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NSW HSC 2004 : ENGLISH (ADVANCED) PAPER 2

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2004 H I G H E R S C H O O L C E R T I F I C AT E E X A M I N AT I O N English (Advanced) Paper 2 Modules Total marks 60 Section I General Instructions Reading time 5 minutes Working time 2 hours Write using black or blue pen Pages 2 3 20 marks Attempt either Question 1 or Question 2 Allow about 40 minutes for this section Section II Pages 4 7 20 marks Attempt ONE question from Questions 3 11 Allow about 40 minutes for this section Section III Pages 8 9 20 marks Attempt ONE question from Questions 12 14 Allow about 40 minutes for this section 153 Section I Module A: Comparative Study of Texts and Context 20 marks Attempt either Question 1 or Question 2 Allow about 40 minutes for this section Answer the question in a writing booklet. Extra writing booklets are available. In your answer you will be assessed on how well you: evaluate the relationships between texts and contexts organise, develop and express ideas using language appropriate to audience, purpose and form Question 1 Elective 1: Transformations (20 marks) How has your perception of Transformations been illuminated by your comparative study of the prescribed texts? The prescribed texts are: Prose Fiction and Film Jane Austen, Emma and Amy Heckerling, Clueless Shakespeare and Drama William Shakespeare, Hamlet and Tom Stoppard, Rosencrantz and Guildenstern Are Dead Poetry and Film Geoffrey Chaucer, The Pardoner s Tale and Sam Raimi, A Simple Plan 2 Question 2 Elective 2: In the Wild (20 marks) How has your perception of In the Wild been illuminated by your comparative study of the prescribed texts? The prescribed texts are: Prose Fiction and Poetry David Malouf, An Imaginary Life and William Wordsworth, Selected Poems * Strange fits of passion have I known * Lines Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour. July 13, 1798 * It is a beauteous evening, calm and free * The Solitary Reaper * The Prelude: BOOK FIRST: Introduction, Childhood & School-time Prose Fiction and Film Aldous Huxley, Brave New World and Ridley Scott, Blade Runner Director s Cut Drama and Nonfiction Louis Nowra, The Golden Age and Tim Flannery, Throwim Way Leg 3 Section II Module B: Critical Study of Texts 20 marks Attempt ONE question from Questions 3 11 Allow about 40 minutes for this section Answer the question in a SEPARATE writing booklet. Extra writing booklets are available. In your answer you will be assessed on how well you: demonstrate understanding of the ideas expressed in the text evaluate the text s reception in different contexts organise, develop and express ideas using language appropriate to audience, purpose and form Question 3 William Shakespeare, The Tragedy of King Lear (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO extracts from your prescribed text. Question 4 Prose Fiction (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO extracts from your prescribed text. The prescribed texts are: Michael Ondaatje, In the Skin of a Lion or Emily Bront , Wuthering Heights or Tim Winton, Cloudstreet 4 Question 5 Drama Richard Brinsley Sheridan, The School for Scandal (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO extracts from your prescribed text. Question 6 Film Orson Welles, Citizen Kane (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO extracts from your prescribed text. Question 7 Poetry (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO poems you have studied. The prescribed texts are: Gwen Harwood, Selected Poems: A New Edition * Alter Ego * The Glass Jar * At Mornington * Prize-Giving * Father and Child (Parts I and II) * The Violets or William Butler Yeats, W. B. Yeats: Poems selected by Seamus Heaney * When You Are Old * The Wild Swans at Coole * Easter 1916 * The Second Coming * Sailing to Byzantium * Byzantium 5 In your answer you will be assessed on how well you: demonstrate understanding of the ideas expressed in the text evaluate the text s reception in different contexts organise, develop and express ideas using language appropriate to audience, purpose and form Question 8 Nonfiction Speeches (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO speeches you have studied. The prescribed speeches are: * Socrates No evil can happen, 399 BC * Cicero Among us you can dwell no longer, 63 BC * Abraham Lincoln Government of the people, by the people, for the people, 1863 * Emma Goldman The political criminal of today must needs be a saint of the new age, 1917 * Martin Luther King I have a dream, 1963 * Denise Levertov Statement for a Television Program, 1972 * Margaret Atwood Spotty-Handed Villainesses, 1994 * Vaclav Havel A Contaminated Moral Environment, 1990 * Paul Keating Funeral Service of the Unknown Australian Soldier, 1993 * Noel Pearson An Australian history for us all, 1996 * Aung San Suu Kyi Keynote Address at the Beijing World Conference on Women, 1995 * Mary McAleese The Defence of Freedom, 1998 6 Question 9 Multimedia ATSIC Website (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO sections of the ATSIC Website you have studied. The sections of the site set for study are: * * * * * About ATSIC ATSIC Service Charter Events: NAIDOC section Newsroom Issues Question 10 Multimedia Deena Larsen, Samplers: Nine Vicious Little Hypertexts (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO hypertexts you have studied. Question 11 Nonfiction Jung Chang, Wild Swans (20 marks) Interpretations of texts can shift and change with time and place. Considering your time and place, reflect on the ways in which context has shaped your critical interpretation of the prescribed text. In your response, refer to TWO extracts from your prescribed text. 7 Section III Module C: Representation and Text 20 marks Attempt ONE question from Questions 12 14 Allow about 40 minutes for this section Answer the question in a SEPARATE writing booklet. Extra writing booklets are available. In your answer you will be assessed on how well you: evaluate and show understanding of the relationship between representation and meaning organise, develop and express ideas using language appropriate to audience, purpose and form Question 12 Elective 1: Telling the Truth (20 marks) You are the keynote speaker at a conference for young writers and directors. The title of your presentation is: Visions and Versions of Telling the Truth. In your presentation, explore how and for what purpose composers create their particular visions and versions. Refer to your prescribed text and at least TWO other related texts of your own choosing. The prescribed texts are: Poetry Ted Hughes, Birthday Letters * Fulbright Scholars * The Shot * The Minotaur * Sam * Your Paris * Red Nonfiction Geoffrey Robertson, The Justice Game * The Trials of Oz * Michael X on Death Row * The Romans in Britain * The Prisoner of Venda * Show Trials * Diana in the Dock: Does Privacy Matter? * Afterword: The Justice Game Media Rob Sitch et al., Frontline * The Siege * We Ain t Got Dames * Playing the Ego Card * Add Sex and Stir * Smaller Fish to Fry * This Night of Nights 8 Question 13 Elective 2: Powerplay (20 marks) You are the keynote speaker at a conference for young writers and directors. The title of your presentation is: Visions and Versions of Powerplay. In your presentation, explore how and for what purpose composers create their particular visions and versions. Refer to your prescribed text and at least TWO other related texts of your own choosing. The prescribed texts are: Shakespeare Prose Fiction Drama Media William Shakespeare, Antony and Cleopatra George Orwell, Nineteen Eighty-Four Hannie Rayson, Life After George John Hughes, After Mabo Question 14 Elective 3: History and Memory (20 marks) You are the keynote speaker at a conference for young writers and directors. The title of your presentation is: Visions and Versions of History and Memory. In your presentation, explore how and for what purpose composers create their particular visions and versions. Refer to your prescribed text and at least TWO other related texts of your own choosing. The prescribed texts are: Prose Fiction Nonfiction Film Peter Carey, The True History of the Kelly Gang Mark Raphael Baker, The Fiftieth Gate Christopher Nolan, Memento End of paper 9 BLANK PAGE 10 BLANK PAGE 11 BLANK PAGE 12 Board of Studies NSW 2004

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Additional Info : New South Wales Higher School Certificate English Advanced Paper 2 - 2004.
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