
	Trending ▼ ICSE CBSE 10th ISC CBSE 12th CTET GATE UGC NET Vestibulares ResFinder

UGC NET DEC 2004 : MUSIC PAPER II

32 pages, 250 questions, 0 questions with responses, 0 total responses,

	ugc_net	+Fave Message
	Profile Timeline Uploads Q & A

Home > ugc_net >

Formatting page ...

Signature and Name of Invigilator Answer Sheet No. : ...................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) Roll No. 2. (Signature) (Name) Test Booklet No. D 1 6 0 4 PAPER II MUSIC Time : 1 hours] Number of Pages in this Booklet : 32 2. 3. 4. U 1. U DU U S U S U U Write your roll number in the space provided on the top of this page and also on the Answer Sheet given inside this booklet. This paper consists of fifty multiple-choice type of questions. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the Serial No. of the booklet should be entered in the Answer-sheets and the Serial No. of Answer Sheet should be entered on this Booklet. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. Example : A B C [Maximum Marks : 100 Number of Questions in this Booklet : 25 + (25+25+25+25) Instructions for the Candidates 1. (In words) U U U U 2. - 3. U U U, - S U U U - S U (i) - S U U U U S U U- U S S U U (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (iii) - S R U- U U U U U- R - S U U 4. U U (A), (B), (C) (D) U U U U U A B C D (C) U D where (C) is the correct response. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I booklet only . If you mark at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the test booklet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 9. You have to return the test question booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is NO negative marking. 5. U U I U U- U 5. U U U S U U U , U 6. U U 7. (Rough Work) S DU U U 8. U- S U , U U U U 9. U # U U- S U U U U U # U U U 10. / U Z U S U 11. U ( U U) U U 12. U U See Page No. 2 and 3 for Special Instructions / U DU 2 U 3 D 1604 1 P.T.O. MUSIC PAPER II HINDUSTANI / CARNATIK SANGEET/ RABINDRA SANGEET (VOCAL, INSTRUMENTAL AND MUSICOLOGY) AND PERCUSSION SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I , which are compulsory. They should also select any one from Part-II, Part-III, Part-IV and Part-V and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part number which they have selected. PART I 1. Sangit means : (A) (B) Instrumental music (C) Vocal and instrumental music (D) 2. Vocal Music Vocal music, instrumental music and dance The number of shruties as stated in sanskrit text is : (A) 3. (C) 22 One (B) Two (C) Innumerable Three (D) Four Two (B) Three (C) Four (D) Five Tabla (B) Mrdangam (C) Khol (D) Pakhawaj (D) Malhar Tabla and Pakhawaj instruments are : (A) Tata vadyas (B) Sushira vadyas (C) 7. (D) The percussion instrument used as an accompaniment in a Carnatik concert is : (A) 6. 20 How many swaras were used in samna - sangeet : (A) 5. (B) How many gramas are mentioned in natya Shastra. (A) 4. 12 Avanaddha vadyas (D) Ghana vadyas The original tune of Vande-Mataram is based on the raga : (A) D 1604 Desh (B) Sorath (C) 2 Khamaj II U S / U / U ( , S ) h l 1. U -I 25 U U -II, -III -IV -V 25 U 2. U U OMR U S CU M U I 1. U (A) (B) (C) (D) , 2. S U U (A) vw (B) w (C) ww (D) K S U U? (A) (B) (C) (D) U (C) U (D) U U l m U U U? (A) (B) (C) (D) U (A) l 3. 4. ' (A) 5. 6. 7. ' S U U U? (B) (B) U l (C) U ' U U U U? (A) (B) U U l (D) l (C) (D) U U ' D 1604 3 P.T.O. 8. The Tanpura is tuned while rendering the raga Malkauns as : (A) 9. ns s s . . (B) msss . . (C) ps s s . . 3 Talies and 3 Khalies (B) 4 Talies and 2 Khalies (C) 5 Talies and 1 Khali (D) 2 Talies and 4 Khalies Which book has mentioned Raga-Ragini classification ? (A) Brhaddeshi (B) Sangita Ratnakara (C) 11. Natya Shashtra (D) Sangita Darpana What was the exact number of "Krushta" - Swara amongst the ancient svaras ? (A) 12. Fifth (B) Fourth (C) First (D) Seventh Dhamar (D) Dipchandi (D) 1911 This Tal is mostly played along with Thumari : (A) 13. Jhumra (B) Ada-Chautal (C) A famous Lady - Musician who received the Bharat-ratna title : (A) R. Vedavalli (B) D.K. Pattammal (C) 14. M.L. Vasanthakumari (D) M.S. Subhalakshmi Tagore composed "Janaganamana" in the year : (A) 15. 1900 (B) 1901 (C) 1910 How many main Rasas have been described by Bharata in Natya- Sastra : (A) 16. gsss . . How many Talies and Khalies are in Ek - Tal ? (A) 10. (D) Eight (B) Ten (C) Four A well known composer of Carnatak music : (A) Tyagaraja (B) R. Srinivasan (C) Venkatesa (D) Janakiraman D 1604 4 (D) Thirteen 8. ' (A) 9. U ' U U U ' ' (B) (C) (D) U U ? (A) (B) U (C) 10. (D) U (C) K S (D) (C) U (D) (C) U (D) v~v (D) v~vv (C) U (D) U U (C) U (D) U U - U U S U? (A) 11. Ug (B) U U S U c U S U U U? (A) 13. ' U U ' U U ? (A) 12. U (B) (B) U h U ' U U ' U ? (A) (B) U . . ^ (C) 14. U. . . U (D) . . ' ' (A) 15. v~ (B) v~ v (C) U K S ' U ' ? (A) 16. U U U U (B) U h U U (A) D 1604 U (B) U. 5 P.T.O. 17. Rabindra Nath Tagore was awarded the Nobel prize in the year : (A) 18. 1911 Seven (B) 1919 Eight (C) Nine (D) Ten Clay (B) Wood (C) Copper (D) Glass Jhap Taal (B) Keherwa (C) Adi Taal (D) Dipchandi Dholak (B) (C) Tasha Ghatam (D) Pakhawaj Who has introduced the Mela-Raga classification : (A) Vidyaranya (B) Somnath (C) 23. (D) Haveli sangit is accompanied with : (A) 22. (C) A Tala used for singing compositions in Carnatic music : (A) 21. 1931 The Pakhawaj is made of : (A) 20. (B) How many "Pranas" of Tala have been mentioned in Music-Texts ? (A) 19. 1913 Venkatamakhi (D) Ramamatya Who has authored the song " Eklachalo-Re" : (A) (B) Indira Devi Chaudhrani (C) 24. Rabindra Nath Tagore S.M. Tagore (D) B.C. Deva In which chapter of Natya Shastra the subject of music has been dealt with : (A) 25. 15 (B) 28 (C) 14 (D) 40 (C) Five (D) Six Total Marg Talas as per Sangita Ratnakara : (A) D 1604 Three (B) Four 6 17. U U U US U ? (A) 18. ' U (A) 24. v~v~ (B) U (C) (D) ^ (B) U (C) (D) (B) U U (C) (D) U (B) (C) U (D) (C) U (D) U U U (C) . . U U (D) . . (C) vy (D) y (C) (D) U U l U (B) U' U U U U U (B) K S U? (A) 25. (D) - U U U ? (A) 23. v~vv U l U U? (A) 22. (C) U U U U (A) 21. v~xv U (A) 20. (B) U ? (A) 19. v~vx vz (B) w} U U U (A) D 1604 (B) U 7 P.T.O. PART II HINDUSTANI MUSIC (VOCAL, INSTRUMENTAL AND PERCUSSION) 26. In which language the text Raga Darpan has been written ? (A) 27. Farasi (B) Urdu (C) Sanskrit Brihaddeshi (B) Sangitasamayasar (C) Sangit Darpana (D) Sangitaratnakar Name The author of the text Manasollas : (A) Damodar (B) Someshwar (C) 29. Ahobal (D) Sharada Tanay Who has written the commentary on Sangitaratnakar ? (A) 30. (B) Kallinath (C) Abhinavagupta (D) Kumbha Dundubhi (B) Tabla (C) Pushkar (D) Pakhawaj (D) Eight (D) None How many chapters are in the text Svaramelakalanidhi ? (A) 32. Mallinath Which instrument was invented by Svati Muni ? (A) 31. Five (B) Six (C) Seven Matanga Muni was a player of : (A) Ektantri Veena (B) Vipanchi Veena (C) 33. Hindi Which book has been called Saptadhyayi of music ? (A) 28. (D) Chitra Veena (D) Mattakokila Veena How many Tumbas were in Kinnari Veena ? (A) D 1604 One (B) Two (C) 8 Three II U S 26. U U? (A) 27. ( , h l) U (B) (C) (D) U (D) (C) c U (D) (C) U (D) U (D) U S U ? (A) (B) U (C) 28. Ug (D) U U (A) (B) U (C) 29. U U (D) U U U U U ? (A) 30. (C) (B) S U U ? (A) 32. (B) S m U l c U ? (A) 31. (B) U (A) (B) (C) 33. (D) U U ? (A) D 1604 (B) (C) 9 P.T.O. 34. How many Sansargaja Vikrita Jatis have been described in Natyashastra ? (A) 35. Eight (B) Seven (C) Five Sangitopanisatsaroddhar (B) Brihaddeshi (C) Sangitaratnakar (D) Manasollas What was the name of the grand father of Sharangadeva ? (A) Bhaskar (B) Sinhabhupal (C) 37. Kallinath (D) Shubhankar Who was the inventor of 72 Melakartas ? (A) Ahobal (B) Ramamatya (C) 38. Tyagaraja (D) Venkatamakhi Radhagovinda Sangitasara text is written in : (A) 39. Sanskrit (B) Hindi (C) Brajabhasha Lochana (B) Hridayanarayan Deva (D) Somanatha How many Purush Ragas have been mentioned according to Ragarnava Mata ? (A) Six (B) Seven (C) Eight (D) Ten (C) Tabla (D) Violin (C) Agra (D) Gwalior V.G. Jog was famous artist of : (A) 42. Gujarati Govinda Dixit (C) 41. (D) What was the name of father of Venkatamakhi ? (A) 40. Eleven Twelve Svara - Moorchhanas of the Gramas are mentioned in the text : (A) 36. (D) Flute (B) Sitar Which Gharana Bhimsen Joshi belongs to ? (A) D 1604 Kirana (B) Patiyala 10 34. K S U? (A) 35. U (B) (C) U h U (B) U U (D) U U ? S U (B) U (C) (D) U |w c U ? (A) U (B) U (C) U (D) U U U U (A) 39. S (B) (C) U U ? (A) (B) (C) 40. NU U (D) U U L U U U? (A) 41. U (B) (C) U (D) U (C) (D) U (C) U (D) U . . U (A) 42. U (A) 38. (D) U (C) 37. U U m S U- U U U (A) 36. (D) U (B) U U? (A) D 1604 U (B) 11 P.T.O. 43. Harinashva is the name of : (A) 44. Raga (B) Mela (C) Moorchhana Bharatnatyam Dance (B) Kathakali Dance (D) Baul is a folk song of : Bengal (B) Assam (C) Tripura Write real name of Gudai Maharaj, a renowned Tabla player : (A) Kanthe Maharaj (B) Kishan Maharaj (C) Shamata Prasad (D) Anokhe Lal Giraja Devi is a famous singer of : (A) Khyal (B) Light Classical Music (C) 48. Meghalaya Kathak Dance (A) 47. (D) Oddissi Dance (C) 46. Gamak Kelu Charan Mahapatra was famous artist of : (A) 45. (D) Dhrupad (D) Dhamar The name of guru of Pt. V.D. Paluskar was : (A) (B) Kumar Gandharva (C) 49. D.V. Paluskar Alauddin Khan (D) Balakrishna Buwa Ichalkaranjkar Write the name of guru of Panna Lal Ghosh, a famous flutist : (A) (B) Alauddin Khan (C) 50. Nikhil Ghosh Vilayat Khan (D) Alarakha Khan Abhinava Gupta has written commentory on : (A) Dattilam (B) Brihaddeshi (C) Natyashastra (D) Sangitaratnakar D 1604 12 43. U U U (A) 44. U (B) (C) U U KU (B) (D) U U (B) (C) U h U U S (A) U U U (B) U U (C) (D) U h U (A) (B) S (C) 48. (A) 47. (D) U (C) 46. U U U (A) 45. (D) (D) U . . . S U (A) (B) U (C) 49. . . S U U (D) c U U h U L (A) (B) U (C) 50. (D) U U U (A) U (B) U U (C) K S U (D) U U U D 1604 13 P.T.O. PART III CARNATIK MUSIC (VOCAL, INSTRUMENTAL AND PERCUSSION) 26. The first Svara of the Ata Tala Varna in Bhiravi of the Charana start with the Svara ? (A) 27. Nishada (B) Madhyama (C) Dhaivata One Avarta (B) Two Avarta-s (C) Three Avarta-s (D) Four Avarta-s The second svara passage of the Bhairavi svarajati "Kamakshi" starts with the svara : (A) 29. Shadja (B) Rishabha (C) Nishada Kuntalavarali (B) Saranga (C) Mohanam Abirami pattar (B) Arunagirinatha (C) Gopalakrishna Bharati (D) Marimutta Pillai Pancapadi is the invocation for : (A) Kathakali (B) Harikatha (C) 32. (D) Composer of Tiruppugazh : (A) 31. (D) Yakshagana (D) Bhajana Sampradaya The kriti "Jambupate" is one among : (A) Navaratri Kirtana (B) Panchalinga Sthala Kritis (C) 33. Panchama _ The raga in which the song "Bhogindra Sayinam" of Swati Tirunal has been composed: (A) 30. Panchama The second charana svara of the Nata Pancharatna "Jagadanandakaraka" consits of : (A) 28. (D) Navaratnamalika (D) Ghanaraga Pancaratna A panchamavarja raga is : (A) Madhyamavati (B) Kurinji (C) Lalita (D) Malayamarutam D 1604 14 Ritigaula III U ( , h l) 26. U U U S U U U U (A) 27. (B) (C) (B) (C) (D) U U U S U ' ' U S U U U U U (A) 29. U (B) U (C) (D) (C) U (D) U S L " " U U (A) 30. U ' L ' (B) U U (A) U U U U (B) L U (C) 31. c U (D) U ' ' U U (A) (B) U U (C) 32. (D) ' ' U (A) U (B) S (C) 33. U U " U " U U S U (A) 28. (D) U (D) U U U U (A) (B) U (C) (D) L D 1604 15 P.T.O. 34. A raga used for Lullaby : (A) 35. (B) Nilambari (C) Saranga (D) Bilahari Begada (D) Bhairavi "G m p d N d p" is a characteristic prayoga in : (A) 36. Purvikalyani Saveri (B) Kalyani (C) The song "Mivallagunadosha" is a composition of : (A) (B) Bhadrachala Ramadasa (C) 37. Annamacharya Tyagaraja (D) Patnam Subramanya Iyer Ghanam Krishna Iyer has composed : (A) 38. (B) Tillana (C) Padam (D) Javali Jhampa (C) Mathya (D) Triputa A Tala having two Laghus : (A) 39. Gitam Rupaka (B) The song "Anupamagunambudhi" is set to the Tala : (A) (B) Kanda Chapu (C) 40. Misra Chapu Tisra Chapu (D) Sankirna Chapu Ramaswami Dikshitar has composed the : (A) (B) Chaturdasa Ragamalika (C) 41. 108 Ragatalamalika Navaraga Malika Varnam (D) Kovur Pancharatnam Bilawal is similar to : (A) (B) Sankarabharanam (C) 42. Kalyani Bhairavi (D) Mayamalavagaula The Suddha Madhyama Mela of Shanmukapriya is : (A) Hanuma Todi (B) Nata Bhairavi (C) Kokilapriya (D) Kiravani D 1604 16 34. ' U ' U U U U? (B) U (C) U (D) U U U U c U U (A) U (B) (C) (D) U (A) 35. 36. " " (A) (C) 37. 38. U U U U? U (B) (D) U U r U c U U U (A) (B) (C) (D) U (A) M (C) KU (D) U (B) 39. h U U (A) d (B) U (C) d (D) 40. U S U U U (A) v U (C) U (B) U (A) (C) U (B) U (A) U U (C) (B) 41. 42. D 1604 (D) (D) (D) 17 U U U U U U U U U P.T.O. 43. Tuttam is the name given to the following svara in Ancient Tamil music : (A) (B) Rishabha (C) 44. Gandhara Panchama (D) Madhyama The Tevaram "Kadalaki" is sung in the pan : (A) (B) Indalam (C) 45. Kolli Kausikam (D) Puranirmai "Sruti Vadyas" is a book written by : (A) (B) P.Sambamurthy (C) 46. G.H.Tarlekar Dr. V. Raghavan (D) Rangaramanuja Iyengar A post - Trinity composer : (A) (B) Sadasiva Brahmendra (C) 47. Kanaka Dasa Pachimirium Adiyappayya (D) Mysore Vasudevacharya Abraham panditar wrote the work : (A) (B) Bethlahem Kuravanji (C) 48. Purvika Sangita Unmai Karunamrta Sagaram (D) Pallavi Svara Kalpavalli A musician who is also a Tamil film music director : (A) (B) S. Balachander (C) 49. Umayalpuram Sivaraman Lalgudi Jayaraman (D) T.N Krishnan Chenda is a drum used for : (A) 50. Kuchipudi (B) Kathakali (C) Manipuri (D) Nilakanta sivan composed the song : (A) Sevikka Vendum (B) Ananda Natamaduvar (C) Natanam Adinar (D) Idadupadam Tukki D 1604 18 Odissi 43. " " U S U (A) (B) U (C) 44. U (D) ' ' U U (A) (B) (C) 45. (D) U U l S U (A) (B) . (C) 46. . . U U U . . U (D) U U U m U U U U U U (A) (B) (C) 47. U (D) U U U U U (A) (B) U L (C) 48. U L U (D) S U U (A) (B) . (C) 49. U U U U U (D) U . . c U l U U (A) 50. U (B) (C) U (D) U U U U (A) U (B) U U U (C) U U U (D) U U D 1604 19 P.T.O. PART IV RABINDRA SANGEET 26. Tagore's first lecture demonstration on music is entitled : (A) (B) Sangiter Mukti (C) 27. Sangit O Bhab Amader Sangit (D) Antar Bahir Tagore's first Music - Drama is : (A) (B) Valmiki - Pratibha (C) 28. Kal - Mrigaya Mayar Khela (D) Taser Desh To Nazrul Islam, Tagore dedicated his drama : (A) 29. Basanta (B) Phalguni (C) Raja Shyama (B) Chitrangada (C) Chandalika (D) Mayar Khela "Jana gana mana" was composed by Tagore in : (A) 31. Raja O Rani The heroine Prakriti belong to Tagore's dance - drama : (A) 30. (D) 1900 (B) 1910 (C) 1947 (D) 1911 The most of the notations of Tagore - Songs are written by : (A) (B) Dinendranath Tagore (C) 32. Rabindranath Himself Debendranath Tagore (D) Rabindranath's wife Mrinalini Tagore The book Sur O Sangati is a collection of correspondance between Rabindranath and : (A) (B) Herbert Spencer (C) 33. Albert Einstein Sarala Debi (D) Dhurja Prasad Mukhopadhyay The language of Tagore's Bhanusinher Padavali is : (A) D 1604 Hindi (B) Bengali (C) 20 Maithili (D) Bhojpuri IV U 26. U U U (A) 27. U U (C) U (D) U - U U (B) - (C) U (D) U U (D) U U (D) v~vv U U U L S (A) 29. (B) U U - K U U (A) 28. (B) (C) U U K U? (A) (B) (C) 30. U (D) U U U m U U (A) 31. v~ (B) (C) v~v v~y| U U S U U (A) (B) U U m U (C) 32. U m U S U U m U (D) U U U m U ' U ' S U U U U U (A) (B) U U S U (C) 33. U U U (D) U U U U U U (A) D 1604 U (B) (C) 21 (D) U P.T.O. 34. The essay "Origin and Function of Music" is written by : (A) (B) Romain Rolland (C) 35. Rabindranath Tagore Herbert Spencer (D) H.G. Wells The theme of Rabindranath's dance - drama shyama is derived from : (A) (B) James Todd's " Annals from Rajasthan (C) The Ramayana (D) 36. Rajendralal Mitra's " The Sanskrit Buddhist Literature of Nepal" The Mahabharata Identify the song in which Rabindranath artistically applied all the twelve notes : (A) (B) Amader Santiniketan (C) 37. Dhire bandhu go dhire dhire Tumi amader pita (D) He sakha mama The division of Nabapancha tal is : (A) (B) 4+4+4+4+2 (C) 38. 2+2+3+2+3 2+4+4+4+4 (D) 3+3+3 Na chahile jare pooja jay belongs to the paryay (category) : (A) 39. (B) Puja (C) Prakriti Khamaj (B) Chhayanat (C) Megh Swadesh (D) Pilu (D) 1900 - 1961 The title of the Hibbert Lecture delivered by Tagore is : (A) The Religion of an Artist (B) The Religion of Man (C) 41. (D) The tune of 'Tumi keman kore gan karo he guni' is : (A) 40. Prem Chandamanjari (D) Tattwa Kaumudi The span of Rabindranath's life is : (A) D 1604 1841 - 1900 (B) 1861 - 1941 22 (C) 1847 - 1947 34. " U U " U (A) (B) U U U m U (C) 35. U U U m U U U S U m U (D) . . m U U - K - S U (A) (B) U U U S (C) U (D) 36. U S hS U, U U U U U U , U U U U S U U U (A) (B) U (C) 37. U U U U (D) U U U (A) (B) 4+4+4+4+2 (C) 38. 2+2+3+2+3 2+4+4+4+4 (D) 3+3+3 ' U U ' U (A) 39. (B) (C) (D) S (C) (D) (D) 1900 - 1961 ' U U ' U (A) 40. (B) U U U U m U U U U U (A) (B) (C) 41. US U U U (D) U - U (A) D 1604 1841 - 1900 (B) 1861 - 1941 23 (C) 1847 - 1947 P.T.O. 42. "Amar praner pare chole gelo ke" consists of : (A) 43. 12 notes (B) 7 notes (C) 5 notes Nishikanta sen (B) Mahatma Gandhi (C) Dilip Kumar Ray (D) Ratan Debi Lessing's laoco n is mentioned by Tagore in his essay entitled : (A) Sangit O Kabita (B) Katha O Sur (C) 45. Sonar Kathi (D) Sabhyatar Sankat Identify the Raga and Tala of the song "Veena bajao he mama antare" : (A) Multani, Teevra (B) Shree, Rupak (C) 46. 6 notes The book Alap-Alochana is a collection of Tagore's dialogue with : (A) 44. (D) Purabi, Dhamar (D) Marwa Chantal The introductory song of Taser Desh is : (A) (B) Bela je Chole jay (C) 47. Khara bayu boy bege Naba basanter doner dali (D) Sahena sahena kande paran 'Ananda dhar bohichhhe bhubane' is tune in the raga : (A) 48. Bageshri (C) Chandrakauns (D) Paraj 1901 (B) 1902 (C) 1903 (D) 1899 (D) Tapoban The anthology of Tagore's congregational addresses is entitled : (A) 50. (B) Brahma-Vidyalay at Santiniketan was established in : (A) 49. Malkans Santiniketan (B) Visva - Bharati (C) Dharma Tagore listened to srikrishna Ratanjankar's kheyal recital in Lucknow in Lucknow in the year : (A) D 1604 1935 (B) 1934 (C) 24 1933 (D) 1932 42. U U U U U (A) 43. vw S U (B) (C) | S U (D) { S U U (D) U U 1903 (D) 1899 (D) (D) 1932 z S U - S U U U U (A) (B) U (C) 44. U U (D) U U U m U U (A) (B) ' U' (C) 45. ' ' ' U U ' (D) ' U U' U U U U U (A) (B) , M (C) 46. , , U (D) U , U U U (A) (B) (C) 47. U U U U (D) U U U U U U h U (A) 48. U (C) 1901 (B) 1902 (C) U U m U U U (A) 50. (B) - l S (A) 49. U (B) (C) U c U U U U (A) D 1604 1935 (B) 1934 (C) 25 1933 P.T.O. PART V PERCUSSION INSTRUMENTS (TABLA / PAKHAWAJ) 26. To which "Gharana" Ustad Gamme Khan belongs : (A) 27. Ajarada (B) Lucknow (C) Farrukhabad Pt. Kanthe Maharaj (B) (D) Dholak Pt. Kishan Maharaj (C) Baldeo Sahai (D) Pt. Ram Sahai Originally 'Peshkar' is a composition of : (A) 29. Delhi Who is the founder of Banaras gharana ? (A) 28. (D) Tasha (B) Nakkara (C) Tabla Pandit Kishan Maharaj is a desciple of : (A) (B) Ustad Modu Khan (C) 30. Pandit Ram Sahai Pandit Janki Sahai (D) Pandit Kanthe Maharaj Which one is not a Deshi taal ? (A) 31. Singh Vikram (B) Darpan (C) Udaghatta (D) Who is the author of 'Tabla Shastra' ? (A) Satya Narayan Vasishtha (B) Laljee Shrivastava (C) 32. V.N. Bhatkhande (D) Madhukar Ganesh Godbole 'Stuti Paranas' are played in : (A) Lucknow Gharana (B) Delhi Gharana (C) 33. Charchary Banaras Gharana (D) Ajarada Gharana Kumbha Taal, Rudra Taal and Chartaal Ki Sawari have equal matras : (A) D 1604 Correct (B) Wrong (C) 26 Doubtful (D) Can't say V h l 26. US $ U U ? (A) 27. U U (B) (C) L U U U U (B) U U U (D) (D) (B) $ U (C) U U U c U ? U U U (B) US (C) U U (D) U U U U U ? (A) U (B) (C) U U U S S U? (A) U c U (B) S (C) 32. . . U (D) U U S U U (A) U U (B) U (C) 33. U U L U (A) 31. U U U (A) 30. (D) U (C) 29. U U U? (A) 28. (D) U U (D) U U U , L U U U U (A) D 1604 U (B) (C) 27 U S (D) U U P.T.O. 34. Ustad Shafat Ahmed Khan has been honoured with : (A) (B) Sangeet Natak Academi Award (C) 35. Padma- Bhushan Padma - Vibhushan (D) Padma - Shree Ustad Natthookhan was specially known for playing : (A) 36. Paran (B) Gat (C) Quaida (D) Iron powder (B) Zinc Powder (D) 11 (B) 10 (C) 9 In which taal the sum is on Khali ? Vasant (B) Pancham Sawari (C) Jhaptaal Name the Layakari of the fraction 7/4 : (A) Aadi (B) Ku-Aadi (C) Bi- Aadi (D) Sawai (C) Camel (D) Goat Pudi of Tabla/pakhawaj is made of : (A) 41. Roopak How Many ' Pranas' of Taal are there ? (A) 40. (D) Clay Powder (A) 39. 7 Coal Powder (C) 38. Uthan The main component of Tabla Syahi is : (A) 37. (D) Cow (B) Buffalo Who is not a Pakhawaj-player out of the following (A) Kudau Singh (B) Chatrapati Singh (C) Nana Panse (D) Gudai Maharaj D 1604 28 34. US $ U U (A) (B) U (C) 35. k k (D) k US M h (A) (B) (C) 36. U $ (D) U U S U U U (A) 37. S (D) U U vv (B) v (C) ~ (D) | U (C) (D) M U (C) U (D) U (D) U (B) U (B) - U U U? (A) 41. (C) |/y U U U (A) 40. U U? (A) 39. (B) U? (A) 38. U (B) (C) U U? (A) U (B) U U (C) (D) U U D 1604 29 P.T.O. 42. How many Matras are there in Laxmi Taal ? (A) 43. 18 (D) 21 6 (B) (C) 7 3 (D) 2 Jati (B) Yati Gati (D) Graha (C) 4 (B) 5 (C) 6 (D) Correct (B) Doubtful (C) Wrong (D) Sudhir Saxena (B) Pagal Das (C) Bhargwat Sharan Sharma (D) Satya Narayan Vasishtha The smallest unit of Taal is : (A) 49. Avartan (B) Matra (C) Vibhag (D) Sam Chatustra Jati (C) Mishra Jati (D) Khand Jati Dadra Taal belongs to : (A) 50. Can't Say The author of 'Tabla Kaumudi' is : (A) 48. 11 The value of Drut and Viram is unchangeable in Karnatik taal system : (A) 47. (C) Rabindra Nath Tagore composed New Taalas. The number of such taalas are : (A) 46. 15 Sam, Visham, Ateet, Anagat are the varieties of : (A) 45. (B) The main gharanas of Tabla are : (A) 44. 13 Tistra Jati (B) Who is honoured with Padma-Vibhushan : (A) Ustad Natthan khan (B) Pandit Biru Mishra (C) Pandit Kishan Maharaj (D) Ustad AllaRakhan D 1604 30 42. U? (A) 43. v} (D) wv { (B) | (C) x (D) w (C) (D) U { (D) vv (B) y (B) z (C) U h U U U U (A) 47. (C) U U U U ? (A) 46. vz , , , U U (A) 45. (B) U U (A) 44. vx U (B) U S (C) $ U (B) (C) U (D) U c U U U (A) 49. (B) (C) (D) (B) S (C) (D) U U U (A) 50. U U U (A) 48. (D) S U? (A) US (B) U L (C) U U U (D) US U D 1604 31 P.T.O. Space For Rough Work D 1604 32

Formatting page ...

Additional Info : Ugc Net December 2004 Question Paper -Music ( Paper II )
Tags : cbse ugc net question papers, UGC NET Solved Sample Question Paper, UGC NET Exam Papers, ugc net past question papers, ugc net syllabus, ugc net specimen, ugc net study material, UGC NET Study Materials FREE, UGC NET Exam Pattern, Free Ugc Net Online Practice Tests, ugc net previous question papers, central board of secondary education,

ugc_net chat

Horizontal lines at:
Guest Horizontal lines at:
AutoRM Data:
Box geometries: