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GCE JAN 2011 : AS 2 Test of Aural Perception - Revised

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Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education January 2011 Music assessing Test of Aural Perception AU121 Assessment Unit AS 2: Part 1 [AU121] MONDAY 10 JANUARY, MORNING TIME 1 hour. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer all five questions. INFORMATION FOR CANDIDATES The total mark for this paper is 54. Figures in brackets printed down the right-hand side of pages indicate the marks awarded to each question or part question. Three minutes reading time will be allowed before the recording is started. For Examiner s use only uestion Q Marks Number 1 2 3 111504 4 6929 5 Total Marks Answer all questions. Examiner Only Marks 1 You will hear an extract from one of your set works. You will hear the extract four times with pauses between hearings. (a) Identify the key at the beginning of the extract. (b) Which three of the following melodic features can be heard in the first four bar phrase? Remark ___________________________________________________________ [1] Circle your answers. acciaccatura triads and arpeggio anacrusic phrasing appoggiatura seconds and sixths ostinato [3] (c) Identify two differences in the presentation of the theme when it is repeated. 1. ___________________________________________________________ 2. _________________________________________________________ [2] (d) Which two of the following harmonic features can be heard in the tutti orchestral passage at the end of the extract? Circle your answers. tonic pedal suspension diminished seventh dominant pedal [2] 6929 2 [Turn over (e) Identify two features of the orchestral scoring which are characteristic of the Classical period. 2. _________________________________________________________ [2] (f) What is the overall form of this movement? (g) From which type of work is this extract taken? Circle your answer. Remark 1. ___________________________________________________________ Examiner Only Marks 6929 ___________________________________________________________ [1] symphony solo concerto concerto grosso 3 [1] [Turn over 2 You will hear a short piece of orchestral music. You will hear the extract four times with pauses between hearings. Examiner Only Marks Remark (a) Describe the bassoon accompaniment. _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [3] (b) Identify the ornament heard in the flute melody. ________________ [1] (c) Identify two features of the string passages which answer the flute melody. 1. ___________________________________________________________ 2. _________________________________________________________ [2] (d) Identify two instruments which double the flute melody. 1. ___________________________________________________________ 2. _________________________________________________________ [2] (e) Identify the metre of the music. _______________________________ [1] (f) Identify the tonality of the music. _____________________________ [1] (g) During which period was this music composed? Circle your answer. Baroque 6929 Classical Romantic Twentieth Century 4 [1] [Turn over 3 You will hear an extract from one of your set works. You will hear the extract four times with pauses between hearings. _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [4] (b) Identify three features of the orchestral accompaniment in this extract. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (c) Identify the key of this extract. (d) From which movement of the work is this extract taken? (e) During which period was this work composed? Remark (a) Describe the orchestral presentation of the two melodic ideas in this extract. Examiner Only Marks 6929 ___________________________________________________________ [1] ___________________________________________________________ [1] ___________________________________________________________ [1] 5 [Turn over 4 You will hear an extract from a piece of vocal music. You will hear the extract four times with pauses between hearings. 3 Dona nobis pacem, 4 Pacem, pacem, pacem, pacem. 5 Dona nobis pacem, pacem. 6 Dona nobis pacem, pacem. 7 Dona nobis pacem. (Lamb of God, who takes away the sins of the world, give us peace.) (a) Identify the following in Lines 1 to 4. 1. vocal ensemble __________________________________________ [1] 2. vocal texture ____________________________________________ [1] _ (b) Identify three features of the instrumental accompaniment. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (c) Identify the following in Line 2. 1. one melodic feature ______________________________________ [1] 2. one harmonic feature _____________________________________ [1] (d) How does the vocal ensemble change in Line 5? Remark 1 Agnus Dei, qui tollis peccata mundi, 2 Dona nobis pacem. Examiner Only Marks 6929 ___________________________________________________________ [1] 6 [Turn over (e) Which one of the following chords is heard at the end of Line 5? Examiner Only Marks Circle your answer. major (f) From which type of work is this extract most likely to have been taken? Circle your answer. anthem Remark 6929 minor diminished seventh mass opera 7 dominant seventh oratorio [1] [1] [Turn over 5 You will hear an extract from a piece of orchestral music. You will hear the extract four times with pauses between hearings. Examiner Only Marks The form of the extract is as follows: (a) Identify the following in Section A. (i) type of ornament _______________________________________ [1] Remark (ii) musical device _________________________________________ [1] A A b b (iii) tonality ________________________________________________ [1] (b) Identify the cadence at the end of Section A. ___________________________________________________________ [1] (c) Which three of the following features are heard in Section b? Circle your answers. tierce de picardie (d) Which of the following genres is illustrated in this extract? Circle your answer. (e) Identify three features of the instrumentation which are characteristic of the baroque period. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] 6929 hemiola symphony suspension dominant pedal modulation to the dominant solo concerto concerto grosso 8 [3] [1] [Turn over THIS IS THE END OF THE QUESTION PAPER 6929 9 [Turn over BLANK PAGE (Questions continue overleaf) 5848 11 [Turn over Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 111504

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Additional Info : Gce Music January 2011 Assessment Unit AS 2, Part 1: Test of Aural Perception
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers

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