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NSW HSC 2009 : MUSIC 2

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Centre Number Student Number 2009 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N Music 2 Musicology and Aural Skills General Instructions Reading time 5 minutes Write using black or blue pen Score Attachments A, B part (i) and B part (ii), and manuscript paper are provided at the back of this paper Write your Centre Number and Student Number at the top of this page and pages 5, 7 and 11, and on the manuscript paper 426 Total marks 35 Attempt Questions 1 4 Total marks 35 Attempt Questions 1 4 All instructions, musical examples, and pauses for reading and writing are included on the recording. Answer the questions in the spaces provided. Question 1 (8 marks) This question is based on an excerpt of Oh Charming Harlequin (2007) by Andrea Keller. Score Attachment A contains bars 1 58. You have ONE minute to look at the score. The whole excerpt (bars 1 94) will be played ONCE for familiarisation. This excerpt (see Score Attachment A bars 1 58) will be played ONCE for you to answer part (a) after which there will be a ONE minute pause for you to complete your answer. (a) Give the meaning of the following musical markings on the score. (i) F Lyd (bar 2) ................................................................................................ (ii) comp (bar 38)............................................................................................... Question 1 continues on page 3 2 2 Question 1 (continued) The excerpt will be played THREE times for you to answer parts (b) and (c). Time: (b) First playing Second playing Third playing short pause 1 minute pause 2 minute pause Describe the composer s use of duration using TWO examples from the score. 2 ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... (c) Comment on the treatment of the pitch material. 2 ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... Bars 57 94 will be played TWICE for you to answer part (d). There is no score attachment for bars 59 94. Time: (d) First playing Second playing short pause 1 minute pause Describe TWO features of the relationship between the trumpet and the ensemble. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... End of Question 1 3 2 BLANK PAGE 4 Board of Studies NSW 2009 2 009 HIGHER SCHOOL CERTIFIC ATE EXAMINATION Music 2 Centre Number Student Number Question 2 (8 marks) This question is based on an excerpt from Colonial Song by Percy Grainger. There is no Score Attachment for this question [parts (a) and (b)]. The entire excerpt will be played ONCE for familiarisation. (a) Bars 1 11 will be played FIVE times for you to notate the pitch and duration of the euphonium part on the stave provided. Time: First playing Second playing Third playing Fourth playing Fifth playing 10 second pause 30 second pause 1 minute pause 1 minute pause 2 minute pause Awaiting Copyright Question 2 continues on page 6 427 5 5 Question 2 (continued) The following excerpt consists of bars 12 36. It will be played TWICE for you to answer part (b). Time: First playing Second playing 1 minute pause 2 minute pause (b) Describe how the composer creates contrast in this excerpt. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... End of Question 2 6 Board of Studies NSW 2009 3 2 009 HIGHER SCHOOL CERTIFIC ATE EXAMINATION Music 2 Centre Number Student Number Question 3 (9 marks) This question consists of two settings of the Agnus Dei (a section of the Latin Mass). The first setting is from the Berlin Mass by Arvo P rt. The second setting is from African Sanctus by David Fanshawe. Score Attachment B part (i) contains Agnus Dei from the Berlin Mass by Arvo P rt. You have ONE minute to look at the score. This movement will be played ONCE for familiarisation. This movement will be played again for you to answer part (a) after which there will be a one minute pause for you to complete your answer. (a) Outline TWO features of the musical structure. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... Question 3 continues on page 8 428 7 2 Question 3 (continued) Score Attachment B part (ii) contains an excerpt of the Agnus Dei from African Sanctus by David Fanshawe. This movement is scored for soprano solo, mixed chorus and pre-recorded tape. You have ONE minute to look at the score. This excerpt will be played ONCE for familiarisation. The excerpt will be played again for you to answer part (b) after which there will be a one minute pause for you to complete your answer. (b) Compare the pitch material of the solo part with the accompanying choir parts. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... Question 3 continues on page 9 8 3 Question 3 (continued) Both settings will now be played TWICE for you to answer part (c). Time: short pause 2 minute pause Second playing of the Arvo P rt setting Second playing of the David Fanshawe setting (c) First playing of the Arvo P rt setting First playing of the David Fanshawe setting short pause 2 minute pause Outline some musical differences between the two settings. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... End of Question 3 9 4 BLANK PAGE 10 Board of Studies NSW 2009 2 009 HIGHER SCHOOL CERTIFIC ATE EXAMINATION Music 2 Centre Number Student Number Question 4 (10 marks) You have 20 minutes to answer Question 4. Discuss how the concepts of tone colour and texture have been manipulated by composers in two or more works you have studied. One work should come from the Mandatory Topic Music of the last 25 years (Australian Focus) AND one work from the Additional Topic. Use musical quotes where appropriate to support your answer. Note: The works included in Questions 1, 2 and 3 are not to be discussed in this answer. ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... Question 4 continues on page 12 429 11 Question 4 (continued) ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... Question 4 continues on page 13 12 Question 4 (continued) ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... End of paper 13 BLANK PAGE 14 Board of Studies NSW 2009 2009 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N Music 2 Sight Singing General Instructions Reading time 2 minutes 025 Total marks 5 Sight-singing piece No. 1 The test may be performed to the given words, or on any open vowel, or sol-fa or solf ge. The examiner will give you the tonic chord and the starting note, once after handing the test to you, and once again, immediately before you sing the piece. Tonic Chord Starting Note Moderato No 1 The mf birds fly - ing o - ver the sky so blue a - gainst the clouds of a 4 diff - er - ent hue. They fly up and soar a - round and a - round 7 float like the fea - thers drift 2 ing down. and Tonic Chord Starting Note Moderato No 1 4 The mf birds diff - er - ent fly - ing o - ver the hue. They fly sky so up and soar blue a a - gainst - round the and clouds of a - round 7 float like the fea - thers drift 3 ing down. a and Sight-singing piece No. 2 The test may be performed to the given words, or on any open vowel, or sol-fa or solf ge. The examiner will give you the tonic chord and the starting note, once after handing the test to you, and once again, immediately before you sing the piece. Tonic Chord Starting Note Moderato No 2 I mf 4 can - not get flop I to sleep try to to - night, count some 7 O'er the fence - they 4 hop I fluf - toss and turn fy sheep, and while Tonic Chord Starting Note Moderato No 2 4 I mf can - not get flop I to try sleep to to - night, count some 7 O'er the fence they 5 hop I toss fluf - and fy turn and sheep, while Sight-singing piece No. 3 The test may be performed to the given words, or on any open vowel, or sol-fa or solf ge. The examiner will give you the tonic chord and the starting note, once after handing the test to you, and once again, immediately before you sing the piece. Starting Note Tonic Chord Moderato No 3 The rain falls from the mf 4 sun. Ti - ny hea-vens a- bove, as streams - of wa - ter ap - pear, 7 wards - the riv - er they 6 clouds obs- cure - the run. To Tonic Chord Starting Note Moderato No 3 The mf rain falls from the hea-vens a - bove, as clouds obs- cure - the 4 sun. Ti - ny streams - of 7 wards - the riv - er they 7 run. wa - ter ap - pear, To BLANK PAGE 8 Board of Studies NSW 2009 2009 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N Music 2 Score Attachment A Score for Question 1 part (a) Excerpt from Oh Charming Harlequin (2007) by Andrea Keller 430 Oh Charming Harlequin Awaiting Copyright 2 Andrea Keller Awaiting Copyright 3 Awaiting Copyright 4 Awaiting Copyright 5 Awaiting Copyright 6 Awaiting Copyright 7 Awaiting Copyright 8 Board of Studies NSW 2009 2009 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N Music 2 Score Attachment B Part (i) Score for Question 3 parts (a) and (c) First setting of Agnus Dei: from Berlin Mass by Arvo P rt 431 Agnus Dei from Berlin Mass Awaiting Copyright 2 Arvo P rt Awaiting Copyright 3 Awaiting Copyright 4 Music 2 Score Attachment B Part (ii) Score for Question 3 parts (b) and (c) Second setting of Agnus Dei: from the African Sanctus by David Fanshawe 5 Agnus Dei from African Sanctus By kind permission of Warner/Chappell Music Australia Pty Ltd By kind permission of Warner/Chappell Music Australia Pty Ltd 6 David Fanshawe By kind permission of Warner/Chappell Music Australia Pty Ltd By kind permission of Warner/Chappell Music Australia Pty Ltd 7 By kind permission of Warner/Chappell Music Australia Pty Ltd By kind permission of Warner/Chappell Music Australia Pty Ltd 8 By kind permission of Warner/Chappell Music Australia Pty Ltd By kind permission of Warner/Chappell Music Australia Pty Ltd 9 By kind permission of Warner/Chappell Music Australia Pty Ltd By kind permission of Warner/Chappell Music Australia Pty Ltd 10 By kind permission of Warner/Chappell Music Australia Pty Ltd 11 BLANK PAGE 12 Board of Studies NSW 2009 Centre Number Student Number 2009 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N Music manuscript paper Instructions If this manuscript paper is used, clearly identify the question or question part to which the music refers Write your Centre Number and Student Number at the top of this page 429a 2 3 BLANK PAGE 4 Board of Studies NSW 2009

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Additional Info : New South Wales Higher School Certificate Music Question Paper
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