Trending ▼   ResFinder  

GCE JAN 2010 : AS 2 Test of Aural Perception - Revised

12 pages, 46 questions, 0 questions with responses, 0 total responses,    0    0
gce
  
+Fave Message
 Home > gce >

Instantly get Model Answers to questions on this ResPaper. Try now!
NEW ResPaper Exclusive!

Formatting page ...

Sp N ec e ifi w ca tio n Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education January 2010 Music assessing Test of Aural Perception AU121 Assessment Unit AS 2: Part 1 [AU121] MONDAY 11 JANUARY, MORNING TIME 1 hour. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer all five questions. INFORMATION FOR CANDIDATES The total mark for this paper is 54. Figures in brackets printed down the right-hand side of pages indicate the marks awarded to each question or part question. Three minutes reading time will be allowed before the recording is started. For Examiner s use only uestion Q Marks Number 1 2 3 4 5 Total Marks 5848 Answer all five questions. Examiner Only Marks 1 You will hear an extract from a piece of vocal music. You will hear the extract four times with pauses between hearings. Translation: eaven and earth are full of your glory, H Hosanna in the highest. (a) Identify the tonality of the music. _____________________________ [1] (b) Identify two melodic features of the setting of Line 2. 1. __________________________________________________________ Remark 2. _______________________________________________________ [2] 1 2 3 Pleni sunt caeli et terra, et terra gloria, gloria tua. Gloria, gloria, gloria, gloria, gloria tua. Hosanna in excelsis. (c) Identify the type of cadence at the end of Line 2. ___________________________________________________________ [1] (d) Identify the main vocal texture heard in the extract. ___________________________________________________________ [1] (e) Identify four ways in which the orchestral accompaniment to Line 3 differs from the accompaniment to Lines 1 and 2. 1. __________________________________________________________ 2. __________________________________________________________ 3. __________________________________________________________ 4. _______________________________________________________ [4] 5848 2 [Turn over (f) (i) During which period was this music composed? Examiner Only Marks Circle your answer. Baroque Remark Classical Romantic [1] (ii) Give one reason for your answer. Twentieth century 5848 _______________________________________________________ [1] 3 [Turn over 2 You will hear an extract from one of your set works. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark (a) Identify two melodic features of the solo violin writing. 1. __________________________________________________________ 2. _______________________________________________________ [2] (b) Describe how the following motif is used in the accompaniment. ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ___________________________________________________________ [4] (c) Identify three harmonic features of this extract. 1. __________________________________________________________ 2. __________________________________________________________ 3. _______________________________________________________ [3] (d) What is the overall form of this movement? ___________________________________________________________ [1] (e) Which part of the movement would you expect to hear following this extract? ___________________________________________________________ [1] (f) From which type of work is this extract taken? Circle your answer. 5848 symphony solo concerto concerto grosso 4 [1] [Turn over 3 You will hear two extracts from one of your set works. You will hear Extract A four times, followed by Extract B four times, with pauses between hearings. (a) Name the key at the beginning of the extract. (b) Name the key at the end of the extract. Remark Extract A Examiner Only Marks ___________________________________________________________ [1] ___________________________________________________________ [1] (c) Describe how the melody is played in this extract. ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ___________________________________________________________ [3] Extract B (d) Name the two instrumental families performing the melody in this extract. 1. _______________________ 2. _______________________ [2] (e) Describe the accompaniment to the melody. ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ___________________________________________________________ [3] (f) From which movement of the work is this extract taken? 5848 ___________________________________________________________ [1] 5 [Turn over 4 You will hear an extract from a piece of orchestral music. You will hear the extract four times with pauses between hearings. Remark The form of the extract is as follows: Examiner Only Marks Tutti Solo Tutti Solo (a) Which of the following genres is illustrated in this extract? Circle your answer. symphony solo concerto concerto grosso [1] (b) Suggest a possible form for this movement. ___________________________________________________________ [1] (c) Identify four features of the music which are characteristic of the Baroque period. 1. __________________________________________________________ 2. __________________________________________________________ 3. __________________________________________________________ 4. _______________________________________________________ [4] (d) Identify four features of the solo violin part in the second solo section. 1. __________________________________________________________ 2. __________________________________________________________ 3. __________________________________________________________ 4. _______________________________________________________ [4] 5848 6 [Turn over BLANK PAGE (Questions continue overleaf) 5848 7 [Turn over 5 You will hear an extract from a piece of orchestral music. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark (a) Which of the following rhythms is heard in the first two bars? Tick your answer. (i) (ii) (iii) Examiner Only Marks Remark [1] (b) Name the percussion instrument playing this rhythm. ___________________________________________________________ [1] (c) Identify, in order, the three solo instruments that enter to present the opening melody. 1. __________________________________________________________ 2. __________________________________________________________ 3. _______________________________________________________ [3] (d) Identify the string technique used in the accompaniment to this melody. 5848 ___________________________________________________________ [1] 8 [Turn over (e) Which two of the following can be heard in the music? Examiner Only Marks Circle your answers. ostinato Remark melisma ground bass countermelody [2] (f) (i) During which period was this music composed? Circle your answer. Baroque Classical Romantic Twentieth century [1] (ii) Give one reason for your answer. _______________________________________________________ [1] THIS IS THE END OF THE QUESTION PAPER 5848 9 [Turn over BLANK PAGE 5848 10 [Turn over BLANK PAGE (Questions continue overleaf) 5848 11 [Turn over Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 110504

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

Formatting page ...

 

  Print intermediate debugging step

Show debugging info


 

Additional Info : Gce Music January 2010 Assessment Unit AS 2, Part 1: Test of Aural Perception - Revised
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers  

© 2010 - 2025 ResPaper. Terms of ServiceContact Us Advertise with us

 

gce chat