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GCE MAY 2009 : AS 2 Written Examination - Revised

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Sp N ec e ifi w ca tio n Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education 2009 Music assessing Written Examination AU122 Assessment Unit AS 2: Part 2 [AU122] THURSDAY 28 MAY, AFTERNOON TIME 1 hour 15 minutes. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer two questions. Answer Section A on the compulsory Area of Study and one other question in Section B on your chosen Area of Study. INFORMATION FOR CANDIDATES The total mark for this paper is 54, including a maximum of 3 marks for quality of written communication in your chosen area of study question. You are provided with an insert for use with Question 1 in this paper. Do not write your answers on this insert. All questions carry equal marks, i.e. 27 marks for each question. For Examiner s use only Question Marks Number Section A 1 Section B 2 3 4 Total Marks 4991 Section A 1 Examiner Only Marks Compulsory area of study: Music for Orchestra, 1700 1900 Haydn: Symphony No. 94, second movement, bars 75 106 Answer all the following questions using the score provided. (a) During which period was this work composed? _____________________________________________________ [1] (b) What is the overall form of this movement? _____________________________________________________ [1] (c) Which section of the movement is shown in this score? _____________________________________________________ [1] (d) What is the tonic key of this movement? _____________________________________________________ [1] 4991 2 Remark (e) (i) Describe in detail how the main theme from the start of this movement is varied in Bars 75 82. Examiner Only Marks Remark ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ ___________________________________________________ _________________________________________________ [5] (ii) Identify six features of harmony and tonality in Bars 75 82. 1. _________________________________________________ 2. _________________________________________________ 3. _________________________________________________ 4. _________________________________________________ 5. _________________________________________________ 6. _______________________________________________ [6] 4991 [Turn over (f) Identify six main features of the flute, oboe and horn parts in Bars 83 106. Give a bar reference to illustrate each feature you identify. Feature 1. ___________________________ __________________ 2. ___________________________ __________________ 3. ___________________________ __________________ 4. ___________________________ __________________ 5. ___________________________ __________________ 6. ___________________________ 4991 Bar Number(s) _______________ [12] 4 Examiner Only Marks Remark Section B Answer one question on your chosen Area of Study. Optional Areas of Study Chamber Music, 1750 18 0 2 (a) Select and comment on three chamber pieces from the period 1750 to 1830, each by a different composer. or (b) Outline the main characteristics of chamber music by Schubert. Illustrate your answer by referring to specific musical examples. Music for Solo Piano, 1825 1890 (a) Outline the main characteristics of piano music by Robert Schumann. Illustrate your answer by referring to specific examples drawn from a range of pieces. or (b) The dynamic, changing qualities of pianos and piano construction during the nineteenth century affected the way in which composers approached and wrote for the instrument and influenced the development of their compositional styles. (Todd, 1990) Select and comment on three pieces which illustrate this statement. The Musical, 1900 to Today 4 (a) Outline the main characteristics of musicals by the Gershwin brothers. Illustrate your answer by referring to specific musical examples. or (b) Identify musical characteristics of pop and rock found in musicals composed from 1960 to the present day. Illustrate your answer by referring to specific musical examples. 4991 5 [Turn over Examiner Only ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 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______________________________________________________________ 4991 8 Marks Remark Examiner Only ______________________________________________________________ Marks Remark ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 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______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 4991 10 Marks Remark Examiner Only ______________________________________________________________ Marks Remark ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 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______________________________________________________________ 4991 11 [Turn over Examiner Only ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 4991 12 Marks Remark Examiner Only ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 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______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ 4991 1 Marks Remark For Use with Question SYMPHONY No. 94 Joseph Haydn (1732 1809) 75 Flute Solo ten. ten. Oboe p [Solo] Fg. p p Violin p Viola p Violoncello e Contrabasso p Solo 80 Fl. p 1. ten. Ob. 1. Fg. ten. pp Vl. ten. pp Vla. Vc. Cb. 4991.02 [Turn over 86 1. Fl. 1. fz tr Ob. fz ten. ten. Vl. ten. ten. Vla. Vc. Cb. 92 1. Fl. 1. Ob. ten. Vl. ten. Vla. Vc. Cb. 4991.02 98 1. Fl. 1. Ob. Cor. (C) p Vl. Vla. Vc. Cb. 104 1. Fl. 1. Ob. Fg. Cor.(C) ten. Vl. ten. Vla. Vc. Cb. 1984 Ernst Eulenburg Ltd and Ernst Eulenburg & Co GmbH. Reproduced by permission. All rights reserved. 4991.02 T80201/2 Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. T80201/2

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Additional Info : Gce Music May 2009 Assessment Unit AS 2, Part 2: Written Examination - Revised
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers

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