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UGC NET DEC 2012 : MUSIC PAPER II

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PAPER-II MUSIC Signature and Name of Invigilator 1. (Signature) __________________________ OMR Sheet No. : ............................................... (To be filled by the Candidate) (Name) ____________________________ 2. (Signature) __________________________ (Name) ____________________________ D 16 1 2 1 Time : 1 /4 hours] Number of Pages in this Booklet : 24 Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the circle as indicated below on the correct response against each item. Example : where (C) is the correct response. 5. Your responses to the items are to be indicated in the OMR Sheet given inside the Paper I Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification. 9. You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is no negative marks for incorrect answers. D-16-12 Roll No. (In figures as per admission card) Roll No.________________________________ (In words) [Maximum Marks : 100 Number of Questions in this Booklet : 50 1. 2. - 3. , - - , : (i) - - (ii) - / - - (iii) OMR - 4. (A), (B), (C) (D) : (C) 5. I OMR OMR , 6. 7. (Rough Work) 8. OMR , , , , , 9. - OMR OMR 10. / 11. ( ) 12. 1 P.T.O. MUSIC Paper II Hindustani / Karnatak / Rabindra Sangeet (Vocal, Instrumental & Musicology and Percussion Instrument) Special Instructions Note : Candidates are required to answer all the 25 questions in Part I, which are compulsory. They should select any one of the groups from Part II, Part III, Part IV, Part V and answer all the 25 questions in that part. Each question carries two (2) marks. PART I Common to Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument. 1. 4. The interval between two Shruties , as compared to the interval between two Swaras is ______ (A) Hiding the main swaroop of raga during improvisation by using the swaras of other raga. (A) Less (B) More (C) Equal (B) A musical scale contains how many shruties according to the ancient scholars ? 5. 24 (C) 22 Tabla player, who composed music for films as A.R. Qureshee ? (A) Ustad Allarakha (B) Ustad Abdul Kareem (C) (D) 21 3. Using the bol of mridangam in the composition. (D) Voice modulation. (A) 20 (B) Using variety of tanas in the presentation. (C) (D) None of the above 2. Tirobhava in a raga is meant for which of the following ? Ustad Ahmedjan Thirkawa (D) Ustad Ameer Hussain A special method of presenting alap in the ancient times is known by which of the following name ? 6. Founder of Banaras Gharana of Tabla (A) Swasthan (A) Sharda Sahai (B) Sargam (B) Kishan Maharaj (C) Ragmala (C) Ram Sahai (D) Janki Prasad (D) Sadra Paper-II 2 D-16-12 II / / ( , ) : I 25 II, III, IV V 25 (2) I / / 1. , 4. ? (D) 2. (C) (C) (B) (B) (A) (D) (A) ? 5. (A) 20 . . : (B) (A) (C) 22 (B) (D) 21 (C) (D) 3. 24 , ? (A) (B) (C) (D) 6. D-16-12 (A) (B) (C) (D) 3 Paper-II 7. Ghanaraga Pancharatna composed by Kritis are 12. Popular Mridangam player (A) Ambadas Pant Agale (A) Swati Thirunal (B) Umyalpuram Shivraman (B) Syama Shastri (C) Tyagaraja (C) Tyagaraja (D) Chitti Babu (D) Muthuswami Dikshitar 13. Mechkalyani is a (A) Utharanga raga (A) X (B) Janya raga (B) O (C) 8. Sign for Khali in Paluskar taal notation system Ghana raga (C) + (D) Vakra raga 9. (D) Number of Kharaharapriya in the 72 Melakartha scheme is 14. In which book does Tagore s concept of music appear ? (A) 25 (A) Shangeeter Dharma (B) 22 (B) Sangeet Chiata (C) 20 (C) Sangeet-O-Bhav (D) 15 10. (D) Sangeeter Mukti According to modern shudha scale, the frequency of Sa is 240, what will be the frequency of shudha madhyam ? 15. Which character did Rabindranath portray in the drama Tapoti ? (A) Kumar Sen (A) 270 (B) Vikram (B) 288 (C) Ratneshwar (C) 320 (D) Devadutta (D) 360 16. 11. Lakshan Geet is a musical form, which describes : How many Thats have been used by Pt. Bhatkhande for the classification of ragas ? (A) Characteristics of a raga (A) 15 (B) Quality of sound (B) 22 (C) Musicology (C) 10 (D) 12 (D) Variety of Tanas Paper-II 4 D-16-12 7. 8. 12. (A) (B) (C) (D) 9. 72 (A) (B) (C) (D) 13. ? (A) (B) (C) (D) (A) X (B) 14. ? (A) (B) (C) - - (D) 15. ? (A) (B) (C) (D) 16. . ? (A) 25 22 20 (D) 15 10. 240 ? (A) 270 (B) 288 (C) 320 (D) 360 11. ? (A) (B) (C) (D) D-16-12 + (D) (C) O (C) (B) (A) 15 (B) 22 (C) 10 (D) 12 5 Paper-II 17. Identify the structure of Major Scale : 22. Tyagaraja Swami lived in (A) Tone, Tone, Semi Tone, Tone, Tone, Tone, Semi Tone. (A) 15th Century (B) 17th Century (B) (C) 14th Century (C) Tone, Semi Tone, Tone, Tone, Semi Tone, Tone, Tone. (D) 13th Century Semi Tone, Tone, Tone, Tone, Semi Tone, Tone, Tone. 23. (D) Tone, Tone, Tone, Semi Tone, Tone, Semi Tone, Tone. Name of Mohanam raga in Hindustani Music is (A) Malkauns Tagore composed O amar desher mati at the age of (B) Bhupali (C) Durga (A) 35 18. (D) Sohini (B) 75 (C) 45 24. Match the following : (D) 15 19. List I a. Sudha Prabandhas (C) Chitrangada (D) Chandalika 3. Ancient Music d. Gandhara Grama Mayor Khela 2. Kriti c. Equal temperament (A) Kalmrigaya 1. Instrumental Joom b. Mukta Gita Which was the last dance drama composed by Tagore ? (B) List II 4. Western Music Code : 20. A musical scale divided into 12 equal intervals for 12 swaras, is known as a b c d (A) 2 1 4 3 (A) Diatonic scale (B) 1 2 3 4 (C) 3 4 2 1 (D) 4 3 1 2 (B) Pythagorean scale (C) Minor scale (D) Equally tempered scale 21. Dasvidh Raga mentioned in Vargikaran 25. Who is the author Bhashyam Granth ? is (B) Brihaddeshi Nanya Bhoopal (D) Raja Pratap Singh (D) Sangeet Ratnakar Paper-II Vidyaranya (C) Sangeet Makrand (C) Bharat (A) Singh Bhupal (A) Natya Shastra (B) of 6 D-16-12 17. : (A) , , . , , , , . (B) , . , , , . , , (C) . , , , , . , , (D) , , , . , , . , 18. 22. ? ? (A) 15 (B) 17 (C) 14 (D) 13 23. ? (A) (B) (C) (D) 24. : I II 1. a. b. 2. c. 3. 4. d. : (A) 35 (B) 75 (C) 45 (D) 15 19. ? (A) (B) (C) (D) 20. 12 , 12 ? (A) (B) (C) (D) 21. a c d (A) 2 1 4 3 (B) 1 2 3 4 (C) 3 4 2 1 (D) 4 3 1 2 25. (A) (B) (C) (D) D-16-12 b (A) (B) (C) (D) 7 ? Paper-II PART II Hindustani Music (Vocal / Instrumental) 26. Vikrit Swara of Bharat (A) Teevratar Ni (B) Kaushik Ni (C) Antar Gandhar (D) Teevratar Gandhar 27. Which artist is famous for Merukhandi Gayaki ? (A) Ustad Fayyaj Khan (B) Ustad Abdul Karim Khan (C) Bade Ghulam Ali Khan (D) Ustad Aman Ali Khan 28. What is the interval of Semi Tone ? (A) 9 : 10 (B) 8 : 9 (C) 15 : 16 (D) 10 : 15 29. He had a spiritual Aesthetics. (A) Plato (B) Aristotle (C) Hegal (D) Baumgarton 33. concept Name the thata of Devgiri Bilaval (A) Kalyan (B) Khamaj (C) Bilaval (D) Kafi 34. Which scale of Western Music has major, minor and semi tones ? (A) Natural scale (B) Tempered scale (C) Dia-tonic scale (D) Hexatonic scale 35. What is the interval between Shadaj and Pancham ? (A) 3 : 4 (B) 2 : 3 (C) 2 : 4 (D) 8 : 9 36. The frequency of Teevra Madhyam according to Pt. Bhatkhande (A) 432 (B) 256 (C) 337 (D) 288 37. Which scholar has referred to Chidabaran Bhang in context of Rasa theory ? (A) Bharat (B) Abhinav Gupta (C) K.C. Pandey (D) Pt. Raj Jagganath 38. Which of the following is required to enhance breathing-control while singing ? (A) Singing loudly (B) Singing very slowly (C) Singing on mike (D) Pranayam of 30. How many varieties of Arts have been mentioned by Vatsyayana ? (A) 32 (B) 74 (C) 20 (D) 64 31. Frequency is related to (A) Magnitude (B) Pitch (C) Timbre (D) Vibrator 32. Consonance of perfect sound depends upon (A) Relation between basic note and its overtones. (B) Manda and Madhya Saptak (C) Vibration and Frequency (D) Length of Vibrator Paper-II 8 D-16-12 II ( / ) 26. 33. (A) (A) (B) (B) (C) (C) (D) (D) 27. ? 34. , (A) ? (B) (A) (C) (B) (D) (C) (D) 28. : (A) 9 : 10 (C) 15 : 16 29. 30. (B) 8 : 9 (D) 10 : 15 35. (A) 3 : 4 (C) 2 : 4 (A) (B) (C) (D) 36. (B) 74 (D) 64 31. ? (A) (B) (C) . . (D) . 38. ? (A) (B) (C) (D) D-16-12 (B) 256 (D) 288 37. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 32. (B) 2 : 3 (D) 8 : 9 . (A) 432 (C) 337 ? (A) 32 (C) 20 ? 9 Paper-II 39. 40. | Harmony is based on (A) Metre (B) Chord (C) Staccto (D) Rest Author of Mansollas is (A) Damodar Pandit (B) Someshwar (C) Pundrik Vitthal (D) None of these 45. Sa Ma, Ga Ma Pa , Notes belong to which Raga ? (A) Raga Yaman (B) Raga Kedar (C) Raga Kamod (D) Raga Marubihag 46. Which instrument does not belong to stringed instruments ? (A) Sitar (B) Sarod (C) Sehnai (D) Sarangi 47. 42. 43. 44. 48. 49. Which Raga belongs to Audav Jati ? (A) Jog Kauns (B) Todi (C) Jog (D) Rageswari Shri Krishna Narain Ratanjankar died in which month ? (A) January (B) February (C) March (D) April Who was called Kinnar in Vedic period ? (A) Singer (B) Instrumentalist (C) Composer (D) A person who was expert in singing and playing an instrument Who is the composer of Raghupati Raghav Rajaram ? (A) Narayan Moreshwar Khare (B) Pt. Vishnu Digamber Paluskar (C) Pt. Vishnu Narayan Bhatkhande (D) Pt. Annasaheb Ratanjankar 50. 41. Who is the founder of Kawali ? (A) Miya Tansen (B) Amir Khusroo (C) Sadarang (D) Adarang Who had the honour of presenting Classical Music in the temples of Mewar & Shrinathji ? (A) Pt. Bhimsen Joshi (B) Pt. Jasraj (C) Pt. Omkarnath Thakur (D) Pt. Rasiklal Andharia D-16-12 Notes of Raga Todi are (A) Re Ga Re Sa (B) Re Ga Re Sa (C) Re Ga Re Sa (D) None of these Bols of Maseetkhani Gat are (A) Dir Da Rada Dir Da Dir Da Ra (B) Dir Da Dir Da Ra Da Da Ra (C) Da Ra Dir Dir Da Rada Dar Da (D) None of these Paper-II 10 39. (A) (B) (C) (D) 40. 45. | , , ? (A) (B) (C) (D) (C) (D) 41. 42. 43. 44. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 48. (B) 46. 47. (A) ? (A) (B) (C) ( ) (D) 49. ? (A) (B) . (C) . (D) . 50. ? (A) . (B) . (C) . (D) . ? (A) (B) (C) (D) ? (A) (B) (C) (D) (A) (B) (C) (D) (A) (B) (C) (D) D-16-12 11 Paper-II PART III Karnatak Music (Vocal, Instrumental, Percussion) 26. Ramamatya wrote Kalanidhi in the year (A) 1570 (B) 1550 (C) 1660 (D) 1450 Swaramela 28. 29. 30. 31. Devarnamas are composed by (A) Muthuswami Dikshitar (B) Purandara Das (C) Syama Shastri (D) Swati Thirunal 33. _______ comes in the group of Ghanaraga Pancharatna. (A) Arabhi (B) Mohanam (C) Abheri (D) Kharaharapriya 34. 27. 32. _______ is a Vivadi raga. (A) Rasikapriya (B) Kharaharapriya (C) Shanmukhpriya (D) Ramapriya 35. Author of the series of books South Indian Music is (A) T.S. Parthasarathy (B) Dr. N. Ramanathan (C) Prof. P. Sambamurthy (D) Dr. Venkita Subramanya Iyer 36. Ujvala is associated with (A) Santha rasa (B) Bhakti rasa (C) Hasya rasa (D) Sringara rasa 37. _______ is an Ekasthayi Vadya. (A) Veena (B) Mukha Veena (C) Violin (D) Flute 38. Female parts were performed by men dressed up ladies in (A) Nathuvamelam (B) Bhagavatamela natakam (C) Neyyandi melam (D) Katha kalashepam Author of Chaturdandi prakasika is (A) Ahobala (B) Venkitamakhi (C) Govindacharya (D) King Tulajaji Total number of Vivadi ragas in the 72 Melakartha scheme is (A) 39 (B) 40 (C) 42 (D) 43 ______ is a Purva prasidha Melaraga. (A) Malavagavla (B) Suryakantham (C) Vakulabharanam (D) Kanakangi Anyaswara (Foreign note) of Asaveri raga is (A) Sudha Rishabham (B) Chatusruti Rishabham (C) Prati Madyamam (D) Antara Gandharam Who wrote kirtanas for the first time with divisions of Pallavi, Anupallavi and Charanam ? (A) Bhadrachalam Ramadas (B) Tallapakkam Composers (C) Tyagaraja (D) Purandara Dasa Paper-II 12 D-16-12 III ( , , ) 26. (A) (B) (C) (D) 27. 28. 30. 31. ? (A) (B) (C) (D) 33. 1570 1550 1660 1450 _______ (A) (B) (C) (D) 34. _______ (A) (B) (C) (D) 35. ? 72 39 40 42 43 ______ (A) (B) (C) (D) 36. ? (A) . . (B) . . (C) . (D) . ? (A) (B) (C) (D) : (A) (B) (C) (D) 37. 13 _______ (A) (B) (C) (D) 38. , ? (A) (B) (C) (D) D-16-12 (A) (B) (C) (D) (A) (B) (C) (D) 29. 32. ? - ? (A) (B) (C) (D) Paper-II 39. Samashticharanam in Kriti introduced by (A) Tyagaraja (B) Muthuswami Dikshitar (C) Syama Shastri (D) Pattanam Subramanya Iyer is 40. 45. Which will be the resultant mela when the Kakali Nishada is changed into Kaisiki nishada of Mayamalavagavla ? (A) Suryakantham (B) Chalanatta (C) Vakulabharanam (D) Gayakapriya Tevaram is the collective name given to the sacred hyms of : (A) Arunagirinathar & Manikavachakar (B) Andal & Sundarambal (C) Tirugnanasambandar & Ilangovatikal (D) Tirugnanasambandar, Appar and Sundaramurthy Nayanar Bangala raga is derived from (A) 29th Mela (B) 28th Mela (C) 22nd Mela (D) 20th Mela 47. Shadsruti rishabham is same as (A) Sudha Gandharam (B) Sadharana Gandharam (C) Sudha Rishabham (D) Chatusruti Rishabham 48. 41. 46. Saraswati Manohari is a (A) Audava Vakra Sampoorna Raga (B) Sampoorna Vakra Raga (C) Audava Audava Raga (D) Audava Shadava Raga 49. Navroj is a _______ raga. (A) Panchamandya (B) Nishadantya (C) Dhaivatantya (D) Madhyamandya 50. Another name of Udayaravi Chandrika raga (A) Abheri (B) Sudha Dhanyasi (C) Arabhi (D) Hindolam Prahladabhakti Vijayam is written by (A) Gopalakrishna Bharati (B) Ramaswami Sivam (C) Muthuswami Dikshitar (D) Tyagaraja 42. Devagandhari raga is derived from (A) 29th Melaraga (B) 28th Melaraga (C) 22nd Melaraga (D) 20th Melaraga 43. Kshetrayya is famous for (A) Telugu Padams (B) Tillanas (C) Varnams (D) Javalis 44. Who suggested the name Kalpita melakarta for the 19 melas ? (A) Saranga Deva (B) Somanatha (C) Ramamatya (D) Venkata Makhi Paper-II 14 D-16-12 39. ? (A) (B) (C) (D) 40. ? (A) , (B) , (C) , (D) , 41. (A) (B) (C) (D) 42. 44. D-16-12 15 _______ (A) (B) (C) (D) 50. ? (A) (B) (C) (D) _______ (A) (B) (C) (D) 49. 19 : (A) (B) (C) (D) 48. ? (A) (B) (C) (D) (A) 29 (B) 28 (C) 22 (D) 20 47. ? (A) (B) (C) (D) 46. ? (A) 29 (B) 28 (C) 22 (D) 20 43. 45. : (A) (B) (C) (D) Paper-II PART IV Rabindra Sangeet 26. Which is the inaugural function song composed by Rabindranath Tagore ? (A) Hey Chironutan (B) Sabare Kori Aahoban (C) Aso Amar Ghare Aso (D) Mor Bhavonare 27. The occasional song for Bengali New Year composed by Rabindranath Tagore. (A) Aoye Tabe Sahochari (B) Aji Basonto Jagroto Dware (C) Aso Aso Hey Baishakh (D) Aso Syamolo Sundoro 28. Aaha Mori Mori, Mahendra Nindito Kanti song is in the Dance Drama (A) Chitrangada (B) Chandalika (C) Shyama (D) Natir Puja 29. 30. 32. 33. Which song is not included in the Grishma paryaye of Tagore composition ? (A) Darun Agni Bane Re (B) Aso Aso hey Trishnar Jal (C) Madhyadine Jabe gan (D) Bajromanik diya gatha, Aashar tomar Mala Paper-II Saghano Gahano Ratri song is composed in which raga ? (A) Bageshree (B) Bhimpalashree (C) Chayanat (D) Malkunsh 35. Which song is not composed in Rabindra Srista Taal ? (A) Janoni Tomar Karuno Charono khani (B) Kapiche Deholata tharo tharo (C) Byakulo Bakuler phule (D) Aso Shyamolo Sundaro 36. How many matras are in NavpanchTala created by Rabindranath Tagore ? (A) 8 (B) 10 (C) 15 (D) 18 37. Which song is written by Rabindranath Tagore after death of Raja Ram Mohan Roy ? (A) Sarvo Kharvo Tare Dahe (B) Ke Jaye Amritodhamyatri (C) Parovasi Chole Aso Ghare (D) Aeo Duwar tu ku Which song is not composed in drupad style ? (A) Maha Viswe Makashe Maha Kalo Majhe (B) Mandire Mamo Ke (C) Prothomo Adi Tabo (D) Jogote Tumi Raga 34. Which song is written by Rabindranath Tagore on the death of his brother Dijendranath Tagore ? (A) O Bhai Kanai (B) Haye, Haye, Haye Din chole (C) Moron Sagar Pare Tomra Amar (D) Cholo Jai Cholo Which song is composed in Rupkara Taal ? (A) Aei Labinu Sango Tabo (B) Sharoto Aalor Kamal Vane (C) Jogenath Jyotsnarate (D) Basante Ki Sudhu Duware Dao More Rakhiya song is composed in which Tala ? (A) Jhampak (B) Shasthi (C) Akadashi (D) Navtal 31. 16 D-16-12 IV 26. 32. ? ? (A) (A) (B) (B) (C) (C) (D) (D) 27. (A) (B) (C) (D) 28. 29. 30. 31. 33. 34. , (A) (B) (C) (D) ? (B) (C) (D) (A) ? (A) (B) , , (C) (D) 35. ? (A) (B) (C) (D) 36. (A) (B) (C) (D) ? (A) 8 37. (B) (C) ? (A) (B) (C) (D) , D-16-12 ? (A) (B) (C) (D) (D) 18 15 ? (A) (C) 17 10 (D) (B) Paper-II 38. Which song is based on Tappa style ? (A) A parobase Rabe ke (B) Tomar Amar Aei Biroher Antorale (C) Tumi keman kore gan karo hey guni (D) Anander e sager hote 39. Which song is based on Khyal style ? (A) Mandire Moma Ke (B) Anando Dhara Buheche Bhuwane (C) Tumi Kemon Kore gaan Koro (D) Arup Tomar Vani 40. Which western instrument is not used in performance of Rabindra Sangeet ? (A) Harmonium (B) Esraj (C) Piano (D) Clarionet 41. 42. 45. 46. 43. 49. In Jorasak family which musician was not included as court musician of thakur family ? (A) Srikanth Singh (B) Jadu Bhatta (C) Vishnu Chakravarty (D) Moula Bax 50. Which song is not a baul folk based Rabindra Sangeet Composition ? (A) Amar Praner Manush achche Prane (B) O amar Man Jakhan Jagli na re (C) Jodi tor dak sune kau na aase (D) Anando loke mangalaloke In autobiography of Rabindranath Jiban Srimti to whom Rabindranath narrate as Amar Ganer Kandari ? (A) Jyotirendranath Thakur (B) Somendranath Thakur (C) Denendranath Thakur (D) Satyendranath Thakur Which song is not composed by Rabindranath Tagore for the nam Satyagrah of Mahatma Gandhiji ? (A) Tumi je surer Aagun (B) Jago Mangalaaloke (C) Jodi tor dak sune kau na aase (D) Tumi ke keboli chobi Rabindranath was honoured by Gandhiji as given a title (A) Gurudev (B) Mahakavi (C) Rastrakavi (D) Guruji 44. Which song is described the philosophy of death in Bhanu Singh Padavali ? (A) Sawan Gagane (B) Sunala Sunala Balika (C) Maran re tuhu maho (D) Aaj Sakhi muhu Muhu 48. Rabindranath has given the new name for A.I.R. is ? (A) Aakash Barta (B) Aakashvani (C) Aakash Bhasa (D) Aakash Katha Which Rabindrasangeet is composed on English Song Go where glory waits thee ? (A) Purano Sei diner Katha (B) Ohe Dayamay (C) Oder Sathe milao (D) Amar Man Mane na 47. Rabindra Sangeet is mostly composed in which notation system ? (A) Aakar Matrik Swarlipi (B) Dand Matrik Swarlipi (C) Sankha Matrik Swarlipi (D) Sargam Swarlipi Which song is composed by Rabindranath Tagore in the occasion of first tube well ground at Shantiniketan ? (A) Aso Aso hey Trishnar jal (B) Badol Dhara Holo Sara (C) Aji Barsa rater sese (D) Jal dao Jal dao Paper-II 18 D-16-12 38. ? (A) (B) (C) (D) 39. ? (A) (B) (C) (D) 40. 41. 42. 45. ? (A) (B) (C) (D) 46. ? (A) (B) (C) (D) Go where glory waits thee ? (A) (B) (C) (D) 47. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 48. ? (A) (B) (C) (D) A.I.R. (A) (B) (C) (D) 43. ? (A) (B) (C) (D) 50. ? (A) (B) (C) (D) 49. ? (A) (B) (C) (D) 44. ? (A) (B) (C) (D) D-16-12 19 Paper-II PART V Percussion Instruments 26. Tabla instrument is derived from (A) Dholak (B) Khanjari (C) Pushkar (D) Nakkara 27. Total Matras of Lakshmi taal (A) 20 (B) 18 (C) 16 (D) 14 28. Value of Laghu (A) One Matra (B) Five Matras (C) Four Matras (D) Two Matras 29. 30. 32. The number of Vibhagas in Pancham Sawari taal (A) Five (B) Four (C) Seven (D) Fifteen 33. Khalifa of Delhi gharana of Tabla (A) U. Ameer Hussain (B) U. Habibuddin Khan (C) U. Lateef Ahmed (D) U. Inam Ali 34. Total number of Marg mentioned by Bharat ? (A) 5 (B) 7 (C) 120 (D) 12 35. Match the following : List I a. Hazi Vilayat 1. Ali Khan b. Quader 2. Bakhsha c. Natthoo Khan 3. d. Kumar Bose 4. Code : a b c (A) 1 2 3 (B) 1 3 4 (C) 3 2 1 (D) 1 4 3 Arrange the following Pakhawaj players in chronological order : (i) Kudau Singh (ii) Raja Chhatrapati Singh (iii) Bhawani deen (iv) Purshottam Das Codes : (A) (i), (ii), (iii), (iv) (B) (ii), (i), (iii), (iv) (C) (iv), (iii), (ii), (i) (D) (iii), (i), (iv), (ii) Layakari of 1 is called (A) Paungun (B) Sawagun (C) Dedhgun (D) Paunedogun Which of the following is not a Vistarsheel Bandish ? (A) Theka (B) Quaida (C) Peshkar (D) Tihai Paper-II List II Farrukhabad gharana Banaras gharana Punjab gharana Delhi gharana d 4 2 4 2 36. Nana Panse is related with (A) Dholak (B) Tabla (C) Pakhawaj (D) Mridangam 37. Total Matras of Rudra taal (A) 9 (B) 11 (C) 13 (D) 14 31. 20 taalas D-16-12 V 26. 27. : (A) (B) (C) (D) 29. 31. 33. (A) . (B) . (C) . (D) . 34. (B) 18 (D) 14 (A) 1 (B) 5 (C) 4 (D) 2 (A) 5 (C) 120 35. : (i) (ii) (iii) (iv) : (A) (B) (C) (D) 30. (A) (B) (C) (D) (A) 20 (C) 16 28. 32. (i), (ii), (iii), (iv) (ii), (i), (iii), (iv) (iv), (iii), (ii), (i) (iii), (i), (iv), (ii) 1 (A) (B) (C) (D) a 1 1 3 1 b 2 3 2 4 II 1. 2. 3. 4. c 3 4 1 3 36. d 4 2 4 2 (A) 9 (C) 13 21 (A) (B) (C) (D) 37. ? (A) (B) (C) (D) D-16-12 : I a. b. c. d. : (A) (B) (C) (D) (B) 7 (D) 12 (B) 11 (D) 14 Paper-II 38. The title of text written by Sharangdeo (A) Sangeet Sagar (B) Sangeet Ratnakar (C) Sangeet Kalpdrum (D) Sangeet Ratna Sagar 45. Real name of Pt. Gudai Maharaj (A) Kamta Prasad (B) Samta Prasad (C) Sharda Prasad (D) Gudai Mishra 39. Founder of Ajarada gharana (A) Kallu Khan-Meeru Khan (B) Modu Khan-Makhhu Khan (C) Bakshu Khan-Salari Khan (D) U. Habibuddin Khan 46. 40. The author of Bhartiya Sangeet Vadya (A) Lalmani Mishra (B) Girishchandra Shrivastava (C) Sudhir Mainkar (D) Vijayshankar Mishra Match the following : List I a. Shahid Parvez 1. b. V.G. Jog 2. c. Bhajan Sopori 3. d. Raghunath Seth 4. Code : a b c d (A) 2 3 4 1 (B) 3 4 1 2 (C) 4 2 3 1 (D) 1 4 2 3 41. Kinds of Laya (A) three (B) four (C) six (D) five 47. 44. Paper-II 22 Gharana of Ustad Muneer Khan (A) Delhi (B) Farrukhabad (C) Lucknow (D) Punjab 50. Shamya is a ______. (A) Nishabd kriya (B) Sashabda kriya (C) Parivarti kriya (D) Nibaddha kriya The number of Deshitaalas described in Sangeet Ratnakar (A) 5 (B) 108 (C) 112 (D) 120 49. Another name for Karnatak Adi taalam is (A) Chatasra jati Triput (B) Tisrajati Jhamp (C) Sankeern jati Ek taal (D) Khand Chapu First tabla player who received Padma Bhooshan (A) Pt. Kishan Maharaj (B) U. Wazid Hussain (C) U. Ahmed Jan Thirkawa (D) Pt. Nikhil Ghosh 48. 42. Harmonium is a (A) Tantri Vadya (B) Sushir Vadya (C) Avanaddha Vadya (D) Ghan Vadya 43. List II Flute Sitar Violin Santoor Main taalas of Karnatak music are (A) 108 (B) 96 (C) 10 (D) 7 D-16-12 38. (A) (B) (C) (D) 45. . (A) (B) (C) (D) 39. (A) (B) (C) (D) . 46. : I a. b. . . c. d. : 40. 41. 42. (A) (B) (C) (D) (A) (B) (C) (D) (A) (B) (C) (D) d 1 2 1 3 (A) . (B) . (C) . (D) . (A) (B) (C) (D) ______ (A) : (B) (C) (D) D-16-12 c 4 1 3 2 48. (A) (B) (C) (D) 44. b 3 4 2 4 47. (A) (B) (C) (D) 43. a 2 3 4 1 1. 2. 3. 4. II 5 108 112 120 49. . (A) (B) (C) (D) 50. (A) (B) (C) (D) 23 108 96 10 7 Paper-II Space For Rough Work Paper-II 24 D-16-12

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