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UGC NET DEC 2008 : MUSIC PAPER III

40 pages, 46 questions, 2 questions with responses, 2 total responses,

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Signature and Name of Invigilator Roll No. (In figures as per admission card) 1. (Signature) (Name) Roll No. 2. (Signature) (Name) D 1 6 0 8 Time : 2 hours] (In words) Test Booklet No. PAPER III MUSIC Number of Pages in this Booklet : 40 [Maximum Marks : 200 Number of Questions in this Booklet : 26 Instructions for the Candidates U U 1. Write your roll number in the space provided on the top of this page. 1. U DU U S U U U U U 2. U U U, U S U U 2. Answers to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself. U U No Additional Sheets are to be used. 3. U U U, - S U U U - S U U 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) - S U U U U U U U S U U- U S S U U (i) To have access to the Test Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) U DU U U U - S DU U U U U U U S DU / U U U U U S S U U U U U S U U - S U U - S U UQ (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. 4. U U 4. Read instructions given inside carefully. 5. One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet. 5. U U- S (Rough Work) U U DU 6. If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 6. U- S U , U U U U 7. U # U U- S U U U U U # U U U U 7. You have to return the Test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 8. / U Z U S U 8. Use only Blue/Black Ball point pen. 9. Use of any calculator or log table etc. is prohibited. 9. U ( U U) U U 10. There is NO negative marking. 10. U U D 1608 1 P.T.O. MUSIC PAPER III - III NOTE : This paper is of two hundred (200) marks containing four (4) sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein. (200) (4) S D 1608 2 SECTION - I U I Note : This section contains five (5) questions based on the following paragraph. Each question should be answered in about thirty (30) words and each carries five (5) marks. (5x5=25 marks) ( 5) (30) ( 5) (5x5=25 ) Read the following paragraph and answer all the five questions given below. Each question is to be answered in 30 words. Each question carries 5 Marks. The art of music is associated with science. The fundamental basis of music is Naad. Naad of which type and which number of frequencies is appropriate in the case of music, this knowledge is provided only through science. Mathematics is inherent in science. Many SAHAYAK or SWYANBHU Naads are produced from original naad on the basis of Mathematics. The 32 That s are constructed on the very basis of Mathematics. Pandit Ahobal, Pt. Srinivas and Pt. Vishnu Narayan Bhatkhande have established SHUDH - VIKRAT notes on 36 inches long wire of Veena on the basis of Mathematics. With a change in shrutantar of notes a difference comes in SHUDH and VIKARATAWASTHA of notes. Thus it clearly proves that music is closely associated with science. U U U U 30 5 U U U U S U U 32 U U U , . . c U U U U 36 U U h- S U S , S U U U S U h U S U , c U M h D U D 1608 3 P.T.O. 1. Is music related with science ? ? 2. What do you mean by Naad ? ? D 1608 4 3. What do you understand by Sahayak and Swayanbhu naad ? S ? 4. What was the contribution of Pandit Ahobal with relevance of above. U Q U U ? D 1608 5 P.T.O. 5. What you understand by Shrutantyar ? U ? SECTION - II U II Note : This section contains fifteen (15) questions each to be answered in about thirty (30) words. Each question carries five (5) marks. (5x15=75 marks) (15) (30) (5) (5x15=75 ) D 1608 6 6. Throw light on the contribution of Dr. B. C. Deva in Indian Classical Music. U . . . U U U 7. Throw light on Tansen Festival . U U D 1608 7 P.T.O. 8. Clarify classicality in folk music. S S C 9. What is Samgan ? ? D 1608 8 10. Explain about Tuning of your Instrument. l 11. Describe the contribution of Alain Danielou to Indian classical music. U U D 1608 9 P.T.O. 12. Explain about ITC Sangeet Research Academy. . U . . U U 13. Write about First Musicology department of Indian Universities. U l S D 1608 10 14. Explain any Raga of Malhar Ang . U U 15. Clarify following notes related to which Raga : S U U , D 1608 11 P.T.O. 16. What is meant by Taal ? ? 17. Write short notes on any two : Shruti, Mela, Baz, Ghseet. U U , , , U D 1608 12 18. Describe Vikrit Jaties . 19. Write about Vedic Notes. S U D 1608 13 P.T.O. 20. Give your views on Mahabharat time music . U U U S C SECTION - III U III Note : This section contains five (5) questions from each of the electives / specialisations. The candidate has to choose only one elective / specialisation and answer all the five questions from it. Each question carries twelve (12) marks and is to be answered in about two hundred (200) words. (12x5=60 marks) / (5) / (12) (200) (12x5=60 ) D 1608 14 Elective - I U I HINDUSTANI MUSIC - VOCAL AND INSTRUMENTAL S - 21. Write your own views on the topic Music among fine Arts . U U Q 22. Throw light on the meaning and aims of Research. g U U 23. Discuss in short the GHARANA System in Indian Music. U U h # 24. What is the utility of Audio Visual Aids in the field of Teaching Music in the present era. - ? 25. Clarify the importance of TAALA in Music. S C OR / Elective - II II KARNATAKA MUSIC - VOCAL, INSTRUMENTAL AND PERCUSSION 21. Analyse the compositions of Sri. Tyagaraja and Sri. Muthuswamy Dikshitar and bring out the salient features of their compositions. U U S U U U U c U U D 1608 15 P.T.O. 22. Discuss the evolution of Tala system from ancient marga talas to present day Deshi talas in classical Karnatak Music. U S U 23. Navarasas play an important role in the depiction of ragas in the compositions of Karnatak Music . Justify the above statement with suitable examples. U U U Q U U 24. Explain the principles of model shift of tonic and write about the possibilities of deriving new ragas from it. U U U # U U 25. Assess the contribution given by saint composers of South India to classical Karnatak music. U S U U OR / Elective - III III RABINDRA SANGEET 21. In conversations with Rama Rolland Tagor told I am keenly interested in Music and I myself compose songs. I have always felt puzzled why there are such great differences in musical form in different countries. Surely music should be more universal than other form of art, for its vehicle is easy to reproduce and transmit from one country to another . Do you agree with this statement ? Give arguments in brief. D 1608 16 U U U U U U , L U U S U U M U M M U U U U U - ? 22. In conversations with Albert Einstein, Tagore told Melody and harmony are like lines and colours in Pictures. A simple linear picture may be completely beautiful, the introduction of colour may make it vague and insignificant. Yet colour may, by combination with lines, create great pictures so long as it does not smother and destroy their value . Do you agree ? Give your arguments. U S U U U U , U U U U U U U S C U U U , U U C U U C U - ? 23. In conversations with H.G. Wells, Tagore told Music of different nations has a common Psychological foundation, and let that does not mean that national music should not exist. The same thing is, in my opinion, probably true for literature . What is your opinion about this ? . . U U U , U , U U U C l U , - U U ? 24. In conversation with Marguerite Wilkinson, Tagor told sometimes I make the words first and then put music with them later, sometimes I make a melody first and then put words with it. Sometimes the music is subordinated to the words. Sometimes the words are subordinated to music. Explain with example. U U U U U U , - U - U - S - S - U U D 1608 17 P.T.O. 25. I know the artistic value of my songs. They have great beauty. Though they will not be known outside my province, and much of my work will be gradually lost, I leave them as a legacy. My own countrymen do not understand, but they will. They are real songs, songs for all seasons and occasions... For my own songs I have invented freely : How much it is true to your opinion ? l U U , U U U- U # , M U , U S ( ) U ..... U Q N c U - U ? OR / Elective - IV IV PERCUSSION INSTRUMENTS h l 21. Write the special features of any one GHARANA of TABLA/PAKHAWAJ. / U 22. Describe about the required qualities of a Tabla/Pakhawaj player. / 23. Compare and contrast any two Gharanas of Tabla/Pakhawaj. / U 24. In the present era Tabla has got much prominence. Why ? U U h l , ? 25. Which Tabla/Pakhawaj player of national repute do you like most ? And why ? U C # / U ? D 1608 18 D 1608 19 P.T.O. D 1608 20 D 1608 21 P.T.O. D 1608 22 D 1608 23 P.T.O. D 1608 24 D 1608 25 P.T.O. D 1608 26 D 1608 27 P.T.O. D 1608 28 D 1608 29 P.T.O. SECTION - IV IV Note : This section consists of one essay type question of forty (40) marks to be answered in about one thousand (1000) words on any of the following topics. This question carries 40 marks. (40x1=40 marks) (40) , (1000) (40x1=40 ) 26. Write an essay on any one of the following : (i) Music and Society. (ii) Time theory in Indian Classical Music. (iii) Importance of Reseach Methodology in Music. (iv) Development of Instruments. (v) Use of music as therapy. U (i) U (ii) U S h (iii) (iv) l (v) D 1608 30 D 1608 31 P.T.O. D 1608 32 D 1608 33 P.T.O. D 1608 34 D 1608 35 P.T.O. D 1608 36 D 1608 37 P.T.O. D 1608 38 D 1608 39 P.T.O. FOR OFFICE USE ONLY 1 26 51 76 2 27 52 77 3 28 53 78 4 29 54 79 5 30 55 80 6 31 56 81 7 32 57 82 8 33 58 83 9 34 59 84 10 35 60 85 11 36 61 86 12 37 62 87 13 38 63 88 14 39 64 89 15 40 65 90 16 41 66 91 17 42 67 92 18 43 68 93 19 44 69 94 20 45 70 95 21 46 71 96 22 47 72 97 23 48 73 98 24 49 74 99 25 50 75 Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained Question Number Marks Obtained 100 Total Marks Obtained (in words) ..................................... (in figures) .................................... Signature & Name of the Coordinator ............................... (Evaluation) D 1608 Date ............................. 40

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