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GCE MAY 2010 : AS 2 Written Examination - Revised

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Sp N ec e ifi w ca tio n Centre Number 71 Candidate Number ADVANCED General Certificate of Education 2010 Music assessing Test of Aural Perception AU221 Assessment Unit A2 2: Part 1 [AU221] FRIDAY 28 MAY, MORNING TIME 1 hour. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer all five questions. INFORMATION FOR CANDIDATES The total mark for this paper is 60. Figures in brackets printed down the right-hand side of pages indicate the marks awarded to each question or part question. Three minutes reading time will be allowed before the recording is started. For Examiner s use only Question Marks Number 1 2 3 4 110021 5 Total Marks 6246 Answer all questions Examiner Only Marks 1 Remark You will hear an extract from one of your set works. You will hear the extract four times with pauses between hearings. The form of the extract is as follows: A A B (a) Name the instrument playing the opening melody. ___________________________________________________________ [1] (b) Identify the metre of the music. ___________________________ [1] (c) Describe the accompaniment to the opening melody. _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [2] (d) Identify the key and cadence at the end of the first section? (i) Key ___________________________________________________ [1] (ii) Cadence _______________________________________________ [1] (e) Identify two musical devices used at the beginning of Section B. 1. ___________________________________________________________ 2. _________________________________________________________ [2] 6246 2 [Turn over (f) Identify two features of the music which show it was composed in the twentieth century. Examiner Only Marks Remark 1. ___________________________________________________________ 2. _________________________________________________________ [2] (g) Of which twentieth century musical style is this piece an example? Circle your answer. neoclassicism nationalism impressionism jazz [1] (h) What is the overall form of this movement? ___________________________________________________________ [1] 6246 3 [Turn over 2 You will hear an extract from a piece of instrumental music. You will hear the extract four times with pauses between hearings. Look at the outline score printed on the opposite page and the accompanying questions before the music begins. Examiner Only Marks Remark (a) Identify the ornament featured on the first note of the melody. ___________________________________________________________ [1] (b) Name the key in bar 10. _________________________________ [1] (c) In Bar 13 identify the following features: (i) type of chord (e.g. augmented sixth, dominant seventh etc.) _______________________________________________________ [2] (ii) two melodic features 1. _______________________________________________________ 2. _____________________________________________________ [2] (d) Identify bars in which you can hear the following features: diminished chord Bar ______ rising sequence Bar _____ falling sequence Bar _____ beat ________ [1] to Bar _________ [1] to Bar _________ [1] (e) Which one of the following is heard in the piano accompaniment in Bars 19 20? Circle your answer. ostinato syncopation alberti bass imitation [1] (f) Name the type of ensemble performing this extract. ___________________________________________________________ [1] (g) (i) Suggest a possible date of composition. ___________________ [1] (ii) Give a reason for your answer. _______________________________________________________ [1] 6246 4 [Turn over Andante 5 10 14 18 6246 key 6 2 7 11 1 15 19 12 3 4 8 16 20 13 piano accompaniment 5 type of chord/melodic features fz 9 17 21 [Turn over 3 You will hear an extract from one of your set works. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark (a) Comment on the use of the following melody in this extract. Refer to specific bar numbers of the printed melody below. 1 5 2 3 6 3 4 3 _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [6] (b) Identify two rhythmic features of the accompaniment to this melody. 1. ___________________________________________________________ 2. _________________________________________________________ [2] (c) What is the overall form of this piece? _______________________ [1] (d) What happens in the music following the end of the recorded extract? ___________________________________________________________ [1] (e) In which twentieth century style is this music composed? ___________________________________________________________ [1] 6246 6 [Turn over 4 You will hear an extract from a piece of vocal music. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark The text is as follows: 1 2 Confutatis maledictis flammis acribus addictis Voca, voca me, voca me cum benedictus (Translation) 1 When the accused are confounded, and doomed to flames of woe, 2 Call me among the blessed (a) Identify five striking ways in which the composer creates contrast between the musical settings of Lines 1 and 2. You must refer to both lines in each answer. Refer to the following musical features: tonality, types of voice, vocal texture, melody and instrumental accompaniment. 1. ___________________________________________________________ _____________________________________________________________ 2. ___________________________________________________________ _____________________________________________________________ 3. ___________________________________________________________ _____________________________________________________________ 4. ___________________________________________________________ _____________________________________________________________ 5. ___________________________________________________________ __________________________________________________________ [10] (b) Which one of the harmonic features below can be heard in each of the following lines? plagal cadence suspension tierce de picardie diminished seventh (i) Line 1 _________________________________________________ [1] (ii) Line 2 _________________________________________________ [1] 6246 7 [Turn over 5 You will hear an extract from a piece of orchestral music. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark (a) Which two of the following textures can be heard in the piano part? Circle your answers. imitation fugal octaves chordal antiphonal [2] (b) Identify three other percussion instruments playing in this extract. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (c) Identify three rhythmic features of the music which show the music was composed in the twentieth century. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (d) Identify three string timbres or effects heard in this extract. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (e) Suggest a possible composer for this piece, which was written by one of the composers of your set works. ___________________________________________________________ [1] THIS IS THE END OF THE QUESTION PAPER 6246 8 [Turn over Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 110021

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Additional Info : Gce Music May 2010 Assessment Unit AS 2, Part 2: Written Examination - Revised
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers

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