
	Trending ▼ ICSE CBSE 10th ISC CBSE 12th CTET GATE UGC NET Vestibulares ResFinder

UGC NET DEC 2007 : MUSIC PAPER III

40 pages, 43 questions, 0 questions with responses, 0 total responses,

	ugc_net	+Fave Message
	Profile Timeline Uploads Q & A

Home > ugc_net >

Formatting page ...

Signature and Name of Invigilator Roll No. (In figures as per admission card) 1. (Signature) (Name) Roll No. 2. (Signature) (Name) D 1 6 0 7 Time : 2 hours] (In words) Test Booklet No. PAPER III MUSIC Number of Pages in this Booklet : 40 [Maximum Marks : 200 Number of Questions in this Booklet : 26 Instructions for the Candidates U U 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U U 2. U U U, U S U U 2. Answers to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. U U No Additional Sheets are to be used. 3. U U U, - S U U U - S U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) - S U U U U U U U S U U- U S S U U (i) To have access to the Test Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. 4. U U 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 5. U U- S (Rough Work) U U DU 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 6. U- S U , U U U U 7. U # U U- S U U U U U # U U U U 7. You have to return the Test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. / U Z U S U 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc. is prohibited. 9. U ( U U) U U 10. There is NO negative marking. 10. U U D 1607 1 P.T.O. MUSIC PAPER III - III NOTE : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. (200) (4) S D 1607 2 SECTION - I U I Note : This section contains five (5) questions based on the following paragraph. Each question should be answered in about thirty (30) words and each carries five (5) marks. (5x5=25 marks) ( 5) (30) ( 5) (5x5=25 ) The folk songs of people are an invaluable and ever memorable chapter in their history. Like the ancient manuscripts, specimens of pottery and other archaeological relics of an ancient civilization preserved intact in their correct form, go a long way in representing before us the religious, social, economic and cultural life, the customs and manners, the thoughts and emotions, may, the very basic principles which protected, preserved and maintained the worldly existence, of people. The study of the folklore of people is therefore important enough for all students of History, but it is all the more important for a student of Music. All Music, may it be religious, classical, popular, theatrical or festive, owes its origin to the folklore. ... The points that go to make folk music so interesting are (i) its simplicity of form, (ii) its reference to the every day life of the country-man, (iii) its poetic content and (iv) its regular and simple rhythm. - US U U U S M U U ^ U U U , , S U , U - U U U h D 1607 3 P.T.O. S U , U U U l - , U l U U , , S , , h , ... U (i) S M U , (ii) - , (iii) (iv) U 1. What are the salient features of folk music ? ? D 1607 4 2. Why should folk music be given importance in life ? ? 3. Folk songs are ancient manuals (manuscripts) , how ? ( U ) , ? D 1607 5 P.T.O. 4. What is the relation between folk and classic music ? S ? 5. Why the rhythm in folk music is simple ? U ? D 1607 6 SECTION - II U II Note : This section contains fifteen (15) questions each to be answered in about thirty (30) words. Each question carries five (5) marks. (5x15=75 marks) (15) (30) (5) (5x15=75 ) 6. What is meant by musical sound ? Give its characteristics in short. ? D 1607 7 P.T.O. 7. Compare and contrast Hindustani and Karnataka TAAL system. S U h U 8. Describe MARGI-TAALAS. - U D 1607 8 9. Write in NOTATION JHAP-TAAL in AAD, and QUAD Laya. h 10. Throw light on Interrelationship between folk and classical music . S U U D 1607 9 P.T.O. 11. Write whatever you know about Ravindra Sangeet. U U U , 12. Enumerate TAAL - DASH PRANAS and describe each one in short. U D 1607 10 13. Describe in short BANIES of DHRUPAD. 14. Name any five authentic writers (music) of modern period with a brief description of their books. U m ( ) m U S U D 1607 11 P.T.O. 15. Describe in short any two of the following : JAATI-GAYAN, DHRUPAD, TILLANA, KRITI U - , , , 16. Write about the contribution of any two of the following : KCD BRAHASPATI, B.C. DEVA, LALMANI MISHRA, ONKARNATH THAKUR U . . U . S , . . , , U U U D 1607 12 17. Describe RAS-NISHPATTI according to BHARAT. U U U - c U 18. Clarify the placement of SHUDDHA SWARAS according to SRINIWAS. h S U S S c U D 1607 13 P.T.O. 19. Trace the history of chorus/orchestra. / S C 20. Write your own views on the possibilities of research in Music. - U U D 1607 14 SECTION - III U III Note : This section contains five (5) questions from each of the electives / specialisations. The candidate has to choose only one elective / specialisation and answer all the five questions from it. Each question carries twelve (12) marks and is to be answered in about two hundred (200) words. (12x5=60 marks) / (5) / (12) (200) (12x5=60 ) Elective - I U I HINDUSTANI MUSIC - VOCAL AND INSTRUMENTAL S - 21. What are the new areas of research in Indian music ? Discuss them. U - ? 22. Explain the interrelationship of classical music and folk music. S US U 23. Give your aesthetic appreciation about the synthesis of lyrics and melody in musical composition. U S U ? U D 1607 15 P.T.O. 24. Discuss the factors involved in the formation of Gharana and write the specialities of Gwalior Gharana. U U U U 25. What do you understand by appreciation and criticism in Fine Art ? Explain how this is done in Hindustani music ? U ? S S U ? Elective - II II KARNATAKA MUSIC - VOCAL, INSTRUMENTAL AND PERCUSSION 21. Write a note on the importance of Pat ha ntara. . U U U U 22. The importance of Ka laprama na in Abhyasa Gana for a vocalist - Analyse. U 23. Write a note on Temple Music. U U U 24. Critically comment on the use of Electronic Musical Instruments. U l U U D 1607 16 25. The role of Music Sabhas in propagating classical music - Analyse. S U U U OR / Elective - III III RABINDRA SANGEET 21. How much inspiration Tagore got from his family environment related to music ? U U U U U U # ? 22. Do you believe that Tagore has added a third dimension in Indian music - Comment. , U U U U U U 23. What are the basic influence of western music in Tagore s composition ? U U U U U ? 24. How much Tagore influenced his contemporary music creators ? Elaborate. U U U ? U 25. Do you believe Tagores music is most liked by common people because of its exceptional lyrics . Give your own comment. , U U U U U OR / D 1607 17 P.T.O. Elective - IV IV PERCUSSION INSTRUMENT h l 21. Define Laya and explain Layakaries . U U S C 22. Express your opinion on Ten Pranas of Tala . U U 23. Describe the aesthetic aspect of Tabla solo. -S (solo) 24. Explaining the difference between Tihai and Chakradar , compose a Farmaishi and a Kamali in Jhaptal . R U UU S C U U U h 25. Describe the importance of Tabla/Pakhwaj. / D 1607 18 D 1607 19 P.T.O. D 1607 20 D 1607 21 P.T.O. D 1607 22 D 1607 23 P.T.O. D 1607 24 D 1607 25 P.T.O. D 1607 26 D 1607 27 P.T.O. D 1607 28 D 1607 29 P.T.O. SECTION - IV IV Note : This section consists of one essay type question of forty (40) marks to be answered in about one thousand (1000) words on any of the following topics. This question carries 40 marks. (40x1=40 marks) (40) , (1000) (40x1=40 ) 26. Importance of textual evidence and oral tradition in Music and their interrelationship. S U U U OR / Relevance of electronic music instruments. U l Q OR / Ways and means for making Indian Classical Music more popular. U S U D 1607 30 D 1607 31 P.T.O. D 1607 32 D 1607 33 P.T.O. D 1607 34 D 1607 35 P.T.O. D 1607 36 D 1607 37 P.T.O. D 1607 38 D 1607 39 P.T.O. FOR OFFICE USE ONLY 1 26 51 76 2 27 52 77 3 28 53 78 4 29 54 79 5 30 55 80 6 31 56 81 7 32 57 82 8 33 58 83 9 34 59 84 10 35 60 85 11 36 61 86 12 37 62 87 13 38 63 88 14 39 64 89 15 40 65 90 16 41 66 91 17 42 67 92 18 43 68 93 19 44 69 94 20 45 70 95 21 46 71 96 22 47 72 97 23 48 73 98 24 49 74 99 25 50 75 Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained 100 Total Marks Obtained (in words) ..................................... (in figures) .................................... Signature & Name of the Coordinator ............................... (Evaluation) D 1607 Date ............................. 40

Formatting page ...

Additional Info : Ugc Net December 2007 Question Paper -Music ( Paper III )
Tags : cbse ugc net question papers, UGC NET Solved Sample Question Paper, UGC NET Exam Papers, ugc net past question papers, ugc net syllabus, ugc net specimen, ugc net study material, UGC NET Study Materials FREE, UGC NET Exam Pattern, Free Ugc Net Online Practice Tests, ugc net previous question papers, central board of secondary education,

ugc_net chat

Horizontal lines at:
Guest Horizontal lines at:
AutoRM Data:
Box geometries: