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UGC NET JUN 2010 : MUSIC PAPER II

24 pages, 250 questions, 31 questions with responses, 31 total responses,

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Signature and Name of Invigilator OMR Sheet No. : ......................................... (To be filled by the Candidate) 1. (Signature) __________________________ Roll No. (Name) ____________________________ (In figures as per admission card) 2. (Signature) __________________________ Roll N o.____________________________ (In words) (Name) ____________________________ J 16 Test Booklet No. 10 Time : 1 1/4 hours] PAPER-II MUSIC Number of Pages in this Booklet : 24 Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the Test Booklet Number should be entered in the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. B C A Example : D where (C) is the correct response. 5. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I Booklet only. If you mark at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the test booklet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 9. You have to return the test question booklet and OMR Answer sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is no negative marks for incorrect answers. D-0109 J-16-10 [Maximum Marks : 100 Number of Questions in this Booklet : 50 1. 2. - 3. , - - : (i) - - (ii) - / - - (iii) - OMR OMR - 4. (A), (B), (C) (D) C B A D : (C) 5. I - , 6. 7. (Rough Work) 8. - , 9. - OMR - 10. / 11. ( ) 12. 1 P.T.O. MUSIC PAPER II Hindustani / Karnatic / Rabindra Sangeet (Vocal, Instrumental & Musicology) and Percussion Instrument Special Instructions Note : Candidates are required to answer all the 25 questions in PART-I, which are compulsory. They should select any one of the groups PART-II, PART-III, PART-IV, PART-V and answer all the 25 questions in that PART. Each question carries two (2) marks. 1. PART I Common to Hindustani / Karnatic/ Rabindra Sangeet / Percussion Instrument Andolan Sankhya of Pancham is 8. No. of Sanchari Bhava (A) 240 (B) 270 (A) 23 (B) 13 (C) 320 (D) 360 (C) 33 (D) 43 2. The Book written by Pt. Damodar (A) Sadrag Chandrodaya (B) Sangeetraj (C) Sangeet Ratnakar (D) Sangeet Parijat 9. Chittasvaras interspersed with Jatis (A) Tillana (B) Chitta T nam (C) Sollukettu (D) Jatisvaram 3. According to Modern Shruti Swara division, Pancham is placed on which Shruti ? (A) 9th (B) 10th (C) 11th (D) 13th 10. Pann Panchamam corresponds to (A) Ahiri Raga (B) Hindolam (C) Malahari Raga (D) Bhairavi 4. Musician of Maihar Gharana (A) Ustad Vilayat Khan (B) Ustad Halim Zaffar Khan (C) Ustad Aliakbar Khan (D) Ustad Mushtak Ali Khan 11. Author of Sangita Chandrika (A) Ahobala (B) Attoor Krishna Pisharati (C) Muttaih Bhagavatar (D) Damodara Misra 5. Author of Abhinav Bharti (A) Bharat (B) Dattil (C) Abhinavgupta (D) Kallinath 12. Mattakokila is an ancient (A) Venu (B) Vina (C) Yazh (D) Drum 6. Author of Rag-Darpan (A) Dr. Mahesh Saxena (B) Pt. Omkar Nath Thakur (C) Fakirullah (D) Bharat 13. 2009 Padmasri awardee in Mizhavu (A) Narayanan Namboothiri (B) Madhava Chakyar (C) Kalamandalam Gopi (D) Kochu Govindan Pillai 7. The views of Bhattnayak on Rasa is called (A) Uttpathivad (B) Anukritivad (C) Muktivad (D) Abhivyakivad 14. Use of Rishabh in Pooriya Kalyan. (A) Like Marwa (B) Like Pooriya (C) Like Poorvi (D) Like Kalyan Paper-II 2 J-1610 II / / ( , ) : -I 25 -II, -III, -IV, -V 25 (2) I / / / 1. (A) 240 (C) 320 2. 3. 4. 5. . (A) (C) 8. (B) 270 (D) 360 (A) 23 (C) 33 9. (B) (D) ? (A) 9 (B) 10 (C) 11 (D) 13 10. 11. (A) . (B) . (C) . (D) . 12. (A) (B) (C) (D) 6. 13. (A) . (B) . (C) (D) 7. ? (A) (B) (C) (D) J-1610 14. 3 (B) 13 (D) 43 ? (A) (B) (C) (D) ? (A) (B) (C) (D) (A) (B) (C) (D) ________ (A) (B) (C) (D) 2009 (A) (B) (C) (D) (A) (B) (C) (D) Paper-II 15. 16. 20. 17. 18. 24. First musician felicitated Bharat Ratna . (A) Pt. Ravishankar (B) Lata Mangeshkar (C) M.S. Subbalakshmi (D) Pt. Bhimsen Joshi 25. Match the following : (a) Zakir (i) Mridangam Hussain (b) Vikku (ii) Ghatam Vinayak Ram (c) Palghat (iii) Pakhwaj Mani Ayyer (d) Pagal Das (iv) Tabla (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (ii) (i) (iv) (iii) (C) (iv) (iii) (ii) (i) (D) (iv) (ii) (i) (iii) Match the following : (a) Pt. V.G. Jog (i) Veena Player (b) Chitti Babu (ii) Violin Player (c) U. Amajad Ali (iii) Tabla Player (d) U. Latteef (iv) Sarod Ahmed Player (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (ii) (i) (iv) (iii) (C) (iv) (iii) (i) (ii) (D) (i) (ii) (iii) (iv) The propounder of Rasa Theory (A) Matang (B) Bharat (C) Ahobal (D) Srinivas Aavap is a ____________. (A) Sa-shabda Kriya (B) Nishabda Kriya (C) Prati Kriya (D) Male Kriya 19. This is helpful in invoking Bhavas. (A) Anubhav (B) Uddipan (C) Alamban (D) Bibhav 23. The author of Saundarya, Rasa Avam Sangit . (A) Prof. Premlata Sharma (B) Dr. Aban Mistry (C) Prof. Swatantra Sharma (D) Prof. Pankaj Mala Sharma Arrange them in chronological order according to time period. (A) Sharangdeo, Bharat, Jaidev, Matang. (B) Bharat, Matang, Jaidev, Sharangdeo (C) Matang, Jaidev, Sharangdeo, Bharat. (D) Jaidev, Bharat, Matang, Sharangdeo. 22. How many Alankaras have been described by Sharangdeo ? (A) 12 (B) 25 (C) 63 (D) 13 Tabla artist of Farukkhabad Gharana (A) Ustad Ileus Hussain (B) Pt. Sheetal Prasad Mishra (C) Prof. Mukund Bhale (D) Ustad Mohammad Akaram 21. Assertion and Reasoning Assertion (A) : Any Art is recognised as full of aesthetics when the artist is successful in conveying his expressions to the viewers/listeners through the medium brush, colours, words and sound. Reasoning (R) : Harmony between the emotions of artist and receiver is desirable. Code : (A) (A) is true, but (R) is false. (B) (A) is false, but (R) is true. (C) Both (A) and (R) are true. (D) Both (A) and (R) are false. Paper-II 4 with J-1610 (A) : , , , / (R) : : (A) (A) , (R) (B) (A) , (R) (C) (A) (R) (D) (A) (R) 18. (A) , , , (B) , , , (C) , , , (D) , , , (A) (B) (C) (D) : (a) . . . (b) (c) . (d) . (B) 25 (D) 13 , (A) . (B) . (C) . (D) . (D) : (a) (b) (c) (d) (A) (B) (C) (D) J-1610 (a) (b) (i) (ii) (ii) (i) (iv) (iii) (iv) (ii) (c) (iii) (iv) (ii) (i) (ii) (iii) (iv) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (ii) (i) (iv) (iii) (C) (iv) (iii) 24. (i) (D) (i) (ii) (iii) (iv) (d) (iv) (iii) (i) (iii) (i) (a) ____________ (A) (B) : (C) 19. 21. ? (A) 12 (C) 63 17. (A) (B) . (C) . (D) . 23. 16. 20. 22. 15. (iii) (iv) (B) (C) (D) 5 (ii) (A) 25. (i) (ii) . . . . (A) (C) (B) (D) Paper-II PART II Hindustani Music (Vocal / Instrumental) 26. Pt. Ravi Shankar belongs to which Gharana ? (A) Senia Gharana (B) Maihar Gharana (C) Indore Gharana (D) Not any 27. Writer of Sangeet Parijat is (A) Pt. Ahobal (B) Damodar Pandit (C) Pt. Sarangdev (D) Not any 28. Which instrument is not instinct (Tata) instrument ? (A) Saranga (B) Ravan Hattha (C) Kamayacha (D) Pungi 29. 30. 34. 35. 31. 32. 33. Paper-II Accompaniment of Dhrupad is done on which instrument ? (A) Tabla (B) Mridang (C) Pakh vaj (D) Dhol . 41. 6 Which note in Madhyam Gr m is one shruti below ? (A) Sa (B) Re (C) Ga (D) Pa 40. Re Ga Ma Pa Dha are of which Raga Notes ? (A) Bhairav (B) Ahir Bhairav (C) Nat Bhairav (D) Not any Types of ancient Anibaddha G na (A) 2 (B) 3 (C) 4 (D) 5 39. Which Rag is not of Audav Jati ? (A) Bhupali (B) Deshkar (C) Sankra (D) Malkauns Distance of Risabha on Veena s wire from ghudach. (A) 2" (B) 4" (C) 34" (D) 32" 38. Where Ma is placed in old Sruti Division ? (A) 9th (B) 13th th (C) 15 (D) 17th Which note of Samgana is similar to present note ? (A) Ga (B) Ma (C) Pa (D) Dha 37. How many pardas are there in the Sitar of Maihar Gharana ? (A) 16 (B) 24 (C) 22 (D) 19 Types of Samgana (A) 2 (B) 3 (C) 4 (D) 5 36. Bhagat Vocal form is mainly related to (A) Uttar Pradesh (B) Madhya Pradesh (C) Hariyana (D) Maharashtra Which is called as Pancham Veda ? (A) Samveda (B) Natyasashtra (C) Rigveda (D) Yajurveda How many chapters are there in Sangeet Ratnakar ? (A) 6 (B) 7 (C) 8 (D) 9 J-1610 II ( / ) 26. 27. . ? (A) (B) (C) (D) 34. (A) . (B) (C) . (D) 35. (B) (C) (D) 28. (B) 3 (D) 5 ? (A) (B) (C) (D) 37. (A) 2 (B) 4 (C) 34 (D) 32 38. ? (A) 16 (C) 22 36. : ? (A) (B) (C) (D) 30. (A) 2 (C) 4 ? (A) (B) (C) (D) 29. ? (A) (A) 2 (C) 4 (B) 24 (D) 19 (B) 3 (D) 5 31. ? (A) 9 (B) 13 (C) 15 (D) 17 39. ? (A) (B) (C) (D) 32. ? (A) (B) (C) (D) 40. ? (A) (B) (C) (D) 33. ? (A) (B) 41. ? (C) J-1610 (D) (A) 6 (C) 8 7 (B) 7 (D) 9 Paper-II 42. 43. 49. 50. Who is not an artist of Agr Gh r na ? (A) Faiz Khan (B) Bade Gul m Ali Khan (C) Deepali N g (D) Dhagge Khuda Baksha Assertion and Reasoning Assertion (A) : Composition is an important organ in deriving Rasa in a Raga. Reason (R) : Swar, Tala, Lay, Words, Tan, Alankar, Kaku etc. when used in proper and balanced way create Rasa in composition. Code : (A) (A) is true, but (R) is false. (B) (A) and (R) both are false. (C) (A) and (R) both are true. (D) (A) is false, but (R) is true. Set them in chronological order : (A) Khanda, Tistra, Chatastra, Mishra. (B) Tistra, Chatastra, Khanda, Mishra. (C) Chatastra, Tistra, Mishra, Khanda. (D) Khanda, Chatastra, Tistra, Mishra. Which rag uses Sa Re Ga Ma Ga Re Sa ? (A) Bhairavi (B) Bhairav (C) M lgunji (D) Malkons 45. Match the following : List I List II (a) Re Dha (i) Malkauns Komal Ma Teevra (b) Re Ga Dha (ii) Pooriya Komal Ma Dhanashree Teevra (c) Ma Ni Varjit (iii) Todi (d) Re Pa Varjit (iv) Bhoopali Code : (a) (b) (c) (d) (A) (i) (ii) (iv) (iii) (B) (iii) (iv) (ii) (i) (C) (ii) (iii) (iv) (i) (D) (ii) (iv) (iii) (i) Ga ti ta is which T la ? . (A) Kaharav (B) Jhampt l (C) Jhoomar (D) Dham r 44. 48. How many types of Geet are there ? (A) 2 (B) 3 (C) 4 (D) 5 46. Chayanat Magazine is published from where ? (A) Uttar Pradesh (B) Madhya Pradesh (C) Maharashtra (D) Rajasthan 47. Match the following : List I List - II (a) Jati Rag (i) Vazid Ali Shah (b) Thumri (ii) Natya Shastra (c) Dhruva Giti (iii) Jati Gayan (d) Antar (iv) Vikrit Gandhar Swar Code : (a) (b) (c) (d) (A) (i) (ii) (iv) (iii) (B) (iii) (i) (ii) (iv) (C) (ii) (iii) (iv) (i) (D) (ii) (iv) (iii) (i) Paper-II 8 J-1610 42. ? (A) 2 (C) 4 43. 48. (B) 3 (D) 5 ? (A) (C) (B) (D) : -I (a) (b) (c) (d) -II (i) (ii) (iii) (iv) : 44. ? (A) (C) 45. 46. (B) (D) (a) (A) (A) (B) (C) (D) J-1610 (a) (b) (i) (ii) (iii) (i) (ii) (iii) (ii) (iv) (d) (i) (ii) (iv) (iii) (ii) (i) (iii) (iv) (i) (D) (ii) (iv) (iii) (i) 49. : (A) : - (R) : , , , , , , : (A) (A) , (R) (B) (A) (R) (C) (A) (R) (D) (A) , (R) 50. : -I (a) (b) (c) (d) : (c) (C) (ii) : (A) , , , (B) , , , (C) , , , (D) , , , ? (C) (b) (B) (iii) (iv) ? (A) (B) (C) (D) (A) 47. (B) (D) (i) (ii) (iii) (iv) -II (c) (d) (iv) (iii) (ii) (iv) (iv) (i) (iii) (i) 9 Paper-II PART III Karnatic Music Vocal, Instrumental, Percussion 26. 30. Tevaram is based on (A) Jaati (B) Gaana (C) Pann 31. (D) None of the above 27. Thiruv sagam are hymns of (A) Naayanaar (B) Andal (C) Appar 32. (D) Manikavasagar 28. Assertion (A) : Alankara adds beauty and grace to a musical form. Reasoning (R) : Auchitya 33. It is based on Code : 34. (A) Both (A) and (R) are true. (B) (A) is true, but (R) is false. (C) (A) is false, but (R) is true. (D) Both (A) and (R) are false. 29. Match the following : (a) Kovur (i) Bahula (b) Kvachit (ii) Pancha linga (c) Sthala Kriti (iii) Pancha ratna (d) Vusi (iv) Visarjitam (a) (b) (c) (d) (i) (iii) (ii) (iv) (B) (iii) (i) (ii) (iv) (C) (iii) (i) (iv) (ii) (D) (iv) (iii) (ii) 35. (i) (A) Paper-II 10 Pluta Virama is an anga in (A) Shdangas (B) Sooladi (C) Shodasangas (D) None of the above Tirujn na Sambandhar has composed (A) Kriti (B) Tev ram (C) Thirupugazh (D) Devarn ma R ga Veda-go is (A) Kharaharapriya (B) Na.abhairavi t (C) Keerav ni . (D) Gauri manohari Sarabhendra Bhup la is a famous (A) Kuravanji (B) Geya N taka (C) Navagraha Kriti (D) Padam Assertion (A) : Lakshana geeta . reveal the bare identity of a R ga. Reason (R) : Beauty of a Raga goes beyond it s rohanaAvarohana. Code : (A) (A) is true, (R) is false. (B) (A) is false, (R) is true. (C) Both (A) and (R) are true. (D) Both (A) and (R) are false. Sequence correctly. (A) Kaadinava, Taadinava, Paadi . Pancha, Yaadiyashta. (B) Kaadinava, Paadi Pancha, Taadinava, Yaadiyashta. . (C) Kaadinava, Taadinava, . Yaadiyashta, Paadi Pancha. (D) Taadinava, Kaadinava, Paadi . Pancha, Yaadiyashta. J-1610 III 26. 27. 28. 29. ( / / ) ? 30. _______ (A) (A) (B) (B) (C) (C) (D) (D) 31. - _________ (A) (B) (C) (D) 33. _________ (A) (B) (C) (D) 34. (A) : (R) : - : (A) (A) , (R) (B) (A) , (R) (C) (A) (R) (D) (A) (R) 35. (A) : (R) : : (A) (A) (R) (B) (A) , (R) (C) (A) , (R) (D) (A) (R) (A) (B) (C) (D) 32. ________ (A) (B) (C) (D) (A) , , , (B) , , , (C) , , , (D) , , , : (a) (i) (b) (ii) (c) (iii) (d) (iv) : (a) (b) (c) (i) (iii) (ii) (iv) (B) (iii) (i) (ii) (iv) (C) (iii) (i) (iv) (ii) (A) (D) (iv) (iii) J-1610 (ii) (d) (i) 11 Paper-II 36. D arathe in Raga Todi, set to di . T la is a composition of (A) Dikshitar (B) Ty gar ja (C) P pan sa Sivan (D) Sy ma Shastri 44. A T la with 128 akshara k las (A) Simh nanda T la (B) Charchari (C) Gaja Tala (D) Simhavikrama 37. The author of Sangita S r mrita is (A) Tulaja (B) Ahobala (C) Subbar ma Dikshitar (D) Govind ch rya 45. Kuravanjis are composed by (A) Annam charya (B) Kavi Kunjara Bh rati (C) Kshetregna (D) Subramaniam Bharatiy r 38. Palliyam in Ancient literature denoted (A) Church (B) Tata V dyas (C) Orchestra (D) None of these 46. Composer of Nandan r Charitam (A) Subramaniam Bharatiy r (B) Ty gar ja (C) Gop la Krishna Bh rati (D) Kunjara Bh rati 47. Sy ma Shastri is known for (A) Padams (B) Pad valis (C) Svarajatis (D) Varnam . 48. Maniprav la has been adopted by (A) Ty gar ja (B) Dikshitar (C) Kshetregna (D) Sw ti Thirunal 49. Gauri Nayaka in Simh nanda T la has been composed by (A) Mah Vaidyan tha Iyer (B) Poochi Sriniv s (C) Sw ti Thirun l (D) Dikshitar 50. Subbar ma Dikshitar authored (A) Sangita Sudh (B) Sangita Samprad ya Pradarshini (C) Sangita S r mrita (D) R ga Vibodha 39. Tamil Kriti fully evolved from Kirtana Paddhati during period of (A) Purandara D sa (B) Trinity (C) Kshetregna (D) Matanga 40. Kathakali is the dance form of (A) Tamil Nadu (B) Kerala (C) Andhra Pradesh (D) Karnataka 41. Lithophones are instruments of (A) Strings (B) Wood (C) Metals (D) Stones 42. Kaly na Vaibhogame is in R ga . (A) N danamakriy (B) Kurinji (C) Chenchuri.ti t. (D) Navaroj 43. N r yana Tirthar composed . (A) Padams (B) J walis (C) Tarang s (D) Keertanams Paper-II 12 J-1610 36. ? (A) (B) (C) (D) 37. (A) (B) (C) (D) 38. ? (A) (B) (C) (D) 40. 45. 41. ? (A) (B) (C) (D) 49. 50. ? (A) (B) (C) (D) _________ (A) (B) (C) (D) (A) (B) (C) (D) ? (A) (B) (C) (D) 42. (A) (B) (C) (D) 48. ? (A) (B) (C) (D) ? (A) (B) (C) (D) 46. : ? (A) (B) (C) (D) 128 (A) (B) (C) (D) 47. 39. 44. 43. ? (A) (B) (C) (D) J-1610 13 , , ? (A) (B) (C) (D) Paper-II PART IV RABINDRA SANGEET 26. Tagore set the tune of the poems of (A) Bankim Chandra Chattopadhyay (B) Sukumar Roy (C) Hemlata Tage (D) Akshay Baral 30. Tagore often exchanged his views on music with (A) Dilip Kumar Roy (B) Buddhadev Bose (C) Mahitlal Majumdar (D) Rajani Kanto Sen 27. 28. Which patriotic song of Rabindranath Tagore can be used internationally ? (A) Bidhir bondhon katbe tumi (B) Swarthak janam amaar (C) Nishidin bharosa rakhis (D) Nai bhoy, nai bhoy 31. What according to Tagore is the concept of Chhanda and Tal ? (A) Chhanda is essential (B) Tal is only mathematics (C) Tal is a variety of rhythm (D) In music, lyrics, tune and chhanda are essential Match the following and select the correct combination from the code below : (a) Gane gane (i) Swadesh tabo bandhano (b) Swarthaka (ii) Puja janam amaar (c) O keno (iii) Vichitra bhalobasha (d) Tomar surer (iv) Prem dhara Code : (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (ii) (iii) (iv) (i) (C) (iii) (iv) (i) (ii) (D) (ii) (i) (iv) (iii) 32. Under whose guidance did Tagore start writing songs ? (A) Jodu Bhatta (B) Jyotirindranath Tagore (C) Kshetramohan Goswami (D) Radhika Prasad Goswami 33. Who was called amaar sakal ganer bhandari by Tagore ? (A) Indira Devi Choudhurani (B) Ajit Chakravarty (C) Dinendranath Tagore (D) Kanika Banerjee 29. Assertion (A) : All Tagore songs should not be sung with rhythm. Reason (R) : Because most of his songs are kavya gita. (A) (A) is true, but (R) is false. (B) (R) is true, but (A) is false. (C) Both (R) and (A) are false. (D) Both (R) and (A) are true. Paper-II 34. Who was one of the first to appreciate Tagore s Geetanjali in England ? (A) C.F. Andrews (B) Yeats (C) Rothanstain (D) A. Bake 14 J-1610 IV 26. _________ 30. _________ (A) (A) (B) (B) (C) (C) (D) (D) 27. ? (A) (B) (C) (D) 28. : (a) (i) (b) (ii) (c) (iii) (d) (iv) : (A) (B) (C) (D) 29. (a) (b) (i) (ii) (ii) (iii) (iii) (iv) (ii) (i) (c) (iii) (iv) (i) (iv) 31. 32. J-1610 15 ? (A) (B) (C) (D) 34. (A) : (R) : (A) (A) , (R) (B) (R) , (A) (C) (R) (A) (D) (R) (A) - ? (A) (B) (C) (D) 33. (d) (iv) (i) (ii) (iii) ? (A) (B) (C) , (D) , ? (A) . . (B) (C) (D) . Paper-II 35. Which of the following Tagore s songs was based on baul ? 39. When was Rabindranath Tagore awarded the Nobel Prize ? (A) Aamar praner manush (B) (C) (A) 1913 Prem prane gaane gandhe Vani tobe dhara anonta (B) (C) (D) Moha viswe mohakashe 1886 1924 (D) 1945 36. Which is Rabindranath s Patriotic song of his early life ? 40. (A) Bidhir bandhan katbe tumi (B) E bharate rakho (C) Nishidin bharosa rakhis Assertion (A) : Tagore used songs in most of his plays. (D) O amaar desher mati 37. Reasoning (R) : Because he thought songs were more expressive than mere words. The tune of the song Ohe jibana bhallabha is Code : (A) (A) is false, but (R) is true. (A) Dhrupad (B) Baul (B) (A) is true, but (R) is false. (C) Khayal (C) Both (A) and (R) are true. (D) Kirtan 38. (D) Both (A) and (R) are false. Match the following and pick up the right choice. (a) Tagore s father (i) Abanindranath Tagore (b) Tagore s brother (ii) Jyotirindranath Tagore (c) Tagore s son (iii) Debendranath Tagore (d) Tagore s nephew 41. (iv) Rathindranath Tagore (i) Sailajaranjan Majumdar (iii) Jodu Bhatta (iv) Salil Chowdhary Code : (a) (b) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iii) (ii) (iv) (i) (C) (iv) (iii) (ii) (i) (D) (iv) (ii) (iii) Paper-II Rabindranath Tagore (ii) Code : (i) Place in chronological order and select the correct combination from the code below : (A) (i), (ii), (iii), (iv) (B) (iv), (iii), (ii), (i) (C) (iii), (ii), (i), (iv) (D) (iii), (i), (ii), (iv) 16 J-1610 35. 36. ? (A) (B) (C) (D) 39. ? (A) 1913 (B) 1886 (C) 1924 (D) 1945 - ? (A) (B) (C) (D) 40. (A) : (R) : : 37. ( ) ? (A) (B) (C) (D) (A) (A) , (R) (B) (C) : (a) (i) (b) (ii) (c) (iii) (d) (iv) : (a) (b) (c) (A) (ii) (i) (ii) (iv) (ii) J-1610 (iv) (iv) : (ii) (iii) (i) (iii) (i) (D) (ii) (i) (C) (iv) (iii) : (i) (iii) (iv) (B) (iii) (A) (R) (D) (A) (R) 41. 38. (A) , (R) (d) (A) (i), (ii), (iii), (iv) (B) (iv), (iii), (ii), (i) (C) (iii), (ii), (i), (iv) (D) (iii), (i), (ii), (iv) 17 Paper-II 42. 43. 44. 45. 46. Rabindranath s Gitabitan is a book of (A) Poems (B) Songs (C) Articles (D) Letters 50. Assertion (A) : All Tagore songs should be sung with Tabla accompaniment. Reasoning (R) : Because Tabla suits every mood expressed in his songs. by Code : (A) (A) is false, but (R) is true. (B) (A) is true, but (R) is false. (C) Both (A) and (R) are true. (D) Both (A) and (R) are false. Under which category is the song O amar desher mati placed ? (A) Prem (B) Prakriti (C) Puja (D) Vichitra Paper-II The song Purano shei diner katha is based on (A) Baul (B) Karnatic music (C) Kirtan (D) Western music 49. Which song is in the preface of Tagore s Gitavitan ? (A) Kahha hasir dol dolano (B) Gan amar jaye bheshe (C) Tumi Kemon kore gan karo he guni (D) Prathomo jugero uday digongane Shantiniketan was founded Rabindranath Tagore in (A) Darjeeling (B) Bolpur (C) Kolkata (D) Dhaka 48. Place the following in order and select the correct combination from the code below : (i) Tagore (ii) Ramprasad (iii) Vidyapati (iv) Jaydev Code : (A) (ii), (i), (iii), (iv) (B) (iii), (ii), (i), (iv) (C) (iv), (ii), (i), (iii) (D) (iv), (iii), (ii), (i) What does the book Gan by Tagore consist of ? (A) Songs (B) Poems (C) Prose (D) Travel 47. Match the following and select the correct combination from the code below : (a) Tomar preme (i) Swadeshi dhanya karo (b) Kar banshi (ii) Prem nishibhore (c) Ekasutre (iii) Puja bandhiachhi (d) Ei udasi (iv) Prakriti haoar pathe pathe Code : (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (ii) (iii) (iv) (i) (C) (iii) (iv) (i) (ii) (D) (iv) (i) (ii) (iii) 18 J-1610 42. : (a) (i) (b) (ii) (c) (iii) (d) (iv) : (A) (B) (C) (D) 43. (a) (b) (i) (ii) (ii) (iii) (iii) (iv) (iv) (i) (c) (iii) (iv) (i) (ii) 46. 47. 48. (A) (B) (C) (D) 49. ? (A) (B) (C) (D) 19 ? (A) (B) (C) (D) 50. ? (A) (B) (C) (D) 45. ? (ii), (i), (iii), (iv) (iii), (ii), (i), (iv) (iv), (ii), (i), (iii) (iv), (iii), (ii), (i) 44. J-1610 ? (A) (B) (C) (D) (d) (iv) (i) (ii) (iii) : (i) (ii) (iii) (iv) : (A) (B) (C) (D) ? (A) (B) (C) (D) (A) : - (R) : : (A) (A) , (R) (B) (A) , (R) (C) (A) (R) (D) (A) (R) Paper-II PART V Percussion Instruments 26. Value of Dhin played on Sam in Jhoomar T l (A) 1/2 M tr (B) 3/4 M tr (C) 1 M tr (D) 1 M tr 27. Founder of Delhi Ghar n (A) Vilayat Ali (B) Siddh r Kh n (C) Quadir Baksha (D) Chatur Lal 28. Who s nick name was G m Mah r j ? (A) Ram Sahay (B) Ayodhya Prasad (C) Ramayan Prasad Mishra (D) Ramji Mishra 29. 33. Arrange the following Tabla-players in chronological order. (i) Ustad Abid Hussain (ii) Pt. Gudai Maharaj (iii) Ustad Siddhar Khan (iv) Ustad Zakir Hussain Code : (A) (iii), (ii), (i), (iv) (B) (iii), (i), (ii), (iv) (C) (iv), (ii), (iii), (i) (D) (ii), (i), (iv), (iii) 34. Ustad Natthu Khan is associated with __________ Gh ran of Tabla. (A) Agr d (B) Lucknow . (C) 35. The Theka of which of the following T las is mainly played with Badakhay l ? (A) Deepchandi (B) Chautal (C) Jat (D) Jhoomar Punjab Total M tr s __________. (A) 20 (C) 28 (D) Delhi of Brahmat la (B) 22 (D) 32 36. 37. 30. 31. Ust d Baph ti Khan was a famous __________ player. (A) Dholak (B) Nakkara (C) Tabl (D) Khanjari Layak ri of Which of the following T l is of seventeen M tr s ? (A) Kumbha (B) Shikhar (C) Yatishikhar (D) Lakshmi Which of the following is not a Vist rsheel Bandish ? (A) Rela (B) Quaid (C) Tukd (D) Peshk r . (A) Aad . Ancient sign for one M tr (A) I (B) S (C) O (D) Paper-II 20 (B) (C) 38. 32. 7 is called 4 (D) Saw i Kuaad . Biaad . How many types of B j are there in Tabl ? (A) Four (B) Five (C) Three (D) Two J-1610 V 26. 27. 28. 33. : (i) . (A) 1/2 (B) 3/4 (ii) . (C) 1 (D) 1 (iii) . (iv) . : (A) (A) (iii), (ii), (i), (iv) (B) (B) (iii), (i), (ii), (iv) (C) (C) (iv), (ii), (iii), (i) (D) (D) (ii), (i), (iv), (iii) (A) (B) (C) (D) 29. 30. 31. 32. 34. __________ (A) (B) (C) (D) 35. ? : ? (A) (B) (C) (D) (A) (C) (A) 20 (C) 28 36. (B) (D) ? (A) (B) (C) (D) 37. 38. (A) I (B) (C) (D) J-1610 O S 21 (B) 22 (D) 32 . _________ (A) (B) (C) (D) 7 4 (A) (B) (C) (D) - ? (A) (B) (C) (D) Paper-II 39. 40. 47. The value of Plut (A) Two M tr (B) Three M tr (C) Five M tr (D) Four M tr Assertion (A) : Rela is a composition which is played in high speed with fluency. Reasoning (R) : Tirkit and dhirdhir kitataka syllables are mainly used in Rela playing. Kriy anantar Vishr nti __________. (A) Kal (B) Yati (C) Laya (D) K la Code : (A) (A) and (R) both are false. (B) 41. 42. 43. (A) and (R) both are true. (C) Pt. Anokhelal Mishra was famous for __________. (A) Dh tinn d . (B) N dhindhina (C) Dhirdhirkittak . (D) Ghidnagdhingin . (A) is true, but (R) is false. (D) (A) is false, but (R) is true. 48. Farrukhabad Ghar n is specially famous for __________. (A) Laggi (B) Gat (C) Quaid (D) Paran Assertion (A) : Maximum expansion of Peshkar is possible in the Vistarsheel Bandisheu of Tabla. Reasoning (R) : The boles other than original (basic) are restricted in the Vistar (expantion) of Peshkar. __________ directed music in films under the name A.R.Qureshi. (A) Ustad Sheikh Abdul Rahman (B) A.R. Rahman (C) Ustad Allarakkha (D) Ustad Alladiya Raza Code : (A) (A) and (R) both are true. (B) (A) is false, but (R) is true. (C) (A) and (R) both are false. (D) (A) is true, but (R) is false. 44. 45. 46. Name of a Deshitaal (A) Mukund (B) Govind (C) Madhukar (D) Udghatta .. 49. (A) Ustad Modu Khan Guru of Ust d Inam Ali Khan (A) Wazid Hussain (B) Rozevell yal (C) Pt. T r n th (D) G me Kh n (B) Ustad Bakhshu Khan (C) Ustad Hazi Vilayat Ali (D) Ustad Muneer Khan 50. The Tabla-player felicitated with Padmavibhushan (A) Pt. S mt Prasad (B) Ustad Faiyaz Khan (C) Pt. Kishan Maharaj (D) Ustad Ahmad Jan Thirkua Paper-II Founder of Farrukhabad Gharana Number of Tali-Khali in Sawari taal (A) Four Tali Three Khali (B) Three Tali One Khali (C) Three Tali Two Khali (D) One Tali Three Khali 22 J-1610 (A) (B) (C) (D) 50. . __________ (A) (B) (C) (D) (A) : (R) : : (A) (A) (R) (B) (A) , (R) (C) (A) (R) (D) (A) , (R) (A) (B) (C) (D) : _________. (A) : (B) : (C) : (D) : 41. (A) : (R) : : (A) (A) (R) (B) (A) (R) (C) (A) , (R) (D) (A) , (R) 48. _________ (A) (B) (C) (D) 40. 47. 49. 39. 42. __________ (A) (B) (C) (D) 43. . . _________ (A) . (B) . . (C) . (D) . 44. (A) (C) 45. 46. (B) (D) (A) (B) (C) . (D) (A) . (B) . (C) . (D) . J-1610 23 Paper-II Space For Rough Work Paper-II 24 J-1610

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Additional Info : Ugc Net June 2010 Question Paper -Music ( Paper II )
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