2 3 4 ? (A) (B) (C) (D) 33. ? (A) (B) (C) (D) 34. ? (A) (B) (C) , (D) 35. ? 1. 2. 3. (A) (B) (C) (D) 32. IV 4 4 4 1 - ? (A) (B) (C) (D) 29. , , , ? (A) (B) (C) (D) 30. 28. 31. (A) (C) 36. 37. (B) (D) ? (A) (B) (C) (D) S-16-13 17 ? (A) (B) (C) (D) - ? (A) - (B) (C) (D) Paper-II 38. In which year Vishwabharti was declared as a Central University ? (A) 1950 (B) 1951 (C) 1921 (D) 1927 39. Who authored the book Yantra Kosh ? (A) Jotirindranath Tagore (B) Dinendranath Tagore (C) Hemendranath Tagore (D) Sourindra Mohan Tagore 40. 45. 46. 41. 48. Naba Tal is divided in how many divisions ? (A) 4 (such as 3 + 2 + 2 + 2) (B) 3 (such as 3 + 3 + 3) (C) 5 (such as 2 + 2 + 2 + 2 + 1) (D) 2 (such as 4 + 5) 49. Which of the following song was composed by Rabindranath following Western Composition ? (A) Pagla Haway Badal Dine (B) Basante Phul Ganthlo (C) Phule Phule Dhole Dhole (D) Kato Bar Bhebe Chinu 50. Which song was composed by Rabindranath on the occasion of his birthday ? (A) Ananda Dhara Bohiche Bhubane (B) Aaj Jyotshna Rate (C) Tahare Aarati Kare (D) He Nutan Dekha Dik Bar Bar Naba pancha Tal is in which of the following format ? (A) 4 + 2 + 2 + 4 + 4 + 2 (B) 2 + 2 + 2 + 4 + 4 + 4 (C) 2 + 4 + 4 + 4 + 4 (D) 2 + 4 + 2 + 4 + 2 + 4 The song Garaba Mama Horechho Prabhu based on which Tal ? (A) Teora (B) Dhamar (C) Jhampak (D) Sur phank Tal Who created Danda-Matrik Swarlipi system ? (A) Kshetra Mohan Goswami (B) Radhika Prasad Goswami (C) Sourindra Mohan Tagore (D) Kali Prasanna Bandopadhyay 42. Who was the teacher of renowned Rabindra Sangeet Singers Kanika Bandopadhyay and Subinoy Roy ? (A) Sahana Devi (B) Kanak Biswas (C) Anadi Kumar Dastidar (D) Shailaja Ranjan Majumdar 47. Who was the Acharya of Vishwabharati after the death of Rabindranath ? (A) Somendranath (B) Hemendranath (C) Abanindranath (D) Sarojini Naidu Which song is based on Dadra Tal among the following ? (A) Pramode Dhaliya Dinu Man (B) Himer Rate Oi Gaganer Deepgulire (C) Tumi Rabe Nirabe (D) Nivrita Praner Debata 43. Which song was composed by Rabindranath as inaugural song ? (A) Eso He Griha Debata (B) Matri Mandir Punya Angan (C) Sobare Kori Ahowan (D) Phire Chal Matir Tane 44. The song Tahare Aarati Kare Chandra is based on which Tal ? (A) Dadra (B) Teental (C) Ada Chautal (D) Chautal Paper-II 18 S-16-13 - (A) (B) (C) (D) 40. 41. 42. 43. 44. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 47. 48. ? (A) 1950 (B) 1951 (C) 1921 (D) 1927 39. 45. 46. 38. ? - ? (A) (B) (C) (D) - (A) (B) (C) (D) ? ? (A) 4 + 2 + 2 + 4 + 4 + 2 (B) 2 + 2 + 2 + 4 + 4 + 4 (C) 2 + 4 + 4 + 4 + 4 (D) 2 + 4 + 2 + 4 + 2 + 4 ? 4 (3 + 2 + 2 + 2 ) 3 (3 + 3 + 3 ) 5 (2 + 2 + 2 + 2 + 1 ) (D) 2 (4 + 5 ) (A) (B) (C) ? (A) (B) (C) (D) 49. - ? (A) (B) (C) (D) ? (A) (B) (C) (D) 50. ? (A) (B) (C) - (D) S-16-13 19 ? (A) (B) (C) (D) Paper-II PART V Percussion Instruments 27. 33. 34. Arrange the following chronological order : (i) Ustad Siddhar Khan (ii) Ustad Sitab Khan (iii) Ustad Alla Rakha Khan (iv) Ustad Natthoo Khan Codes : (A) (i), (ii), (iii), (iv) (B) (i), (ii), (iv), (iii) (C) (i), (iv), (iii), (ii) (D) (i), (iv), (ii), (iii) Chautal was also known as (A) Chhand Taal (B) Chand Taal (C) Bhand Taal (D) Dhrupad Taal 35. Match the following : List I List II (i) Pakhawaj 1. Akbar Hussain Ballu (ii) Nakkara 2. Ghulam Jaffer (iii) Tabla 3. Purshottam Das (iv) Dholak 4. Rasheed Khan Codes : (i) (ii) (iii) (iv) (A) 1 2 3 4 (B) 3 2 4 1 (C) 3 4 1 2 (D) 3 2 1 4 36. Kumbha Taal consists of (A) Eleven Matras (B) Twelve Matras (C) Thirteen Matras (D) Seventeen Matras Value of Laghu in Mishra Jati (A) 3 Akshar Kala (B) 5 Akshar Kala (C) 7 Akshar Kala (D) 9 Akshar Kala 38. Khalifa of Nachkaran Baj (A) Ustad Wazid Hussain (B) Ustad Afaque Hussain (C) Ustad Abid Hussain (D) Ustad Ghame Khan The number of Talas described by Bharat in Natyashastra (A) 10 (B) 4 (C) 6 (D) 5 37. 26. Pakhawaj player who accompanied Tansen (A) Bhagwan Pakhawaji (B) Kirpa Pakhawaji (Mridang Rai) (C) Firoz Khan Dhadhi (D) Sitab Khan Pakhawaji in 28. The form of Karnatak Triput Taal (A) 100 (B) 101 (C) 1011 (D) 1100 29. Initial Avanaddha Instrument (A) Kansya Taal (B) Dardur (C) Panav (D) Dundubhi 30. Layakari of is called (A) Pav gun (B) Paun gun (C) Sawa gun (D) Dedh gun 31. Ateet and Anagat are kinds of (A) Sam (B) Yati (C) Gat (D) Graha 32. One Avartan of Taal is described in Sangeet Ratnakar as (A) Mahavartan (B) Deerghavartan (C) Parivartan (D) Parivardhan Paper-II 20 S-16-13 V 26. 27. 33. (A) (B) (C) (D) (A) (B) (C) (D) 35. : (i) . (ii) . (iii) . (iv) . : (A) 10 (B) 4 (C) 6 (D) 5 34. (A) (B) (C) (D) : I (i) 1. (ii) 2. (iii) 3. (iv) 4. : (i), (ii), (iii), (iv) (i), (ii), (iv), (iii) (i), (iv), (iii), (ii) (i), (iv), (ii), (iii) 28. 29. (A) (C) (A) (B) (C) (D) (A) 100 (B) 101 (C) 1011 (D) 1100 30. 31. 32. 3 4 (A) (C) (B) (D) 36. (B) (D) (ii) (iii) (iv) 2 3 4 2 4 1 4 1 2 2 1 4 (A) (C) (B) (D) 37. (A) (B) (C) (D) 21 (A) 3 (B) 5 (C) 7 (D) 9 38. (A) (B) (C) (D) S-16-13 (i) 1 3 3 3 II ( ) (A) (B) ( ) (C) (D) Paper-II 39. Traditional instrumental to accompany Shehanai (A) Pakhawaj (B) Dukkad (C) Tabla (D) Duff 40. The number of principal talas of Karnatak taal system (A) 5 (B) 7 (C) 9 (D) 11 41. 45. 46. Who got the highest fame for playing NA DHIN DHIN NA ? (A) Samta Prasad (B) Alla Rakha (C) Karmatulla With which singing style laggi-ladi are used ? (A) Dhrupad (B) Khayal (C) Thumari (D) Tappa 42. 43. (D) Anaukhelal Dahyalal Shivram is the author of (A) Sangeet Makarand (B) Sangeet Samayasar (C) Sangeet Kalavadya (D) Sangeet Kaladhar Assertion (A) : Ajarada Gharana is derived from Delhi Gharana. Reason (R) : Because Ustad Kallu Khan and Meeru Khan were disciples of Delhi Gharana. 47. Paper-II Tabla player who was felicitated with Padmashree recently (A) Pt. Suresh Gaytonde (B) Pt. Kumar Bose (C) Pt. Sudheer Saxena (D) Pt.Suresh Talwalkar 50. 22 Founder of Banaras Gharana of Tabla (A) Pt. Ram Sahay (B) Pt. Sharda Sahay (C) Pt. Badri Prasad (D) Pt. Gudai Maharaj 49. Ustad of Ajarada Gharana Habibuddin Khan also learnt Tabla from (A) Ustad Natthoo Khan of Delhi Gharana. (B) Pt. Bhairav Sahai of Banaras Gharana. (C) Ustad Ameer Hussain of Farrukhabad Gharana. (D) Ustad Quadir Baksh of Punjab Gharana. Dhumali Taal is befitting for the style of singing (A) Dhamar (B) Khayal (C) Tappa (D) Bhajan/Quawali 48. Codes : (A) (A) correct, (R) wrong. (B) (A) wrong, (R) correct. (C) (A) and (R) both are wrong. (D) (A) and (R) both are correct. 44. Who was awarded Sangat-Samrat ? (A) Ahmad Jan Thirakua (B) Gudai Maharaj (C) Kishan Maharaj (D) Habibuddin The Bayan (Dagga) is not made of (A) Mud (B) Copper (C) Nickle (D) Bamboo S-16-13 39. 40. 41. (A) (B) (C) (D) 45. (A) (B) (C) (D) ? (A) 5 (B) 7 (C) 9 (D) 11 46. - ? (A) (B) (C) (D) 47. 48. (A) . (B) . (C) . (D) . 49. (A) . (B) . (C) . (D) . 50. ( ) (A) (B) (C) (D) 42. (A) (B) (C) (D) 43. (A) : , (R) : . . : (A) (A) , (R) (B) (A) , (R) (C) (A) (R) (D) (A) (R) 44. - (A) (B) . (C) (D) S-16-13 23 ? (A) (B) (C) (D) ? (A) (B) (C) (D) / Paper-II Space For Rough Work Paper-II 24 S-16-13

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