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GCE JAN 2010 : A2 3 Making and Responding to Music with Understanding (Part 1) - Revised

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Centre Number 71 Candidate Number ADVANCED General Certificate of Education January 2010 Music Test of Aural Perception assessing Module 1: Making and Responding to Music with Understanding A2P31 Assessment Unit A2 3: Part 1 [A2P31] FRIDAY 22 JANUARY, MORNING TIME 45 minutes. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer all four questions. INFORMATION FOR CANDIDATES The total mark for this paper is 60. Figures in brackets printed down the right-hand side of pages indicate the marks awarded to each question or part question. Three minutes reading time will be allowed before the recording is started. For Examiner s use only Question Number 1 2 3 4 Total Marks 5847 Marks 1 You will hear an extract from a piece of vocal music played four times with pauses between hearings. Examiner Only Marks Remark The text is as follows: 1 2 3 4 5 This is the record of John, When the Jews sent priests and Levites From Jerusalem to ask him, Who art thou? And he confessed and denied not; And said plainly, I am not the Christ. (a) Identify the type of solo voice singing in Lines 1 5. ______________________________________________________ [1] (b) Describe the type of ensemble accompanying the solo voice. ______________________________________________________ [2] (c) Identify one melodic feature in the musical setting of the following lines. Line 3 ________________________________________________ [1] Line 5 ________________________________________________ [1] (d) Lines 4 and 5 are then repeated. Identify two musical changes in the repeat of Line 4. 1. _______________________________________________________ 2. ____________________________________________________ [2] (e) Identify three musical features of the repeat of Line 5. 1. _______________________________________________________ 2. _______________________________________________________ 3. ____________________________________________________ [3] 5847 2 [Turn over (f) From which type of work is this extract taken? Examiner Only Marks Remark Circle your answer. lied madrigal anthem mass [1] (g) (i) During which period was this work composed? __________________________________________________ [1] (ii) Give one reason for your answer. __________________________________________________ [1] 5847 3 [Turn over 2 You will hear an extract from a piece of instrumental music four times with pauses between hearings. Examiner Only Marks Remark Look at the outline score printed on the opposite page and the accompanying questions before the music begins. (a) Complete the melody in Bars 5 6. [6] (b) Name the type of chord (e.g. augmented sixth, dominant seventh etc.) which is heard in Bar 11 and again in Bars 13 and 15. ______________________________________________________ [2] (c) Identify one melodic feature of Bars 15 18. ______________________________________________________ [1] (d) Name the key in Bars 22 24. ______________________________________________________ [1] (e) Name the instrument that takes over the melody in Bars 243 262. ______________________________________________________ [1] (f) Identify three features of the music after Bar 34. 1. _______________________________________________________ 2. _______________________________________________________ 3. ____________________________________________________ [3] (g) Choose an appropriate title for this movement. Circle your answer. bourr e gavotte gigue minuet [1] (h) Suggest a possible date of composition. ______________________ [1] 5847 4 [Turn over Moderato 1 f 2 sf sf 4 5 8 15 19 sf sf 2. 13 16 20 17 18 22 25 sf 21 violins 26 instrument taking over the melody Remark 14 sf 24 key f 10 7 complete melody sf 27 5847 sf 6 violins sf Examiner Only Marks chord chord sf chord 23 31 sf 1. 12 9 11 3 28 32 29 33 5 30 34 etc. [Turn over 3 You will hear four variations based on the following theme. Examiner Only Marks Remark You will hear the theme once only followed by each variation played three times with pauses between hearings. Thema Andantino 1 2 p 3 4 5 6 7 Comment on the following features of each variation: tonality presentation of the theme accompaniment Variation 1 ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _________________________________________________________ [4] Variation 2 ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _________________________________________________________ [4] 5847 6 [Turn over Variation 3 Examiner Only Marks Remark ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _________________________________________________________ [4] Variation 4 ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _________________________________________________________ [4] 5847 7 [Turn over 4 You will hear two extracts from a piece of film music. You will hear Extract A played four times with pauses between hearings followed by Extract B played four times with pauses between hearings. Examiner Only Marks Remark (a) Extract A (i) Which two of the following intervals feature in the opening bars? Circle two of the following. octave fifth third semitone [2] (ii) Describe five ways in which the instrumental writing helps create the mood of the music. 1. ___________________________________________________ 2. ___________________________________________________ 3. ___________________________________________________ 4. ___________________________________________________ 5. ________________________________________________ [5] (b) Extract B (i) Identify the two instruments playing the theme in the order in which you hear them. 1. ___________________ 2. ___________________ [2] (ii) Which one of the following best describes the relationship between these two instruments? Circle your answer. imitation 5847 antiphony fugue 8 canon [1] [Turn over (iii) Identify four features of the orchestral accompaniment that help create a march-like atmosphere. Examiner Only Marks Remark 1. ___________________________________________________ 2. ___________________________________________________ 3. ___________________________________________________ 4. ________________________________________________ [4] (c) Suggest a possible date of composition. ______________________________________________________ [1] THIS IS THE END OF THE QUESTION PAPER 5847 9 [Turn over Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 110502 [Turn over

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Additional Info : Gce Music January 2010 Assessment Unit A2 3, Part 1, Module 1: Making and Responding to Music with Understanding
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers

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