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UGC NET DEC 2012 : MUSIC PAPER III

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PAPER-III MUSIC Signature and Name of Invigilator 1. (Signature) __________________________ OMR Sheet No. : ............................................... (To be filled by the Candidate) (Name) ____________________________ 2. (Signature) __________________________ (Name) ____________________________ D 16 1 2 1 Time : 2 /2 hours] Number of Pages in this Booklet : 32 Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of seventy five multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the circle as indicated below on the correct response against each item. Example : where (C) is the correct response. 5. Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification. 9. You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is no negative marks for incorrect answers. D-16-12 Roll No. (In figures as per admission card) Roll No.________________________________ (In words) [Maximum Marks : 150 Number of Questions in this Booklet : 75 1. 2. - 3. , - - , : (i) - - (ii) - / - - (iii) OMR - 4. (A), (B), (C) (D) : (C) 5. OMR OMR , 6. 7. (Rough Work) 8. OMR , , , , , 9. - OMR OMR 10. / 11. ( ) 12. 1 P.T.O. MUSIC Paper III (Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument Vocal/ Instrumental and Musicology) Special Instructions : This paper has two parts. Part-I consists of 50 objective questions common to all, which is compulsory and carries 2 marks each. Part II has Four sections viz Part II, Part III, Part IV, Part V Hindustani, Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2 marks each. Candidates should select any one of the Part II / Part III / Part IV / Part V as per his / her discipline. PART I Hindustani / Karnatak / Rabindra Sangeet / Percussion Instruments Common to all 1. The term Matu is used for which of the following ? (A) Mukam (B) Textual part of a song (C) Matra (D) Murki 5. Which are the two main components of Sam Veda ? (A) Sanyukta Niryukta (B) Avahan Avgahan (C) Dhankshree Geetangi (D) Archik Gan 2. According to ancient scholars the term vipanchi was used for which of the following ? (A) Nine string veena (B) Seven string veena (C) Twelve string veena (D) Three string veena 6. Which is the correct order for Uddata , Anuddata , and Swarita respectively ? (A) Lower, middle, upper (B) Upper, middle, lower (C) Upper, lower, middle (D) Middle, upper, lower 3. As per the method of placement of swaras on the 36" wire of veena, what is the place of shudha-madhyam according to Pt. Ahobal ? (A) 32" (B) 18" (C) 27" (D) 20" 7. Famous Rabindra Sangeet composed in Purvi Raga is (A) Jago mangalo loke (B) Joto tara tabo aakashe (C) Kar Milan chao birohi (D) Amar man mane na 4. Geer , Gatu , Gatha and Gayatra are used in Rigveda as a synonym of (A) Ganesha (B) Girdhari (C) Gayatri (D) Geet 8. Which Nritya Natya is created by Rabindranath to support of Mahatma Gandhi s Harijan Unmulan Andolan ? (A) Chandalika (B) Shyama (C) Shap Mochan (D) Natir puja Paper-III 2 D-16-12 III : / / / ( / ) : 2 I 50 , 2-2 II II / III / IV / V ( / / / ) , 25-25 2-2 II / III / IV / V 25 I / / / 5. ? (A) (B) (C) (D) 6. , ? (A) , , (B) , , (C) , , (D) , , 7. 1. (A) (B) (C) (D) 8. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 2. 3. ? (A) (B) (C) (D) . 36" ? (A) 32" (C) 27" 4. (B) 18" (D) 20" , , ? (A) (B) (C) (D) D-16-12 3 Paper-III 9. 10. The last prabanda which is kept lively even today ? (A) Nowka Charitram (B) Geetgovindam (C) Nandanar Charitam (D) Krishnalila Tarangani 15. What is the name of Odav Scale in western music ? (A) Heptatonic Scale (B) Hexatonic Scale (C) Natural Scale (D) Pentatonic scale Tick the correct order of chronology of the following : (A) Geet Govind, Natyashastra, Sangeet Ratnakar (B) Sangeet Ratnakar, Natyashastra, Geet Govind (C) Natyashastra, Geet Govind, Sangeet Ratnakar (D) Natyashastra, Sangeet Ratnakar, Geet Govind 16. Match the following : List I List II a. Siddharam Jadhav i. Vichitra Veena b. Vinayak Vora ii. Guitar c. Ramesh Prem iii. Taar Shehanai d. Brijbhushan Kabra iv. Sundari Codes : 11. The modulation of voice is expressed through (A) Kaku (B) Laya (C) Bandish (D) Tala 13. 14. iii i ii iv ii iv iii i iv iii i ii (D) i iv ii iii Who introduced Sargam Swarlipi and Sanketic Swarlipi ? (A) Maulabaksh Who is the author of Music of Hindustan ? (A) William Jones (B) N. Augustus Williard (C) E. Clementz (D) Fox Strangeways (B) Krishnadhan Bandopadhya (C) Pt. Vishnu Digamber Paluskar (D) Pt. Vishnu Narayan Bhatkhande 18. Name the famous musicologist (A) Kishori Amonkar (B) Prabha Atre (C) Pt. Jasraj (D) B.C. Deva Paper-III d (B) 17. c (A) What is the interval between Madhyam and Tar Shadaj ? (A) 2 : 3 (B) 3 : 4 (C) 4 : 5 (D) 8 : 9 b (C) 12. a Who introduced the word Raga for the first time in the musical texts ? (A) Sharangdev (B) Matang (C) Narad (D) Dattil 4 D-16-12 9. : (A) (B) (C) (D) 10. (A) , , (B) , , (C) , , (D) , , 11. 15. ? (A) (B) (C) (D) 16. : I a. b. c. d. : / (A) (B) (C) (D) II i. ii. iii. iv. (A) 2 : 3 (B) (C) d iii i ii iv (B) ii iv iii i iv iii i ii (D) (D) 8 : 9 c (A) ? b (C) 12. a i iv ii iii 3:4 17. ? (A) (B) (C) . (D) . 18. 13. 4:5 ? (A) (B) (C) (D) ? (B) . (C) . (D) (A) 14. (A) (B) (C) . (D) . . D-16-12 5 Paper-III 19. Who originated the Pushtimarg ? 23. (A) Aadi Shankaracharya What is the interval between Gandhar and Madhyam ? (B) Shri Vallabhacharya (A) Major Tone Interval (C) Ramamatya (B) Minor Tone Interval (C) Major Sixth Interval (D) Kumbhandas (D) Semi Tone Interval 20. Singing based on a single note is known as (A) Samik (C) 21. (B) 24. (D) Aaranyak Archic Gathik (A) Raghunath Bhoop (B) i. Abhinav Geet Manjiri b. Pt. Kumar Gandharv ii. Bhavarang Lahiri c. Pt. Balwantrai Bhatt iii. Abhinav Geetanjali d. Pt. Annasaheb Ratanjankar Jaidev Thakur (D) Nayak Bakshoo List II a. Pt. Ramshrya Zha Krishna Nand Vyas (C) Match the following : List I iv. Anupragvilas 25. b c d (A) iii iv ii i (B) iv ii i iii (C) ii i iii iv (D) i iii iv ii (B) (C) 26. a How many Rasas have been mentioned by Bharat in Natyashastra ? (A) 9 Codes : 22. The author of Sahsaras Grantha is (D) 6 7 8 Layakari of playing 6 swaras in the duration of 4 Matras in Western Music is (A) Septolet (B) Sextolet (C) Quintuplet (D) Quadruplet 27. Which western sign is used for 1 Matra in Indian music ? Who wrote commentary on Nardiya Shiksha ? (A) Minim (A) Maharana Kumbha (B) Crotchet (B) Bhatt Shubhankar (C) Quaver (C) Dattil (D) Breve Paper-III (D) Parshvadeva 6 D-16-12 19. ? 23. ? (A) (A) (B) (B) (C) (C) (D) 20. (D) ? (A) (B) (C) 21. (D) 24. (A) (B) I (D) II (C) : a. . i. b. . ii. c. . iii. (A) 9 (B) d. . iv. (C) (D) 6 25. : ? 7 8 a c d (A) iii iv ii i (A) (B) iv ii i iii (B) (C) ii i iii iv (C) (D) 22. b ? i iii iv ii (D) 26. ? 27. ? (A) (A) (B) (B) (C) (C) (D) (D) D-16-12 7 Paper-III 28. What was the title name of Firoz Khan ? (A) Sadarang (B) Adarang (C) Rangeele (D) Prem Priya 34. Which Sampraday was followed by Matang and Abhinavgupta ? (A) Bharat Mat (B) Hanumat Mat (C) Shiv Mat (D) Brahma Mat 29. The musicologist who divided Ragas into two parts i.e. Gram Raga and Bhasha Ragas (A) Narad (B) Bharat (C) Matang (D) Sarangdeva 35. The main objective of Research in music is (A) to propagate the musicological aspect (B) to bring out the historical aspect (C) to discover new facts (D) to strengthen the practical aspect 30. Tick the correct name for denoting the 1 value of 4 note in staff notation. (A) Crotehel (B) Quaver (C) Minim (D) Semibreve 36. Guru of Matang (A) Bharat (B) Dattil (C) Abhinav Gupta (D) Acharya Nandikeshwara 31. Who has been a famous conductor of western orchestra ? (A) Pt. Ravishankar (B) Hari Prasad Chaurasia (C) Ustad Allauddin Khan (D) Zubin Mehta 37. The symbol denoting the position of Madhya Sa in Staff Notation is (A) Clef signature (B) Key signature (C) Time signature (D) Value of Notes 32. The main folk dance form of Manipur State is (A) Chau (B) Kalvalia (C) Maharas (D) Rai-Shera 38. The philosopher who adopted the view of utility in Aesthetics (A) Plato (B) Socrates (C) Kant (D) Hegal 33. One of the main objectives of teaching music is also (A) to encourage social justice (B) to provide proper leadership (C) to discover new facts (D) to establish music at par with other disciplines 39. Angika , Vachika , Aharya and Satvik are related to (A) Pakhawaj (B) Dhrupad (C) Khayal Gharana (D) Dance Paper-III 8 D-16-12 28. ? (A) (B) (C) (D) 29. 34. , (A) (B) (C) (D) 35. 31. 38. 33. (A) (B) (C) (D) ? (A) (B) (C) (D) 39. (A) (B) (C) (D) - (A) (B) (C) (D) , , ? (A) (B) (C) (D) ? (A) . (B) (C) . (D) 32. (A) (B) (C) (D) 37. 4 (A) (B) (C) (D) (A) (B) (C) (D) 36. 1 30. ? (A) (B) (C) (D) D-16-12 9 Paper-III 40. Which one of the following name is also used for Kathak dance ? 45. (A) 6 Natwari Nritya (D) 1 2 4 Girdhari Nritya (C) (B) (C) (A) Bhramar Nritya (B) Baj of Tabla playing 46. (D) Nagri Nritya Total number of main syllables of Tabla In the reign of which of the following emperors, the merger of North Indian and South Indian music took place ? 47. Gharana established by Pt. Ram Sahay (B) Shahjahan Farukhabad Gharana (C) Allauddin Khilji (C) (D) 16 5 7 (A) Lucknow Gharana (A) Shivaji Maharaj (B) (B) (C) 41. (A) 10 Ajarada Gharana (D) Banaras Gharana (D) Humayun 48. 42. Which musicologist adopted the Sansthan Niyam in Raga-Ragini classification ? Which title was awarded to Gyan Prakash Ghosh (a famous Tablaplayer) ? (A) Padmashree (A) Lochan (B) Padma Bhushan (B) Chandidas (C) Bharat Bhushan (C) Ramamatya (D) Bharat Ratna (D) Vidyapati 43. 49. Which composition is expandable from the following ? Name of the deshi taal (A) Tukda (A) Singhkati (B) Tihai (B) Singh Nandan (C) Fard (C) Singh Bhoopal (D) Rela (D) Singh Vandana 50. 44. Taal used with Sadra style of singing Total number of Matras of Taal Shadpitaputrak (A) Matt Taal (B) Tivra (A) 10 (B) (C) Sool Taal (C) (D) 12 Paper-III 4 8 (D) Gaj Jhampa 10 D-16-12 40. ? (A) (D) 41. 46. 50. 43. ? (A) (B) (C) (D) (D) ( ) ? (A) (B) (C) (D) 49. (C) . ? (A) (B) (C) (D) ? (D) (D) 16 5 7 48. (B) (C) (B) 47. (B) (C) ? (A) (D) 1 2 4 (A) 10 (A) 42. (B) (C) (C) (A) 6 (B) 45. (A) (B) (C) (D) (B) (C) (D) (A) 44. (A) 10 (B) (C) (D) 12 D-16-12 4 8 11 Paper-III PART II Hindustani Music 51. Who was the disciple of Balkrishnabuva Ichalkaranjikar ? Pt. 55. What is the pen-name of Goharjaan ? (A) Chhaganpiya (A) Pt. Kumar Gandharva (B) (C) (B) Pt. Vishnu Digamber Paluskar 56. In which tala famous vocalist Ustad Amir Khan has sung maximum Velambit Khyals ? (B) Kesarbai Zoomra Bhaskarbuva Bakhale (C) Ektala (C) The name of Vidushi Kerkar s Guruji is (A) Allauddin Khan (A) Teental (B) Sagunpiya (D) Prempiya (D) Pt. Omkarnath Thakur 52. Daraspiya (C) Pt. Bhimsen Joshi Alladiya Khan (D) Ramkrishnabuva Vazhe (D) Tilwada 57. 53. What is the term for Shruti in Western Music ? Placement of Dhaivat in the present division of Shruti and Swara is (A) 14th Shruti (A) Tone (B) (C) (B) (C) Scale Microtone 18th Shruti (D) 20th Shruti (D) Semitone 54. 16th Shruti 58. How many Gram Ragas have been mentioned in Music Granthas ? Which Raga does not belong to Kafi Thata ? (A) 10 (A) Durga (B) 72 (B) Gaud Malhar (C) 30 (C) Bhimpalasi (D) Bogeshwari (D) 20 Paper-III 12 D-16-12 II 51. . ? (B) . (C) . (D) . (B) . (C) (D) 56. . ? (A) (C) (D) (D) (B) (C) ? (A) (B) 53. ? (A) (A) 52. 55. 57. ? - (A) 14 (A) (B) (B) 16 (C) (C) 18 (D) 54. (D) 20 ? 58. ? (A) (B) (A) 10 (B) 72 (C) 30 (C) (D) 20 (D) D-16-12 13 Paper-III 59. Frequency of Pancham is 64. (A) 360 (B) (A) Akshiptika 320 (C) 300 (B) 65. (A) Matang Match List I with List II and select the correct answer by using the codes given below the lists : List I Sarangdeva (C) Mukhchalan (D) Murki Writer of Brihaddeshi is (B) Sthay (C) (D) 270 60. What is the term used for small phrases in music ? Dattil List II a. Matang b. Ramamatya 61. 3. Brihaddeshi d. Somnath Book Authored by Pt. Omkarnath Thakur is 2. Rag Tarangini c. Lochan (D) None of these 1. Swara Mela Kala Nidhi 4. Rag Vibodh Codes : (A) Sangeetanjali (B) 62. 66. (A) Panini (B) Ramgopal 2 4 2 3 4 1 4 2 1 3 2 4 3 1 The Rhythm of Staff Notation similar to Ektal of Hindustani Music is (B) Simple Triple Time (C) (D) Kanthe Maharaj 63. 1 (A) Simple Duple Time Bhankar Bhav (C) 3 (D) Acharya of Grammar is d (C) (D) Rag Vigyan c (B) Sangeetraj b (A) Abhinav Sangeet (C) a Simple Quadruple Time (D) Compound Duple 67. Padma Shri Awardee Artist of 2012 is (A) Pt. Buddhadev Das Gupta Which Raga does not belong to Kanhra Anga ? (A) Bhimpalasi (B) Zia Fariduddin Dagar (B) Adana (C) Bhupendra Hazarika (C) Shahana (D) Suha (D) None of these Paper-III 14 D-16-12 59. 64. ? (A) (B) (C) (D) 65. -I -II I II 1. a. b. 2. 3. c. d. 4. : (A) 360 (B) 320 (C) 300 (D) 270 60. (A) (B) (C) (D) 61. . (A) (B) (C) (D) c d (A) 3 1 2 4 (B) 2 3 4 1 (C) 4 2 1 3 2 4 3 1 (A) 67. ? (A) (B) (C) (D) (D) ? (A) (B) (C) (D) (C) 66. (B) 63. b (D) 62. a 2012 (A) . (B) (C) (D) D-16-12 15 Paper-III 68. The following combination of notes depicts which Raga ? 71. Which Treatise is written by Prof. Premlata Sharma ? (A) Ras Sidhanta : Mul, Shakha, Pallav, Patjhar Pa Dha, Ma Pa, Ga Ma Dha Pa, Re Sa (A) Bhatiyar (B) Bhartiya Sangeet Ka Itihas Sangeet Manjari (B) Marubihag (C) (C) Bihag (D) Sangeet Bodh (D) Nand 72. The word used for Art in Vedic yug (A) Udar Kala 69. Tumba of Tambura is made of (B) Rupatmak Kala (A) Wood (C) Shilp (B) Red Pumpkin (D) Pratikvadi Kala (C) White Gourd 73. (D) None of these Karun Ras is related to which swaras ? (A) Sharaj List I a. Crochet 1. b. Semi breve 2. c. Minim 3. d. Quaver 74. 0 4. Nishad Gandhar Pancham (D) Gandhar List II Gandhar (C) Match List I with List II and select the correct symbols of western staff notation by using the codes given below the lists : Rishabh (B) 70. Madhyam What is the term for small parts of Geet and Alaps ? (A) Roopkalapti (B) Bidari (C) Sthayi (D) Matu Codes : a b c (A) 4 1 2 3 (B) 2 3 1 4 (C) 4 2 3 (D) 3 4 2 75. d Which Gharana pays special attention to Layakari ? (A) Kirana Paper-III (B) Gwalior 1 (C) Patiala 1 (D) Agra 16 D-16-12 71. ? . ? (A) : , , , (B) (C) (D) 72. ? (A) (B) (C) (D) 73. 68. ? (A) (B) (C) (D) 74. ? (A) (B) (C) (D) 75. ? (A) (B) (C) (D) , , , (A) (B) (C) (D) 69. ? (A) (B) (C) (D) 70. -I -II : I II a. 1. b. 2. c. 3. d. 4. 0 : a b c d (A) 4 1 2 3 (B) 2 3 1 4 (C) 4 2 3 1 (D) 3 4 2 1 D-16-12 17 Paper-III PART III Karnatak Music 51. The term Vasu stands for the number (A) 7 (B) 8 (C) 9 (D) 10 52. Name of 12th Chakra is (A) Rudra (B) Disi (C) Aditya (D) Rishi 53. 55. 59. Bana-ma denotes the raga (A) Maya Malavagavla (B) Dheera Sankarabharanam (C) Mecha Kalyani (D) Kharaharapriya 61. Who is the author of Silappadikaram ? (A) Andal (B) Bharathiyar (C) Ilangovadikal (D) Tirujnana Sambandar The name Sri comes in (A) Sapta tala scheme (B) Shodasa Swaras (C) Bhutha Sankya (D) Chappu Talas 60. Name of 50th melakartha raga is (A) Namanarayani (B) Visvambhari (C) Gamanasrama (D) Dhavalambari Composer of 72 Melaragamalika is (A) Maha Vaidyanatha Iyer (B) Patnam Subramanya Iyer (C) Pallavi Seshayer (D) Subbarama Iyer What was the ancient name for orchestra in India ? (A) Kutapa (B) Brinda (C) Grama (D) Murchhana Value of the Vivadi interval is (A) one Sruti (B) two Srutis (C) three Srutis (D) four Srutis 54. 58. 56. Sudda mela of ancient Tamils corresponds to the modern mela ? (A) Natabhairavi (B) Sankarabharanam (C) Hanuma thodi (D) Harikamboj 62. Ninnukori Aditala varnam Mohanam raga is composed by (A) Swati Thirunal (B) Ramanad Srinivasa Iyyangar (C) Patnam Subramanya Iyer (D) Pallavi Sheshayyar 57. Select the original name of Manika Vasagar : (A) Vadavurar (B) Tayumanavar (C) Adiyarkkunallar (D) Andal 63. Select the Ubhayavakra ragam from the following : (A) Begada (B) Reethigavla (C) Gavla (D) Sri Paper-III 18 in D-16-12 III 51. ? (A) 7 (B) 8 (C) 9 (D) 10 52. ? (A) (B) (C) (D) 53. 59. 60. - ? (A) (B) (C) (D) 61. ? (A) (B) (C) (D) 62. ? (A) (B) (C) (D) 63. 50 (A) (B) (C) (D) 72 (A) (B) (C) (D) : (A) (B) (C) (D) (A) (B) (C) (D) 54. 58. 55. ? (A) (B) (C) (D) 56. ? (A) (B) (C) (D) 57. : (A) (B) (C) (D) D-16-12 19 ? (A) (B) (C) (D) Paper-III 64. 70. Bilahari is a (A) Dvi anyaswara Bhashanga raga (B) Three anyaswara Bhashanga raga (C) Ekanyaswara Bhashanga raga (D) Upanka raga 71. Who is the father of the great composer Thiruvottiyur Tyagayyar ? (A) Veena Seshanna (B) Veena Kuppayyar (C) Patnam Subramania Iyer (D) Maha Vydyanatha Iyer 72. Who is the composer of Krishnaleela Tharangini ? (A) Narayana Theerthar (B) Jayadeva (C) Tyagaraja (D) Bhadrachalam Ramadas 73. Name the chakra of Simhendra Madyamam Raga : (A) Rishi (B) Disi (C) Aditya (D) Netra 74. Who composed Ahstothara Satharagamalika ? (A) Muthuswami Dikshitar (B) Syama Sastri (C) Tyagaraja (D) Maha Vydyanatha Iyer 75. 65. Who is Uthama Vaggeya ? (A) One who is author of both music and lyrics. (B) One who is the composer of only music. (C) One who is the composer of only lyrics. (D) One who is the author of Lakshana Granthas. Which reputed book was given to Tyagaraja by Saint Narada ? (A) Swararnavam (B) Naradiya Siksha (C) Brihaddesi (D) Ragavibodha Tisrajathi Druvtala is having how many matras ? (A) 11 (B) 10 (C) 14 (D) 8 66. Anudrutam is used in which tala ? (A) Jhampa tala (B) Rupaka tala (C) Ata tala (D) Mattya tala 67. Select one itaranama mudrakar : (A) Syama Sastri (B) Swati Thirunal (C) Tyagaraja (D) Ramanad Srinivasa Iyyangar 68. Mandari is a janya raga of (A) 63rd Melakartha (B) 65th Melakartha (C) 51st Melakartha (D) 45th Melakartha 69. Kedaram is a (A) Arohana Vakra raga (B) Avarohana Vakra raga (C) Ubhaya Vakra raga (D) Shadava Shadava ragam Paper-III 20 D-16-12 64. ? (A) (B) (C) (D) 70. (A) (B) (C) (D) 65. ? 71. (A) (B) (C) (D) 72. ? (A) (B) (C) (D) 73. (A) (B) (C) (D) 74. ? (A) 11 (C) 66. 67. 68. 69. (B) (D) 8 14 10 ? (A) (B) (C) (D) : (A) (B) (C) (D) _______ (A) 63 (B) 65 (C) 51 (D) 45 (B) (C) (D) (A) : 75. (B) (C) (D) - (A) D-16-12 21 : (A) (B) (C) (D) Paper-III PART IV Rabindra Sangeet 51. 55. Which opera was the first one written by Rabindranath ? Which of the following songs is based on Western Music ? (A) Parishodh (A) Phule phule dhole dhole (B) Mayar Khela (B) Prem e chhilo (C) Valmiki-Pratibha (C) Basanta ki sudhu kebal (D) Kalmrigaya 52. (D) Eyito bhalo legechhilo 56. In which opera is the song Sakali phooralo included ? Which song was composed by Tagore for harvest ceremony ? (A) Valmiki Pratibha (A) Jete jodi hoi, jabo (B) Kalmrigaya (B) Aaye re mora fasal kati (C) Parishodh (C) O amar desher mati (D) Esho shyamol sundaro (D) Mayar Khela 53. 57. What is the total number of songs written by Tagore ? The song eto din je boshechhilem path cheye aar kaal gooney is included under the thematic category : (A) 4,000 (A) Prakriti (B) 3,500 (B) (C) (C) 2,000 (D) None of these 54. Puja Bichitra (D) Swadesh Who prepared the maximum number of notations of Tagore s song ? 58. The song Suno lo suno lo balika is from (A) Sarala Devi (A) Valmiki Pratibha (B) Jyotirindranath Tagore (B) Mayar khela (C) Dinendranath Tagore (C) Shyama (D) Indira Devi Paper-III (D) Bhanusingher Paadvali 22 D-16-12 IV 51. - 55. ? (A) (B) (A) (C) (B) (D) (C) (D) 52. - ? (A) (B) (C) ? (A) (D) ? (C) , (B) (D) 53. 56. (A) 4,000 (B) 3,500 (A) (C) 2,000 (B) (D) (C) (D) 54. ? 57. ? 58. ? (A) (A) (B) (B) (C) (C) (D) (D) D-16-12 23 Paper-III 59. Rabindranath composed the song Joy hok taba joy on the occasion of 63. (A) Wedding of Surendranath Tagore (B) (C) (A) Bhimrao Shastri Felicitation of Jagdishchandra Bose (B) Indira Devi (C) Felicitation of Bankimchandra Dwijendralal Roy (D) Rabindranath Tagore (D) Thirty Second Indian National Congress 64. 60. The first English translation of the song Jana gana mana adhinayaka was made by In which year did Tagore renounce his knighthood ? In which dance drama does the character Uttiyo appear ? (A) 1918 (A) Kaalmrigaya (B) 1919 (B) Shyama (C) 1928 (C) Valmiki-Pratibha (D) 1940 (D) Chandalika 65. 61. In which dance drama does the character Prakriti appear ? (A) It was his daughter s name. (A) Chandalika (B) (B) (C) Mayar Khela It refers to the talent of Valmiki. (D) It was Indira Devi s daughter s name. (D) Valmiki-Pratibha 62. It was his brother s daughter s name. Shyama (C) What is the source of the name Pratibha in Tagore s ValmikiPratibha ? The song aaj jyotsnarate sobai gechhe boney is from the thematic category 66. (A) Prakriti (B) (A) Misra-behag Bichitra (C) Swadesh (B) Khambaj (C) (D) Puja Paper-III On what raag is the song Shudhu Jaoa asha shudhu smriti bhara based ? Yaman-Kalyan (D) Vibhas 24 D-16-12 59. ? 63. - ? (A) (A) (B) (B) (C) (C) (D) 60. (D) 64. - ? ? (A) (A) 1918 (B) (B) 1919 (C) (C) 1928 (D) (D) 1940 65. 61. ? ? (A) (A) (B) (B) (C) (C) (D) (D) 62. ? 66. ? (A) (A) (B) (B) (C) (C) (D) (D) D-16-12 25 Paper-III 67. In which taal was the song gaanguli mor saibaleri dal based ? (A) Jhaptal (B) (C) 72. (D) Thumri Choutal Ektaal Identify the raga and Tal of the song Mahaviswe Mahakashe Mahakal Majhe : (A) Yaman, Tiwra (B) 68. (C) What was the name of the school founded by Tagore in Shantiniketan ? Shantiniketan Pathshala (C) Yaman, Jhaptal (D) Bhairav, Tiwra (A) Shantiniketan Vidya Bhavan (B) Bilabal, Jhumra Shantiniketan Ashrama Vidyalaya 73. (D) Shantiniketan Vidya Mandir Which song is not included in Bichitra Paryaye ? (A) Jaboe Ami Jaboe 69. (B) (B) Puran 74. (D) Brahman 70. Klanti Amar Khama Karo Prabhu Mahabharta (C) Ogo Nadi Apan Bege (D) (A) Ramayan Dur Deshi Oei Rakhal Chhele (C) The theme of Gitinatya Kalmrigaya is based on Which song is not included in Basant Seasonal song ? Which song is composed by Rabindranath accordingly a gat based on Raga Desh ? (A) Aso Shymolo Suodoro (B) (A) Ore griho basi Bajilo Kahar Vina Biroso Din, Birola kaj (B) Aj Sabar range rang milate hobe (C) (C) Basanto Jagroto dare (D) Kato Katha Tare (D) Pous toder dak diyeche 75. Which is not a Swadeshi Sangeet ? (A) Oei Bhuwanmohini Ma (A) Ore Grihorasi (B) Je Tomaye Chare Charuk (B) Aji Dhaner Khete (C) 71. Which song is used in the Basantosav Procession at Shantiniketan ? Banglar Mati Banglar Jal (C) Hey, Chironutan (D) Namo Namo Karuna Ghano Namo He Paper-III (D) Duyare Dao More Rakhiya 26 D-16-12 67. 72. ? : (A) (B) (A) , (C) (D) (B) , (C) 68. , (D) , ? (A) (B) (C) (D) 73. ? (A) (B) (D) 70. (C) (D) (C) ? (B) 69. (A) 74. (A) ? (A) (B) (B) (C) , (C) (D) (D) 75. 71. ? (A) (B) (C) (C) , (D) (D) (A) (B) D-16-12 27 Paper-III PART V PERCUSSION 51. Composition consisting of Tihai which is played three times and reaches sam (A) Tihai (B) Mukhada (C) Chakradar (D) Peshkar 52. Who is not a Tabla player amongst these ? (A) Sapan Chaudhary (B) Dilawar Khan (C) Jahangeer Khan (D) Rojevel Loyal 53. 57. 58. 54. 60. Jal-Tarang is a (A) Tat Vadya (B) Avanaddha Vadya (C) Ghan Vadya (D) Sushir Vadya 61. The Author of Bhartiya Talon ka Shastriya Vivechan is (A) B.C. Deva (B) Acharya Brihaspati (C) Appa Tulsi (D) Arun Kumar Sen Assertion (A) : More elaborations are possible of Quaida between Quaida and rela. Reason (R) : Because Quaida is composed with plenty of syllables. Codes : (A) (A) is correct (R) is wrong. (B) (A) is wrong (R) is correct. (C) (A) is correct, (R) is correct. (D) (A) is wrong, (R) is wrong. Quaida composed with the boles Dha dha dha ghin dha ghin dhatak ghetak dingdinagen belongs to the _______ gharana. (A) Punajab (B) Delhi (C) Lucknow (D) Ajarada Vishnu taal consists of (A) 15 Matras (B) 16 Matras (C) 17 Matras (D) 19 Matras 55. Match the following : List I List II a. Bafati Khan i. Ghatam b. Dilawar Khan ii. Dholak c. Vikku Vinayak iii. Ganjeera Ram d. Harishankar iv. Nakkara Codes : a b c d (A) ii iv i iii (B) i iv ii iii (C) ii iii iv i (D) iv iii ii i 59. Which University honoured Doctor of Music degree to Ustad Jahangeer Khan ? (A) Aligarh Muslim University (B) Indira Kala Sangit Vishwa Vidyalaya (C) Delhi University (D) Banaras Hindu Vishwa Vidyalaya Dhatita Dha ti/ta/Dha Dha Tita Dhage tinakin this quaida is related with which gharana ? (A) Delhi (B) Poorab (C) Nana Panse gharana (D) Ajarada 56. Number of Taali-Khali in Taal Ek taal (A) 3 Tali 3 khali (B) 4 Tali 1 khali (C) 4 Tali 2 khali (D) 4 Tali 3 khali Paper-III 28 D-16-12 V 51. 52. ? (A) (B) (C) (D) 53. (A) (B) (C) (D) 57. 58. I a. b. c. d. : (A) (B) (C) (D) ? ? (A) (B) (C) (D) (A) (B) (C) (D) a ii i ii iv b iv iv iii iii II i. ii. iii. iv. c i ii iv ii d iii iii i i 59. 54. 56. 60. - (A) (B) (C) (D) 61. , (A) 15 (C) 17 55. (A) : (R) : : (A) (A) (R) (B) (A) (R) (C) (A) (R) (D) (A) (R) (B) 16 (D) 19 (A) . . (B) (C) (D) - (A) 3 3 (B) 4 1 (C) 4 2 (D) 4 3 D-16-12 29 , ? (A) (B) (C) (D) Paper-III 62. Matras of Ashtmangal taal (A) 20 (B) 21 (C) 22 (D) 24 63. Author of Pakhawaj Aur Tabla Ke Gharane Aur Paramparaen is (A) Yogmaya Shukla (B) Aban E. Mistri (C) Shobharani Kudeshiya (D) Anuradha Paal 65. Lakshan of Chachput (A) 1 (B) (C) 11 (D) 71. 66. Match the following : List I List II a. Alla Rakha i. Purushottam Das b. Gudai Maharaj ii. Zakir Hussain c. Karamatulla iii. Kumar Lal d. Ghan Shyam iv. Sabir Khan Pakhawaji Codes : a b c d (A) i ii iv iii (B) iii iv ii i (C) iv iii i ii (D) ii iii iv i 75. Ra of Ghintaran is produced by finger of (A) Tarjani (B) Madhyama (C) Anamika (D) Kanishtha The instrument played by Parbat Singh (A) Tabla (B) Pakhawaj (C) Changa (D) Upanga Match the following : List I List II a. Dhrupad i. Punjaabi Taal b. Khayal ii. Deepchandi c. Thumari iii. Teen Taal d. Tappa iv. Chaar Taal Codes : a b c d (A) iv iii ii i (B) i ii iii iv (C) ii i iv iii (D) iii iv i ii Assertion (A) : Avanaddha Vadyas are playing an important role in music. Reason (R) : Richness is increased through the accompaniment of Avanaddha Vadyas in music concerts. Codes : (A) (A) wrong, (R) wrong. (B) (A) correct, (R) wrong. (C) (A) wrong, (R) correct. (D) (A) correct, (R) correct. 67. Which Chapter is dedicated to TaalAnga in Natya Shashtra ? (A) 28th (B) 29th th (C) 30 (D) 31st 73. Identify the taal gadi gan Dha 3 (A) Chautaal (B) Sooltaal (C) Dhamar (D) Teevra Uthan is mostly used with (A) Vocal Music (B) Tantra Vadya (C) Nritya (D) Folk Music 72. 1 1 How many Ghar are there in Dayan Tabla ? (A) 8 (B) 10 (C) 12 (D) 16 74. 64. 70. 68. 69. Taal in (A) (B) (C) (D) Kaal Kriya Manam is mentioned Amar Kosh Sangeetaranava Sangeet Darpan Sangeet Ratnakar Baj of Chanti (A) Delhi (C) Farukhabad Paper-III (B) Punjab (D) Lucknow 30 D-16-12 62. (A) 20 (C) 22 70. (B) 21 (D) 24 ? (A) 8 (C) 12 64. 65. (A) (B) . (C) (D) (A) 1 (C) 11 67. 68. 69. ? (A) (B) (C) (D) ? (A) 28 (C) 30 (B) 29 (D) 31 1 1 3 (A) (C) 66. (B) (D) 71. 72. 63. (B) 10 (D) 16 73. ? (A) (B) (C) (D) 74. : I a. b. c. d. : (B) (D) (A) : (R) : : (A) (A) (R) (B) (A) (R) (C) (A) (R) (D) (A) (R) (A) (B) (C) (D) ? (A) (B) (C) (D) 75. ? (A) (B) (C) (D) (A) (C) D-16-12 (B) (D) 31 b ii iv iii iii : I a. b. c. d. : (A) (B) (C) (D) a i iii iv ii a iv i ii iii i. ii. iii. iv. c iv ii i iv i. ii. iii. iv. b iii ii i iv c ii iii iv i II d iii i ii i II d i iv iii ii Paper-III Space For Rough Work Paper-III 32 D-16-12

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