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UGC NET JUN 2006 : MUSIC PAPER III

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Signature and Name of Invigilator Roll No. (In figures as per admission card) 1. (Signature) (Name) Roll No. 2. (Signature) (Name) J 1 6 0 6 Time : 2 hours] (In words) Test Booklet No. PAPER III MUSIC Number of Pages in this Booklet : 40 [Maximum Marks : 200 Number of Questions in this Booklet : 26 Instructions for the Candidates U U 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U U 2. U U U, U S U U 2. Answers to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. U U No Additional Sheets are to be used. 3. U U U, - S U U U - S U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) - S U U U U U U U S U U- U S S U U (i) To have access to the Test Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. 4. U U 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 5. U U- S (Rough Work) U U DU 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 6. U- S U , U U U U 7. U # U U- S U U U U U # U U U U 7. You have to return the Test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. / U Z U S U 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc. is prohibited. 9. U ( U U) U U 10. There is NO negative marking. 10. U U J 1606 1 P.T.O. MUSIC PAPER III - III NOTE : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. (200) (4) S J 1606 2 SECTION - I U I Note : This section contains five (5) questions based on the following paragraph. Each question should be answered in about thirty (30) words and each carries five (5) marks. (5x5=25 marks) ( 5) (30) ( 5) (5x5=25 ) Read the following paragraph and answer all the five questions given below : Nobility, proportionateness, sublimity are the main basic pillars for beauty creation. Nobility is not only the most original feature, but it is its soul. Actually Physics says that no new creation is possible. It is true that the basic phenomenon are never to be born again, but by assembling, detaching and mixing and changing the proportions of the basics, new - creation takes place. In the same way in Music also in spite the traditional usages of Swar, Laya, Raaga, Taal, etc. there are immense possibilities of new - creation. Various Raagas are created on the base of 12 Shuddha and Vikrit notes. Thus it is proved that Art is ever new. Even a well established Raaga may be able to give new freshness by using elements pertaining to nobility. For this Imagination is a must with which an old Raaga can give new freshness. 30 5 , S , S S , , , S , , , h, 12 S - m - - S , S J 1606 3 P.T.O. 1. Clarify the main basics for beauty - creation. S S c 2. Tradition is not a hindrance for new - creation. Why ? - ? J 1606 4 3. Art is ever new. How ? ? 4. Imagination is a must for Art. Why ? ? J 1606 5 P.T.O. 5. Clarify change in proportions for new creation. S c SECTION - II U II Note : This section contains fifteen (15) questions each to be answered in about thirty (30) words. Each question carries five (5) marks. (5x15=75 marks) (15) (30) (5x15=75 ) (5) J 1606 6 6. What are the features of Nada ? Describe. ? 7. What do you understand by consonance - dissonance ? - ? J 1606 7 P.T.O. 8. Explain Jatigayan in short. 9. Explain Trivat. S c J 1606 8 10. Explain Jhoomar . 11. Who was Alladiya Khan and to which Gharana he belonged ? ? J 1606 9 P.T.O. 12. How many types of Gats are played on Sitar and why Halim Jafar Khan is famous ? h ? 13. To which place Prof. R.C. Mehta is associated and for which work he is known for ? . . . S ? J 1606 10 14. Who are the Trinities and to which state they belonged to ? ? 15. What is meant by beauty ? ? J 1606 11 P.T.O. 16. Write in short in any one of the following : Bhatiyali, Lavani, Kajri, Maand, Gidda, Kavadi Attam. , , , , g , ^ 17. Write in short about Sam - Gan . J 1606 12 18. What is meant by musical intervals ? ? 19. Give a short description of the origin of Vrindavadan. J 1606 13 P.T.O. 20. Write in short on any one of the following dance forms : Kathak, Bharatnatyam, Kuchipudi, Manipuri, Oddissi, Kathakali. , , , , , SECTION - III U III Note : This section contains five (5) questions from each of the electives / specialisations. The candidate has to choose only one elective / specialisation and answer all the five questions from it. Each question carries twelve (12) marks and is to be answered in about two hundred (200) words. (12x5=60 marks) / (5) / (12) (200) (12x5=60 ) J 1606 14 Elective - I U I HINDUSTANI MUSIC - VOCAL AND INSTRUMENTAL S - 21. Describe SHRUTI - SWAR and write clearly about PRAMAN - SHRUTI . S - S c 22. What is meant by RAGANGA ? Compare any two RAAGAS of any on RAGANGA. ? S 23. Giving a short account of the main GHARANAS of Vocal / Instrumental Music describe the salient features of any one GHARANA. / 24. What is meant by RAAG ? Describe RAAG - LAKSHANAS. ? 25. What is the difference between LAYA and LAYAKARI ? Write in NOTATION any one TAAL in four LAYAKARIES. ? h OR / Elective - II II KARNATAKA MUSIC 21. Discuss about the influence of music on health. S S , 22. Explain the recognisable ragas in folk tunes with examples. S J 1606 15 P.T.O. 23. What do you mean by technical beauty in musical compositions ? Illustrate with examples. - ? 24. Give your views on the merits and demerits of Gurukula system of music education. - L - - 25. The techniques of voice production for each style of singing is different. Give your views. - OR / Elective - III III RABINDRA SANGEET 21. Our own music touches me more deeply by its fundamental lyrical appeal. European music is epic in character . What was in Tagore s mind while telling this to Albert Einstein ? N S S ? 22. Music of all things in the world is the most international - says H.G. Wells. Does Tagore agree to this ? Give his reactions and his reasons. . . , S c ? J 1606 16 23. Words belong to men, while music belongs to the nature , Tagore says in Shravanasandhya . Explain the ideas underlying this comment. - , S c 24. Music should capture the delight of birds songs ... But it would not try to be a representation of such songs - Tagore tells Rolland. What class of Indian songs Tagore cites as examples of the right approach ? Discuss. - .... c ? 25. In India the measure of a singer s freedom is in his own creative personality . - Einstein is so told by Tagore. Please explain, on the basis of this comment, Tagore s notion of presenting Indian classical music. S - m S S S ? OR / J 1606 17 P.T.O. Elective - IV IV PERCUSSION INSTRUMENT h l 21. Write in short the origin and development of Tabla / Pakhawaj. / 22. Describe the main features of any one style (BAAJ) of TABLA / PAKHAWAJ. / 23. Compare Delhi - Baaj and Poorab - Baaj of TABLA. OR / Compare any two styles (BAAJ) of PAKHAWAJ. 24. Describe the different kinds of TIHAI with examples. 25. Throw light on the merits of any one TABLA/PAKHAWAJ player of national repute. c / J 1606 18 J 1606 19 P.T.O. J 1606 20 J 1606 21 P.T.O. J 1606 22 J 1606 23 P.T.O. J 1606 24 J 1606 25 P.T.O. J 1606 26 J 1606 27 P.T.O. J 1606 28 J 1606 29 P.T.O. J 1606 30 SECTION - IV IV Note : This section consists of one essay type question of forty (40) marks to be answered in about one thousand (1000) words on any of the following topics. This question carries 40 marks. (40x1=40 marks) (40) , (1000) (40x1=40 ) 26. Write an essay on any one of the following : (i) Music and aesthetics. (ii) New avenues of research in the field of Music. (iii) Possibilities of GURU - SHISHYA - PARAMPARA in the present institutionalised system of Music - education. (iv) How can classical Music be made more popular ? (v) Role of classical Music in film music. (i) (ii) (iii) l - L - c (iv) S ? (v) S J 1606 31 P.T.O. J 1606 32 J 1606 33 P.T.O. J 1606 34 J 1606 35 P.T.O. J 1606 36 J 1606 37 P.T.O. J 1606 38 J 1606 39 P.T.O. FOR OFFICE USE ONLY 1 26 51 76 2 27 52 77 3 28 53 78 4 29 54 79 5 30 55 80 6 31 56 81 7 32 57 82 8 33 58 83 9 34 59 84 10 35 60 85 11 36 61 86 12 37 62 87 13 38 63 88 14 39 64 89 15 40 65 90 16 41 66 91 17 42 67 92 18 43 68 93 19 44 69 94 20 45 70 95 21 46 71 96 22 47 72 97 23 48 73 98 24 49 74 99 25 50 75 Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained 100 Total Marks Obtained (in words) ..................................... (in figures) .................................... Signature & Name of the Coordinator ............................... (Evaluation) J 1606 Date ............................. 40

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Additional Info : Ugc Net June 2006 Question Paper -Music ( Paper III )
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