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UGC NET DEC 2007 : MUSIC PAPER II

48 pages, 250 questions, 23 questions with responses, 23 total responses,    0    0
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Signature and Name of Invigilator Answer Sheet No. : ...................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) Roll No. 2. (Signature) (In words) (Name) Test Booklet No. D 1 6 0 7 PAPER II MUSIC Time : 1 hours] Number of Pages in this Booklet : 48 [Maximum Marks : 100 Number of Questions in this Booklet : 50 U Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U 2. This paper consists of fifty multiple-choice type of questions. 3. U U U, - S U U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) 4. Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. (iii) - S U (i) - S U U U U S U U- U S S U U (ii) U DU U U U - S DU To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) 2. - After this verification is over, the Serial No. of the booklet should be entered in the Answer-sheets and the Serial No. of Answer Sheet should be entered on this Booklet. U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (iii) - S R U- U U U U U- R - S U U 4. U U (A), (B), (C) (D) U U U U Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. Example : A B C U D where (C) is the correct response. 5. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I booklet only. If you mark at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 5. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 7. 8. If you write your name or put any mark on any part of the test booklet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 9. 6. 8. 9. You have to return the test question booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 10. B C D U ( U U) U U 12. U U 10. Use only Blue/Black Ball point pen. 11. 11. Use of any calculator or log table etc., is prohibited. 12. There is NO negative marking. See Page No. 2 and 3 for Special Instructions / D 1607 A ( C) U U U I U U- U U U U S U U U , U U U (Rough Work) S DU U U U- S U , U U U U U # U U- S U U U U U # U U U / U Z U S U 1 c 2 3 P.T.O. MUSIC PAPER II Hindustani / Karnataki / Rabindra Sangeet / Percussion (Vocal and Instrumental) SPECIAL INSTRUCTIONS Note : Candidates are required to answer all the 25 questions in PART - I, which are c ompulsory . They should select a ny one o f the groups PART-II, PART-III, PART-IV, PART-V and answer all the 25 questions in that PART. Each question carries two (2) marks. PART - I Common to Hindustani / Karnataki / Rabindra Sangeet / Percussion 1. Which instrument has got frets ? (A) (B) Sarangi (C) 2. Violin Sitar (D) Tanpura Who is writer of Sangeet Ratnakar ? (A) (B) Lochan (C) 3. Kallinath Sharangdev (D) Mammat Who is not from Maiher Gharana ? (A) (B) Nikhil Banerjee (C) 4. Allauddin Khan Ravi Shankar (D) Halim Zafer Khan Which Folk dance is from Gujarat ? (A) Giddha (B) Garva (C) Ras (D) Nachni D 1607 2 II S / / ( , S ) h l U -I 25 -II, -III, -IV, -V 25 (2) PART - I S / / h l 1. l U Q ? (A) (B) U (C) 2. U (D) U U U U ? (A) (B) (C) 3. X (D) U U U ? (A) (B) (C) 4. g U U (D) $ U U ? (A) h (B) U (C) U (D) D 1607 3 P.T.O. 5. Who is not a Thumri Singer ? (A) (B) Sharan Rani (C) 6. Girija Devi Siddheswari Devi (D) Shobha Gurtu How many main classes of Musical Instruments ? (A) (B) Four (C) 7. Three Five (D) Six Who is not a Sitar player ? (A) (B) Shivkumar Sharma (C) 8. Ravi Shankar Buddhaditya Mukherjee (D) Rahim Khan Who is not a mainly Dhrupad singer ? (A) (B) Fahimuddin Dagar (C) 9. Bhimsen Joshi Gundecha Bandhu (D) A. Rahimuddin Dagar Which treaties has mentioned the word Raga for the first time ? (A) (B) Rag Tarangini (C) 10. Sangeet Ratnakar Natya Shastra (D) Brihaddeshi Write the name of person who has contributed utmost in the field of Music Aesthetic. (A) S.K. Saxena (B) Ashok Ranade (C) B.C. Deva (D) K.C.D. Brihaspati D 1607 4 5. U U ? (A) (B) U U (C) 6. U h U (D) U l ? (A) (B) U (C) 7. (D) U U ? (A) (B) U (C) 8. . U U h (D) U ? (A) (B) g U U (C) 9. (D) . U g U U U ? (A) (B) U U (C) 10. U U K S (D) g U U ? (A) U . . . (B) . U . U U (C) . . (D) . . U . S D 1607 5 P.T.O. 11. Match the following : List - I List - II (a) Sitar Player (i) Briz Bhushan Kabra (b) Guitar Player (ii) Shivkumar Sharma (c) Sarod Player (iii) Nikhil Banerjee (d) Santoor Player (iv) Amjad Ali Khan Code : (a) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iv) (iii) (i) (ii) (C) (i) (ii) (iv) (iii) (D) 12. (b) (iii) (i) (iv) (ii) Who mastered all the four main styles of Tabla ? (A) (B) Samta Prasad (C) 13. Ahmad Jan Thirakwa Kishan Maharaja (D) Munne Khan How many Matras in Basant Tal ? (A) (B) 7 (C) 14. 5 9 (D) 11 A famous karnatak percussionist : (A) (B) T.R. Mahalingam (C) 15. Palghat Mani Iyer Madurai Mani Iyer (D) Chembai Vaidyanatha Bhagavatar A vocalist of the 20th century : (A) Chembai Vaidyanatha Iyer (B) Muthuswami Dikshitar (C) Tyagaraja (D) Subramanya Bharati D 1607 6 11. - I - II (a) U (i) . U (b) U U (ii) . U (c) U (iii) . (d) U (iv) U (a) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iv) (iii) (i) (ii) (C) (i) (ii) (iv) (iii) (D) 12. (b) (iii) (i) (iv) (ii) U U h U ? (A) (B) (C) 13. U U (D) ? (A) (B) 7 (C) 14. 5 9 (D) 11 U l U L (A) (B) U . U. (C) 15. U U U U (D) l U 20 (A) l U (B) S U (C) U (D) r U D 1607 7 P.T.O. 16. Raga Puranira figures in : (A) (B) Odissi (C) 17. Kathakali Kuchipudi (D) Bharatanatyam The Lady who established Kalakshetra ? (A) (B) Saraswathi Bai (C) 18. Rukminidevi Arundale M.S. Subhalakshmi (D) D.K. Pattammal The 9th Melakartha : (A) (B) Natakapriya (C) 19. Dhenuka Keeravani (D) Natabhairavi The great singer of Hindustani Classical Music Tagore has remembered whole life : (A) (B) Bishm Chakravarty (C) 20. Faiaz Khan Jagannath Bhattachariya (D) Kesharbai Kerkar The book consisting Tagores concept of Music is : (A) Sangeet-o-Bhav (B) Sangitor Dharma (C) Sangitor Mukti (D) Sangit Chinta Questions 21 to 25 : Para Phrasing or Linked Items : Read the passage below and answer each question. Among all the Oriental Music, Indian Music is artistically fully developed, has a strong theoretical basis, richest in repertoire and has a glorious history, extending over a span of 2000 years. It also possesses all the varieties, viz. Art Music, Sacred or Devotional Music, Dance Music and Folk Music. India has some hundreds of Musical Instruments, from the beginning of its history. Indian Music is melody music, but it performs all the subtleties of musical expression, using all tonal shades, nuances and curves. Indian classical music has developed melodic forms into ragas, every raga having a particular mood, theme and aesthetic personality, giving full scope to the artist for developing systematic improvisations in accordance with his particular style. D 1607 8 16. U U U (A) (B) U (C) 17. U (D) U K S ? (A) (B) US (C) 18. L L U . . (D) U . . ^ (A) (B) U (C) 19. U (D) U S S U U U U ? (A) (B) c R (C) 20. $ ^ (D) U U U U U U S ? (A) (B) U (C) U Q (D) 21 25 : U S U U U U U M , h U , U U h , 2000 Z U U , , , U U U l U D 1607 9 P.T.O. The era of ancient music begins in the age of Vedas and ends in the 13th century after which the mediaeval period of music became fully evolved and ultimately was bifurcated into two systems, namely Hindustani and Karnatic. 21. Indian music is not necessarily melodious. (A) Ancient music was started in mediaeval period. (B) Ancient music was started from vedas. (C) Indian music does not include Hindustani music. (D) Swara is not important in Indian music. (A) The ancient period of Indian music was from vedas to 13th century. (B) Indian music is not melodious. (C) Melody and Taalas are not needed in Indian music. (D) Swara and Taalas both are not necessary in Indian music. (A) Devotional music and dance are given by Indian music. (B) Indian music is not Raag prominent. (C) Taal and Vaadya are not used in Indian music. (D) Indian music is also called Folk music. (A) Taal and Vaadya are not used in Indian music. (B) Folk music and devotional music are not Indian music. (C) Hindustani and Karnataka music are not Indian music. (D) 25. Indian music is also called Karnataka music. (D) 24. Indian music is the contribution of modern age. (C) 23. Indian music is involved by religious and devotional music. (B) 22. (A) Indian music is not enriched. D 1607 10 S U U U U S U U , U U R U Q S c U U U 13 U S U h m 21. (A) U Q Q (B) (C) U U U S U (D) U S U (A) U , 13 U (B) U U (C) S U U U (D) S U U U (A) Q U (B) U U (C) S l (D) U (A) U l (B) , Q U (C) S U U (D) 25. (A) (C) 24. U U (B) 23. U U (D) 22. U U h D 1607 11 P.T.O. PART - II Hindustani Sangeet (Vocal / Instrumental) 26. The distance from Meru to Madhyam on the string of Veena : (A) 27. (C) 9" (D) 12" 9 (B) (C) 11 (D) 12 (C) Marva (D) Bhairavi (C) 10 Ahir Bhairav (B) Todi Lavani (D) Sam Udgata is concerned with which Gan ? (A) 30. 8" Dha, Ni, Re, Sa Swara is of which Raga ? (A) 29. (B) Matra of initial Swara of Masitkhani Gat : (A) 28. 6" Dhrupad (B) Tappa Commercial music teaching centres : (A) (B) University (C) 31. Gandharva Sangeet Vidyalaya Sangeet Natak Akademi (D) I.C.C.R. Frequency of notes of Gandhara : (A) 32. 270 (C) 320 (D) 360 Rabindra (B) (C) Western (D) Karnatak (C) Hindustani Dhundubi (D) Pakhwaj Which musical instrument is more modern ? (A) 34. (B) Chords are used in which Sangeet ? (A) 33. 240 Tabla (B) Bheri Which one of the following is a western musicologist ? (A) B.C. Dev (B) A.N. Jairazbhoi (C) A. Denelue (D) Leela Omchiri D 1607 12 - II S ( / ) 26. U U L U (A) 27. (C) 9" (D) 12" 9 (B) 10 (C) 11 (D) 12 U U (B) (C) U (D) U (C) (D) ? (A) 30. 8" $ $ U S U U ? (A) 29. (B) U S U (A) 28. 6" (B) U (A) (B) l (C) 31. l U (D) . . . U. U (A) 32. 270 (C) 320 (D) 360 U (B) S (C) (D) (B) U (C) (D) l ? (A) 34. (B) U ? (A) 33. 240 S ? (A) . . (B) . . U (C) . U (D) U D 1607 13 P.T.O. 35. Dr. Lalmani Mishra played which instrument ? (A) 36. Veena (B) Sarod (C) Guitar (D) Tabla Which of the following is Sangeet Vishvavidyalaya ? (A) (B) Indra Kala Sangeet Vishwavidhyalaya (C) 37. Rajasthan University Agra University (D) B.H.U. Arrange the Angas of Dhrupad in required form : (A) (B) Aabhog, Sanchari, Antara, Sthai (C) Antara, Sanchari, Aabhog, Sthai (D) 38. Sthai, Sanchari, Aabhog, Antara Sthai, Antara, Sanchari, Aabhog Arrange Re, Ga, Ma, Pa, Ni on string of Veena in descending order : (A) (B) 6", 4", 12", 9", 20" (C) 39. 4", 6", 9", 12", 20" 20", 12", 9", 6", 4" (D) 12", 9", 6", 4", 20" Matching type question : Two types of statements are given below. Match the statement of first list with the statement of second list and mark the correct answer. List - I List - II (a) Ga Komal Ma Tivra (i) Maru Vihag (b) Use of both Ma (ii) Multani (c) Re-Pa prohibited (iii) Madhuwanti (d) Re-Dha prohibited in Aaroha (iv) Malkaus Code : (a) (b) (c) (d) (A) (iii) (i) (iv) (ii) (B) (ii) (iii) (i) (iv) (C) (i) (iii) (ii) (iv) (D) (iv) (ii) (i) (iii) D 1607 14 35. U . ? (A) 36. (B) U (C) U U (D) l ? (A) U S U (B) l (C) 37. U l (D) . . . M R h (A) S , U , , U (B) , U , U , S (C) U , U , , S (D) 38. S , U , U , U U U, , , , U R R h (A) 4", 6", 9", 12", 20" (B) 6", 4", 12", 9", 20" (C) 39. 20", 12", 9", 6", 4" (D) 12", 9", 6", 4", 20" U U U , U U U - I - II (a) (i) M (b) (ii) (c) U- (iii) (d) U U- (iv) U (a) (b) (c) (d) (A) (iii) (i) (iv) (ii) (B) (ii) (iii) (i) (iv) (C) (i) (iii) (ii) (iv) (D) (iv) (ii) (i) (iii) D 1607 15 P.T.O. 40. Which instrument was played by Akbar, the great ? (A) (B) MRIDANG (C) 41. DHOLAK NAKKARA (D) DHOL On which SHRUTI does PANCHAM fall in MADHYAMA-GRAM ? (A) 42. 16th (C) 17th (D) 18th 4324324 (B) 4243234 (C) 3244243 (D) 4324432 (D) Mark Legi Name the western musicologist who adopted Hindu religion : (A) 44. (B) Which is the correct series of Shruties of Shuddy Swaras ? (A) 43. 15th Martin Klinton (B) Alen Danelue (C) Mooplore Match the following : List - I List - II (a) Natya Shastra (i) Matanga (b) Brihaddeshi (ii) Ahobala (c) Sangeet Parijat (iii) Bharat (d) Sangeet Makarand (iv) Narad Code : (a) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iii) (i) (ii) (iv) (C) (iv) (iii) (ii) (i) (D) 45. (b) (i) (iv) (iii) (ii) Name the GUITARIST of Hindustani music : (A) Pt. Shivkumar Sharma (B) Hariprasad Chaurasiya (C) Buddhaditya Mukharjee (D) Pt. Brij Bhushan Kabra D 1607 16 40. U l ? (A) (B) (C) 41. U U (D) U U S ? (A) 42. 16 (C) 17 (D) 18 4324324 (B) (C) 3244243 (D) 4324432 (C) 4243234 U (D) S ? (A) 44. (B) h S U U ? (A) 43. 15 U U (B) U - I - (a) K S (i) (b) (ii) (c) U (iii) U (d) U (iv) II U U (a) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iii) (i) (ii) (iv) (C) (iv) (iii) (ii) (i) (D) 45. (b) (i) (iv) (iii) (ii) S U U ? (A) . U (B) U U (C) h (D) . U D 1607 17 P.T.O. 46. Assertion (A) : Acharya K.C.D. Brihaspati was well versed in Sanskrit, wrote so many books which explored the mysterious of history etc, was a good singer, writer and a teacher. Reason (R) : Acharya Brihaspati worked a lot in the field of aesthetics and philosophy. (A) (B) (A) wrong (R) wrong (C) 47. (A) right (R) wrong (A) right (R) right (D) (A) wrong (R) right Assertion (A) : A vocalist who is an expert in Dhrupad he can also sing Khayal well. Reason (R) : Dhrupad singer who is an expert in Laykari his voice is made very mejastic. (A) (B) (A) false (R) true (C) 48. (A) true (R) false (A) and (R) both false (D) (A) true (R) true In which Gharana of Tabla, Quades of Aadi Laya are mostly played : (A) (B) Punjab (C) 49. Delhi Ajarada (D) Farukhabad Which Gharana is famous for GATEN ? (A) (B) Punjab (C) 50. Delhi Ajarada (D) Farukhabad The Taal having 11 Matras : (A) Laxmi Taal (B) Ganesh Taal (C) Rudra Taal (D) Parvati Taal D 1607 18 (A) : S S S U m U U U S U c U , U L (R) 46. S S U : (A) (A) (R) (B) (A) U (R) (C) (A) U (R) (D) (A) (R) (A) : U , (R) 47. h U U S U U U C : (A) (B) (A) (R) (C) 48. (A) (R) (A) U (R) (D) (A) (R) U ? (A) (B) (C) 49. U (D) M , U U ? (A) (B) (C) 50. U (D) M U (A) (B) (C) L (D) D 1607 19 P.T.O. PART - III Karnatic Music (Vocal / Instrumental) 26. Janani Mamava is a : (A) (B) Navagraha Kriti (C) 27. Navavarna Kriti Navaratri Kriti (D) Navaratna Malika Kriti A Vivadi Mela : (A) (B) Varunapriya (C) 28. Sarasangi Dhenuka (D) Gowrimanohari Gopalakrishna Bharati was born in : (A) (B) Chidambaram (C) 29. Tiruvarur Narimanam (D) Madurai A Margi Tala : (A) (B) Simhanandana (C) 30. Dhruva Sarabanandana (D) Sampatveshtaka A Tevaram song : (A) (B) Sadhinchene (C) 31. Todudaiya Seviyan Saranam Aiyappa (D) Varuhalamo A Marathi metrical form in Harikatha : (A) Utpalamala (B) Dindi (C) Cindu (D) Viruttam D 1607 20 - III ( , ) 26. __________ (A) (B) (C) 27. U (D) U (A) (B) M (C) 28. U (D) U U c U S (A) (B) U (C) 29. L M U U (D) U (A) (B) (C) 30. (D) c U U (A) (B) (C) 31. U U U (D) M U U U U M (A) (B) U (C) (D) L D 1607 21 P.T.O. 32. A song set to Misra Chapu Tala : (A) (B) Chakkaniraja - Kharaharapriya (C) Minakshi Memudam - Purvikalyani (D) 33. Marivere - Anandabhairavi Anupama Gunambudhi - Atana The name of the 12th Chakra in the 72 Mela scheme : (A) (B) Rutu (C) 34. Bana Aditya (D) Disi A famous violinist : (A) (B) Lalgudi Jayaraman (C) 35. S. Balachandar Karaikkudi Mani (D) O.S. Tyagarajan The South Indian Raga equivalent to Bilaval That : (A) (B) Sankarabharana (C) 36. Kiravani Kalyani (D) Kambhoji A Tala with Khanda Jati Laghu used in Sapta Tala Alankara : (A) (B) Rupaka (C) 37. Ata Matya (D) Dhruva A Lady violinist : (A) (B) Aruna Sairam (C) 38. M.L. Vasanthakumari T. Rukmini (D) T. Brinda The Prati Madhyama Audava Raga : (A) Hamsadhvani (B) Abhogi (C) Madhyamavati (D) Amritavarshini D 1607 22 32. (A) (B) U - U U (C) - (D) 33. U U - U h - U 72 12 R (A) (B) (C) 34. (D) h (A) (B) U (C) 35. . U U U (D) . . U U U U (A) (B) U U (C) 36. U (D) U U U (A) (B) M (C) 37. U K (D) (A) (B) L U (C) 38. . . U U . L (D) U . U U (A) (B) (C) (D) D 1607 23 P.T.O. 39. A Javali composer : (A) (B) Dharmapuri Subbarayar (C) 40. Arunagirinatha Kshetrajna (D) Narayana Tirtha Bhajana Invocation songs : (A) (B) Dhruvapada (C) 41. Abhanga Todaya Mangalam (D) Panchapadi Viloma Chapu Tala was introduced by : (A) (B) Tyagaraja (C) 42. Patnam Subramanya Iyer Syama Sastri (D) Mysore Vasudevachar Match the following : List - I List - II (a) Tyagaraja (i) Venkatesa (b) Muthuswami Dikshitar (ii) Tyagarajanuta (c) Syama Sastri (iii) Syamakrishna (d) Patnam Subramanya Iyer (iv) Guruguha Code : (a) (b) (c) (d) (A) (ii) (iv) (iii) (i) (B) (iv) (ii) (i) (iii) (C) (i) (iii) (ii) (iv) (D) (iii) (i) (iv) (ii) D 1607 24 39. U (A) (B) U U U (C) 40. L U (D) U S (A) (B) (C) 41. (D) ? (A) (B) U (C) 42. ^ r U S (D) U U - I - II (a) U (i) U (b) S U (ii) U (c) S (iii) c (d) ^ r U (iv) L U (a) (b) (c) (d) (A) (ii) (iv) (iii) (i) (B) (iv) (ii) (i) (iii) (C) (i) (iii) (ii) (iv) (D) (iii) (i) (iv) (ii) D 1607 25 P.T.O. 43. Match the following : List - I List - II (a) Audava (i) Vachaspati (b) Shadava (ii) Ritigaula (c) Vakra (iii) Malayamarutam (d) Sampurna (iv) Suddha Dhanyasi Code : (a) (c) (d) (A) (i) (ii) (iii) (iv) (B) (iii) (iv) (ii) (i) (C) (ii) (i) (iv) (iii) (D) 44. (b) (iv) (iii) (ii) (i) Match the following : List - I List - II (a) | (i) Guru (b) ' 8 (ii) Laghu (c) + (iii) Plutam (d) 8 (iv) Kakapadam Code : (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iv) (i) (ii) (iii) (D) (iii) (iv) (i) (ii) D 1607 26 43. - I - II (a) (i) S (b) (ii) U (c) R (iii) L (d) (iv) h U (a) (c) (d) (A) (i) (ii) (iii) (iv) (B) (iii) (iv) (ii) (i) (C) (ii) (i) (iv) (iii) (D) 44. (b) (iv) (iii) (ii) (i) - I - II (a) | (i) L (b) ' 8 (ii) (c) + (iii) (d) 8 (iv) U (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iv) (i) (ii) (iii) (D) (iii) (iv) (i) (ii) D 1607 27 P.T.O. 45. Match the following : List - I List - II (a) Tambura (i) Pegs (b) Gottuvadyam (ii) Key (c) Violin (iii) Sympathetic Strings (d) Piano (iv) Finger Board Code : (a) (c) (d) (A) (iii) (ii) (i) (iv) (B) (ii) (iv) (iii) (i) (C) (i) (iii) (iv) (ii) (D) 46. (b) (iv) (i) (ii) (iii) Assertion and Reasoning : Assertion (A) : Tyagaraja wrote the Gita Govinda. Reason (R) : He wrote the Nowka Charitra. (A) (B) (A) false (R) false (C) 47. (A) true (R) false (A) true (R) true (D) (A) false (R) true Assertion and Reasoning : Assertion (A) : The Yazh had many types. Reason (R) : There are no Yazh players today. (A) (A) is true (R) is true (B) (A) is false (R) is true (C) (A) and (R) are false (D) (A) is true and (R) is false D 1607 28 45. - I - II (a) U (i) U (b) U l (ii) (c) (iii) U U (d) (iv) U U U (a) (c) (d) (A) (iii) (ii) (i) (iv) (B) (ii) (iv) (iii) (i) (C) (i) (iii) (iv) (ii) (D) 46. (b) (iv) (i) (ii) (iii) U U (A) : U U U (R) : U (A) (B) (A) U (R) (C) 47. (A) U (R) (A) U (R) (D) (A) U (R) U U (A) : U U (R) : l (A) (A) (R) (B) (A) (R) (C) (A) U (R) (D) (A) U (R) D 1607 29 P.T.O. Sequencing type : 48. Write the correct sequence of the following texts of their origin. (A) (B) Natya Sastra, Samaveda, Ragavibodha, Sangita Ratnakara (C) Sangita Ratnakara, Natya Sastra, Ragavibodha, Sama Gana (D) 49. Sama Gana, Natya Sastra, Sangita Ratnakara, Ragavibodha Ragavibodha, Sama Gana, Natya Sastra, Sangita Ratnakara Arrange the following in the order of 72 melakarta scheme. (i) Natabhairavi (ii) Dhenuka (iii) Natakapriya (iv) Ganamurthy Code : (A) (i) (iii) (iv) (B) (iv) (ii) (iii) (i) (C) (iii) (ii) (iv) (i) (D) 50. (ii) (i) (iii) (iv) (ii) Arrange the following Janya Ragas in the order of their Parent Scales : (i) Hamsadvani (ii) Kambhoji (iii) Bhairavi (iv) Malahari Code : (A) (iv) (iii) (ii) (i) (B) (i) (ii) (iii) (iv) (C) (ii) (iv) (i) (iii) (D) (iii) (i) (ii) (iv) D 1607 30 R U 48. U R (A) (B) K S , , U , U U (C) U U, K S U , (D) 49. , K S , U U, U U , , K S , U U 72 R U (i) U U (ii) (iii) U (iv) U (A) (i) (iii) (iv) (B) (iv) (ii) (iii) (i) (C) (iii) (ii) (iv) (i) (D) 50. (ii) (i) (iii) (iv) (ii) U R U (i) (ii) (iii) U (iv) U U (A) (iv) (iii) (ii) (i) (B) (i) (ii) (iii) (iv) (C) (ii) (iv) (i) (iii) (D) (iii) (i) (ii) (iv) D 1607 31 P.T.O. PART - IV RABINDRA SANGEET 26. Which is Rinsodh (shortened) form of drama ? (A) (B) Saradotsav (C) 27. Mukta dhara Rakta Karabi (D) Visarjan Rabindranath composed the song O Aamar deshar mati when his age was : (A) (B) 35 years (C) 28. 15 years 45 years (D) 75 years The tune of the song Ohe Jibana Bhallabha is : (A) (B) Baul (C) 29. Dhrupad Kirtan (D) Khayal Identify the rag of the song Bahe Nirantara Ananta Anandadhara : (A) (B) Bilawal (C) 30. Nisasaq Bhirav (D) Ashawari The song Jage nath Jochana Rate is in Tal : (A) (B) Kharva (C) 31. Surphakta Dadra (D) Dhamar What is the last dance drama composed by Tagore ? (A) Mayar Khela (B) Kalmrigaya (C) Chandalik (D) Chitrangada D 1607 32 - IV 26. U ( ) U ? (A) (B) U (C) 27. Q U UQ U (D) U U U U U U ? (A) (B) 35 (C) 28. 15 45 (D) 75 l ? (A) (B) (C) 29. (D) U U U U U U ? (A) (B) (C) 30. U (D) U U ? (A) (B) U (C) 31. Q U (D) U U U - K ? (A) U (B) (C) U (D) D 1607 33 P.T.O. 32. The language of the lyrics of Rabindranath s Bhanusinher Padavali is : (A) (B) Sanskrit (C) 33. Hindi Maithili (D) Bengali What string instrument is mainly used as accompaniment in Tagore s music ? (A) (B) Veena (C) 34. Sitar Esraj (D) Violin The song Jaya Taba Vichitra Ananda is composed in the rag : (A) (B) Bhirav (C) 35. Alahia Bilawal Sarang (D) Ramkeli Which song Tagore included in his Drama Visarjan ? (A) (B) Pinakete Lage Tankar (C) 36. Ami Ekla Chalachi ye Bhabe Ami Marer Sagor (D) Tumi Dak Die Cho Kon Sakale Rabindranath s Sangit O Bhav is : (A) (B) Song (C) 37. A Poem A Book (D) An Article Rabindranath s father Debendranath Tagore gave his son a five hundred rupees cheque for his singing : (A) Nayan Tomare Pay na Dekhite (B) Prathama Adi Taba Shakti (C) Tumi Bina Ke Prabhu (D) Hrydaya Nandana Bone D 1607 34 32. UU ? (A) (B) S (C) 33. (D) U U l M ? (A) (B) (C) 34. U U (D) U U ? (A) (B) U (C) 35. U (D) U U U U ? (A) (B) U U (C) 36. U U U U (D) U U U ? (A) (B) (C) 37. (D) U U L . 500/- ? (A) U (B) (C) (D) N D 1607 35 P.T.O. 38. Identify the raga and tala of the song Sunno Hate Phiri Hey : (A) (B) Hemkhem/Tewra (C) 39. Bibhas/Chowtal kaphi/Surfaktal (D) Behag/Dadra The character Uttya is in the Rabindranath s dance drama : (A) (B) Chandalika (C) 40. Shyama Chitrangada (D) Mayarkhela The famous essay The Origin and Function of Music is written by : (A) (B) Ajit Kumar Chakravarti (C) 41. C.F. Andrus Herbert Spencer (D) Rabindranath Tagore Who wrote the song Vimala Prabhate Mili ? (A) (B) Satyendranath Tagore (C) 42. Debendranath Tagore Jyotindranath Tagore (D) Hemendranath Tagore In which song Tagore use Taalpherta ? (A) (B) Mona more meghero sangi (C) 43. Modhu Gandhe Bhora Kabe Aami Bakir Holem (D) Gan Amar Jaye Bheshe Jay Which Rag Rabindranath Tagore has not used in his composition ? (A) (B) Kamaj (C) 44. Aahir Bhairon Basanta (D) Bhupali Who other than Tagore has written Patriotic songs in Bengal ? (A) Kangalicharan Sen (B) Balendranath Tagore (C) Satyendranath Tagore (D) Soudamini Devi D 1607 36 38. U U (A) (B) / U (C) 39. / / (D) / U U ? (A) (B) U (C) 40. (D) R (The Origin and Function of Music) h ? (A) (B) U R (C) 41. . . U $ U U S U (D) U U U U ? (A) (B) U U (C) 42. U U U U (D) U U U U ? (A) (B) U U (C) 43. U U (D) U U U U ? (A) (B) (C) 44. U U (D) U UQ U ? (A) U (B) U U (C) U U (D) D 1607 37 P.T.O. 45. Tagore s two songs are the National Anthem of two countries. Except India which is the other country ? (A) (B) Nepal (C) 46. Pakistan Bhutan (D) Bangladesh Which is Rabindra s Patriotic song of his early life ? (A) (B) Amor Deshar Mati (C) 47. A Bharate Rakho Nishidin Barsha Rakhis (D) Bidhir Bandhan Katbe Tumi The title of anthology of Rabindranath s congregation addresses is : (A) (B) Atmakatha (C) 48. Manusher Dharma Shabutor Sankat (D) Santiniketan Which Tagore song is based on Baul ? (A) (B) Moha Viswe Muhakashe (C) 49. Aamar Praner Manush Vani Tobe Dhada Anonta (D) Prem Prane Gane Gandho Who appreciated first Tagore s poems of Gitanjali in England ? (A) (B) Rothanstain (C) 50. C.F. Andrews A. Bake (D) Yeats The Song Aamar Praner Pare Chale Gyelo belongs to thematic category called : (A) Puja (B) Vichitra (C) Prema (D) Swadesh D 1607 38 45. U U U U U U C UQ U U C ? (A) (B) (C) 46. S U (D) U U U ? (A) (B) U U U (C) 47. U U U (D) U m U U ? (A) (B) (C) 48. U U U (D) U U U U U ? (A) (B) (C) 49. U U (D) U U U U U ? (A) (B) U S U (C) 50. . . U $ . (D) U U U ? (A) (B) (C) (D) S D 1607 39 P.T.O. PART - V PERCUSSION INSTRUMENTS 26. Beats in Gajjhampa : (A) 27. 11 (B) 13 (C) 15 (D) (D) Tatvadya (B) Sushirvadya (D) Khali is on which beat in Sawari Tal ? 7 (B) 8 (C) 9 Siddhar Khan was pioneer of which Gharana ? (A) Dilli (B) Punjab (C) Ajrada (D) Farukhabad Dilawar Khan was artiste of which Talvadya ? (A) 31. Tabla (B) Pakhwaj (C) Dholak Who mastered four major Baag of Tabla ? (A) Munne Khan (B) Ahmad Jan Thirkua (C) 32. Nakkara Avanaddhvadya (A) 30. (D) Ghanvadya (C) 29. 10 Durdur falls under which class of instruments ? (A) 28. 17 Kale Khan (D) Masit Khan Arrange following Musicologists in chronological sequence : (i) Sharangdev (ii) Bharat (iii) Bhatkhande (iv) Matang Codes : (A) (i) (ii) (iii) (iv) (B) (ii) (i) (iv) (iii) (C) (ii) (iv) (i) (iii) (D) (iv) (ii) (i) (iii) D 1607 40 - V h l 26. (A) l ? l (B) l (C) 28. U (A) 27. 11 U l (D) h l 13 (C) 15 7 (B) 8 (C) (B) U (D) M U l U ? (A) (B) (C) U (D) U U h ? (A) (B) U (C) 32. 10 h U U S ? (C) 31. 17 (D) 9 (A) 30. (D) U U ? (A) 29. (B) (D) S U R h (i) X (ii) U (iii) U (iv) U (A) (i) (ii) (iii) (iv) (B) (ii) (i) (iv) (iii) (C) (ii) (iv) (i) (iii) (D) (iv) (ii) (i) (iii) D 1607 41 P.T.O. 33. Who has written the book titled Tabla ka Udgam, Vikas Aur Vadanshailian ? (A) (B) Yogmaya Shukla (C) 34. Aban E. Mistry Anuradha Pal (D) Shobha Kudesia Ustad Hazi Vilayat Ali established which of the following Gharanas ? (A) (B) Punjab (C) 35. Dilli Banaras (D) Farukhabad How many beats are there in Basant Tal ? (A) 36. (B) 9 (C) 11 (D) 13 In which year Samta Prasad (Gudai Maharaj) was awarded Padmabhushan ? (A) 37. 7 1972 (B) 1982 (C) 1992 Match the following : (a) Karamtulla Khan (i) Farukhabad Gharana (b) Masit Khan (ii) Banaras (c) Kishan Maharaj (iii) Punjab (d) Alla Rakkha Khan (iv) Dilli Code : (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iv) (iii) (ii) (i) (D) (i) (iv) (ii) (iii) D 1607 42 (D) 1998 33. , U S ? (A) (B) (C) 34. . S U (D) S U S ? (A) (B) (C) 35. U (D) M ? (A) 36. (B) 9 (C) 11 (D) 13 (D) 1998 ( U ) k ? (A) 37. 7 1972 (B) 1982 (C) 1992 (a) U (i) M U (b) (ii) U (c) U (iii) (d) U (iv) U (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iv) (iii) (ii) (i) (D) (i) (iv) (ii) (iii) D 1607 43 P.T.O. 38. Match the following : (a) Alla Rakkha Khan (i) Nayan (b) Gudai Maharaj (ii) Kumar Lal (c) Karamtulla Khan (iii) Zakir Hussain (d) Nikhil Ghosh (iv) Sabir Khan Code : (a) (c) (d) (A) (iii) (ii) (iv) (i) (B) (ii) (iii) (iv) (i) (C) (i) (ii) (iii) (iv) (D) 39. (b) (iv) (iii) (ii) (i) In Tabla/Pakhwaj SYAHI is made of what on PUDI ? (A) (B) Wood powder (C) 40. Coal powder Iron ore powder (D) None of these Number of Margi Tals : (A) 41. 3 5 (C) 7 (D) 9 (C) 5 4 (D) 7 4 The meaning of Layakari of Sawagun : 1 4 (A) 42. (B) (B) 3 4 Match the following : (a) Game Khan (i) Farukhabad Gharana (b) Zakir Hussain (ii) Lucknow Gharana (c) Sapan Chaudhari (iii) Punjab Gharana (d) Sabir Khan (iv) Dilli Gharana Code : (a) (b) (c) (d) (A) (i) (iii) (iv) (ii) (B) (ii) (i) (iv) (iii) (C) (iv) (iii) (ii) (i) (D) (iv) (i) (ii) (iii) D 1607 44 38. (a) U (i) (b) U (ii) U (c) U (iii) $ U (d) (iv) U U (a) (c) (d) (A) (iii) (ii) (iv) (i) (B) (ii) (iii) (iv) (i) (C) (i) (ii) (iii) (iv) (D) 39. (b) (iv) (iii) (ii) (i) / U S ? (A) (B) U (C) 40. U U (D) U (A) 41. (B) 5 (C) 7 (D) 9 (B) 3 4 (C) 5 4 (D) 7 4 U (A) 42. 3 1 4 (a) (i) M U (b) $ U (ii) U (c) U (iii) U (d) U (iv) U U (a) (b) (c) (d) (A) (i) (iii) (iv) (ii) (B) (ii) (i) (iv) (iii) (C) (iv) (iii) (ii) (i) (D) (iv) (i) (ii) (iii) D 1607 45 P.T.O. 43. The author of the book Bhartiya Sangeet Vadya : (A) (B) B.C. Dev (C) 44. Acharya Vrihaspati Lalmani Mishra (D) Girish Chandra Srivastava The author of the book Talkosh : (A) (B) Girishchandra Srivastava (C) 45. Harishchandra Srivastava Satish Chandra Srivastava (D) Lalji Srivastava Which Tal is normally used in Tappa Gayaki ? (A) (B) Punjabi (C) 46. Trital Tilwada (D) Deepchandi Jhoomra Tal is played with which of the following ? (A) 47. Dhrut Khyal (D) Thumri 4 (B) 8 (C) 12 (D) 16 1 (B) (C) 101 (D) 1100 (C) 10 Nakkara (D) Dholak Nana Panse played which instrument ? (A) 50. Vilambit Khyal (C) What is the form of Karnatak Tal Aath Tal ? (A) 49. (B) How many Beats are there in Ek Tal (Chatashra Jati) of Karnataka Tal Paddhati ? (A) 48. Dhrupad Pakhwaj (B) Tabla Assertion (A) : Maximum expansion of Peshkar is possible. Reason (R) : Because other Boles can be used in addition to the Boles used in original work. (A) (A) is true (R) is false (B) (A) is false (R) is true (C) (A) is true (R) is true (D) (A) is false (R) is false -oOoD 1607 46 43. U l S (A) (B) . . (C) 44. S (D) U S S (A) (B) U S (C) 45. U S S (D) S U ? (A) (B) (C) 46. (D) U ? (A) 47. (C) (D) U U 4 (B) 8 (C) 12 (D) 16 10 (C) 101 (D) 1100 (C) U (D) U U U S M ? (A) 49. (B) U h ( S ) ? (A) 48. 1 (B) (A) ? (B) (A) : U S U (R) 50. U Q UQ : (A) (A) (R) $ (B) (A) $ (R) (C) (A) (R) (D) (A) $ (R) $ -oOoD 1607 47 P.T.O. Space For Rough Work D 1607 48

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Additional Info : Ugc Net December 2007 Question Paper -Music ( Paper II )
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