
	Trending ▼ ICSE CBSE 10th ISC CBSE 12th CTET GATE UGC NET Vestibulares ResFinder

UGC NET JUN 2008 : MUSIC PAPER III

40 pages, 45 questions, 0 questions with responses, 0 total responses,

	ugc_net	+Fave Message
	Profile Timeline Uploads Q & A

Home > ugc_net >

Formatting page ...

Signature and Name of Invigilator Roll No. (In figures as per admission card) 1. (Signature) (Name) Roll No. 2. (Signature) (Name) J 1 6 0 8 Time : 2 hours] (In words) Test Booklet No. PAPER III MUSIC Number of Pages in this Booklet : 40 [Maximum Marks : 200 Number of Questions in this Booklet : 26 Instructions for the Candidates U U 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U U 2. U U U, U S U U 2. Answers to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. U U No Additional Sheets are to be used. 3. U U U, - S U U U - S U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) - S U U U U U U U S U U- U S S U U (i) To have access to the Test Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. 4. U U 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 5. U U- S (Rough Work) U U DU 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 6. U- S U , U U U U 7. U # U U- S U U U U U # U U U U 7. You have to return the Test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. / U Z U S U 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc. is prohibited. 9. U ( U U) U U 10. There is NO negative marking. 10. U U J 1608 1 P.T.O. MUSIC PAPER III - III NOTE : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. (200) (4) S J 1608 2 SECTION - I U I Note : Read the following paragraph and answer all the five questions given below. Each questions is to be answered in 30 words. Each question carries five 5 marks. (5x5=25 marks) U U U U 30 5 (5x5=25 ) In Indian classical music, relation between the notes and fixed LAYA and TALA makes the total harmony of music. Only the lyrics of the song is the outward beauty and when the tune with definite speed LAYA mix with BANDISH then beauty of soul revealed out. At the same time when musical embellishment mixed with proper SWARA and LAYA then only aesthetic beauty emerges in music. Improvisation and expression in tune is more important rather than the lyrics of bandish in Indian Classical Music. The basic element of music is fascinating NAD . For over whelming music creation only be possible with proper KAKOO PRAYOG fluency of sweet melody of SWARA and LAYA. This is only the aesthetical aspect of Indian Classical Music. S S U US U U , L U U U s U U U U S U U S U - U U M U S S U S U U U U , S U S U U J 1608 U S S 3 P.T.O. 1. What is the importance of mutual Harmony of swaras in Indian classical music ? U S S U US U ? 2. What do you meant by Rhythmic development of Swaras ? S U ? J 1608 4 3. What do you meant by KAKOO PRAYOG ? ? 4. How KAKOO PRAYOG works in Music ? U ? J 1608 5 P.T.O. 5. What is the aesthetical aspect of Indian Classical Music ? U S S ? SECTION - II U II Note : This section contains fifteen (15) questions each to be answered in about thirty (30) words. Each question carries five (5) marks. (5x15=75 marks) 15) ( ( 30) 5 ( ) (5x15=75 ) J 1608 6 6. What are the features of Jaati ? Describe. ? 7. Explain Tappa. U S c U J 1608 7 P.T.O. 8. Explain Pallavi. S c U 9. Who was Abdul Karim Khan and to which Gharana he belonged ? U U U ? J 1608 8 10. Give a short description of the Marg and Deshi Tal. 11. Write in short on any two of the following dance forms. Bharatnatyam, Manipuri, Kathakali, Kathak. U U K , J 1608 U , , 9 P.T.O. 12. Write in short in any two of the following. Peshkar, Swar, Lavani, Bhatiyali, Kirtan. U U, 13. S U, , U , Write in short Guru-Shishya Parampara. L - c U U U J 1608 10 14. What is meant by beauty in music ? ? 15. Write in short about Ravindra Sangeet. U J 1608 11 P.T.O. 16. Explain Layakari with example. U U 17. Explain contribution of Acharya K.C.D. Brihaspati in Music. . . U . S J 1608 12 18. Describe in brief the Musical Contribution of your favourite artist. U 19. Throw light on Performance of Music. U U J 1608 13 P.T.O. 20. Explain about Imdad Khani tradition. U SECTION - III U III Note : This section contains five (5) questions from each of the electives / specialisations. The candidate has to choose only one elective / specialisation and answer all the five questions from it. Each question carries twelve (12) marks and is to be answered in about two hundred (200) words. (12x5=60 marks) ( 12) / 5 ( ) / ( 200) (12x5=60 ) J 1608 14 Elective - I U I HINDUSTANI MUSIC - VOCAL AND INSTRUMENTAL S - 21. Throw light on the possibilities of HARMONY in Indian Music. U U U U 22. How GHARANAS have played their role in the progress and propagation of Indian Music ? U U U U ? 23. Throw light on the problems of research in Music. S U U 24. Give your views on Guru-Shishya-Parampara. L - c U U U U S c U 25. Discuss the progress of Indian Classical Music in present times. U S U U S c U OR / Elective - II II KARNATAKA MUSIC - VOCAL, INSTRUMENTAL - , 21. Give an account of the contribution given by the Trinity composers to classical Karnatak Music. U S U J 1608 15 P.T.O. 22. Explain the system of Raga classification in Classical Karnatak Music with suitable examples. U S U U h U 23. Discuss the stylistic analysis of the musical compositions composed by Swati Tirunal Maharaj. S L U U c K 24. Explain the folk music of your region and the classical musical ragas used in it. U U S U U 25. Discuss the requisite qualities of an ideal composer of classical Karnatak Music. U S U OR / Elective - III III RABINDRA SANGEET 21. Rabindranath told Art is never an exhibition but a revelation . Explain the ideas of this comment. U , S c U U J 1608 16 U 22. Tagore wrote in his Talks in China that I do not hesitate to say that my songs have found their place in the heart of my land, along with her flowers that are never exhausted, and that the folk of the future, in days of Joy or Sorrow or festival, will have to sing them. This too is the work of a revolutionist . How far this comment is relevant is this twenty first century. U U , U U N , - S , U , U U U ? 23. Tagore wrote I do not know what I do, Possibly, that is the best way of doing things in the sphere of art. For I find that people behave, but also sing my songs, even if not always correctly , what is your opinion of this statement ? U U - L U c U U , , U U , U - U U U ? 24. Tagore told to Roma Rolland In India we have the other extreme. The singer often takes too much Liberty with the music, ... The singer must therefore be a true artist and not merely an arisen. How far this statement is relevent today also, discuss. U U U U U U U U U U U ... S ( ) U U , 25. Tagore in conversation with H.G. Wells told certain forms of tunes and melodies which move us profoundly seem to baffle western listners; yet as you say, perhaps closer acquaintance with them may gradually lead to their appriciation in the west. Do you think the position have changed ? Discuss. . . U U U , K U U U M M U U , U , c U - U- U U U U S ? U OR / J 1608 17 P.T.O. Elective - IV IV PERCUSSION INSTRUMENT h l 21. Throw light on the special features of TABLA/PAKHAWAJ PLAYING. 22. / U U Describing the importance of LAYAKARI. Write any one TAAL in BIAAD. U 23. Write in short an essay on the usefulness of different percussion instruments. U h l U 24. Clarify the reasons regarding the popularity of SOLO-Playing of percussion instruments. l U 25. Give a short description of TAALA-DASHA-PRANA. U J 1608 18 J 1608 19 P.T.O. J 1608 20 J 1608 21 P.T.O. J 1608 22 J 1608 23 P.T.O. J 1608 24 J 1608 25 P.T.O. J 1608 26 J 1608 27 P.T.O. J 1608 28 J 1608 29 P.T.O. SECTION - IV IV Note : This section consists of one essay type question of forty (40) marks to be answered in about one thousand (1000) words on any of the following topics. This question carries 40 marks. (40x1=40 marks) ( 40) , ( 1000) (40x1=40 ) 26. Write an essay on any one of the following : (i) Your favourite Vocal/Instrumental Music Gharana and its specialities. (ii) Development of Dhrupad Singing. (iii) Music and Psychology. (iv) Role of a Teacher in Music Education. (v) Qualities of an ideal listener. U (i) (ii) (iii) (iv) (v) J 1608 / U 30 J 1608 31 P.T.O. J 1608 32 J 1608 33 P.T.O. J 1608 34 J 1608 35 P.T.O. J 1608 36 J 1608 37 P.T.O. J 1608 38 J 1608 39 P.T.O. FOR OFFICE USE ONLY 1 26 51 76 2 27 52 77 3 28 53 78 4 29 54 79 5 30 55 80 6 31 56 81 7 32 57 82 8 33 58 83 9 34 59 84 10 35 60 85 11 36 61 86 12 37 62 87 13 38 63 88 14 39 64 89 15 40 65 90 16 41 66 91 17 42 67 92 18 43 68 93 19 44 69 94 20 45 70 95 21 46 71 96 22 47 72 97 23 48 73 98 24 49 74 99 25 50 75 Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained 100 Total Marks Obtained (in words) ..................................... (in figures) .................................... Signature & Name of the Coordinator ............................... (Evaluation) J 1608 Date ............................. 40

Formatting page ...

Additional Info : Ugc Net June 2008 Question Paper -Music ( Paper III )
Tags : cbse ugc net question papers, UGC NET Solved Sample Question Paper, UGC NET Exam Papers, ugc net past question papers, ugc net syllabus, ugc net specimen, ugc net study material, UGC NET Study Materials FREE, UGC NET Exam Pattern, Free Ugc Net Online Practice Tests, ugc net previous question papers, central board of secondary education,

ugc_net chat

Horizontal lines at:
Guest Horizontal lines at:
AutoRM Data:
Box geometries: