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GCE JAN 2009 : AS 2 Written Examination

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Sp N ec e ifi w ca tio n Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education 2010 Music assessing Written Examination AU122 Assessment Unit AS 2: Part 2 [AU122] THURSDAY 3 JUNE, AFTERNOON TIME 1 hour 15 minutes. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer two questions. Answer Section A on the compulsory Area of Study and one other question in Section B on your chosen Area of Study. INFORMATION FOR CANDIDATES The total mark for this paper is 54, including a maximum of 3 marks for quality of written communication in your chosen area of study question. You are provided with one insert for use with Question 1 in this paper. Do not write your answers on this insert. All questions carry equal marks, i.e. 27 marks for each question. For Examiner s use only Question Marks Number Section A 1 Section B 2 3 110017 4 Total Marks 6247 Section A Examiner Only Marks 1 Remark Compulsory area of study: Music for Orchestra, 1700 1900 Mozart: Symphony No. 40, K550, first movement, Bars 138 168 Answer all the following questions using the score provided (see insert sheet). (a) During which period was this work composed? ___________________________________________________________ [1] (b) What type of work is this? ___________________________________________________________ [1] (c) What is the overall form of this movement? ___________________________________________________________ [1] (d) Which section of the movement is shown at the: beginning of the printed score? _______________________________ end of the printed score? _____________________________ [2] (e) Describe in detail how the three-note fragment is used in Bars 138 151. _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [9] 6247 2 [Turn over (f) Describe in detail three main features of the orchestral texture in Bars 152 159. Examiner Only Marks Remark _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [6] (g) Identify three melodic features of the wind writing in Bars 160 166. 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (h) Name the key and cadence in Bars 165 166. Key ________________ Cadence ___________________ [2] (i) Name the thematic idea played by the violins from Bar 164 to the end of the extract. ___________________________________________________________ [2] 6247 3 [Turn over Section B Examiner Only Marks Remark Answer one question on your chosen Area of Study. Optional Areas of Study Chamber Music, 1750 to 1830 2 (a) Comment on the development of Beethoven s chamber music style. Illustrate your answer by referring to specific musical examples. or (b) Comment on the main characteristics of the third and fourth movements in chamber music, 1750 to 1830. Illustrate your answer by referring to specific musical examples. Music for Solo Piano, 1825 to 1890 3 (a) Comment on the main characteristics of Liszt s piano writing. Illustrate your answer by referring to specific musical examples. or (b) Comment on the variety of forms and structures in small scale pieces for solo piano, 1825 to 1890. Illustrate your answer by referring to specific pieces. The Musical, 1900 to Today 4 (a) Choose one musical by Leonard Bernstein and comment on its striking musical features. Illustrate your answer by referring to specific musical examples. or (b) Comment on how solos in musicals convey emotion and depict character. 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_____________________________________________________________________ 6247 12 [Turn over THIS IS THE END OF THE QUESTION PAPER Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 110017 AS 2: PART 2 SUMMER 2010 For use with Question 1 138 Fl. Ob. 1, 2 Cl. (Bb) 1, 2 Fg. 1, 2 Cor. 2 (G) Vl. I Vl. II p p 1. p p p Vla. Vc. e Cb. Fl. 143 Cl. (Bb) 1, 2 1. Fg. 1,2 Vln. I Vln. II Vla. Vc. e Cb. 110018 4 6247.02 1 p p Vc. p [Turn over Fl. 149 Ob. Cl. (Bb) 1, 2 Fg. 1,2 Vln. I 155 Cl. (Bb) 1, 2 Fg. 1,2 Cor. 1 (Bb) Cor. 2 (G) Vln. I Vln. II Vla. Vc. e Cb. sf f f f Tutti f sf Cl. (Bb) 1, 2 Cor. 1 (Bb) Vln. I Vln. II Vla. Vc. e Cb. Cl. (Bb) 1, 2 mfp mfp mfp p p Vln. I p Cor. 2 (G) Cor. 1 (Bb) Fg. 1,2 mfp 165 Fl. p p p Fg. 1,2 sf Cor. 2 (G) sf 160 Fl. sf f sf sf sf f sf sf sf sf f f Fl. Ob. Vla. Vln. II Vc. e Cb. 1. Cor. 1 (Bb) Cor. 2 (G) Vln. II Vla. Vc. e Cb. p p 1. p 2007 Ernst Eulenburg Ltd und Ernst Eulenburg GmbH. Reproduced by permission. All rights reserved. 6247.02 2 [Turn over 6247.02 3 [Turn over

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Additional Info : Gce Music January 2009 Assessment Unit AS 2, Part 2: Written Examination
Tags : General Certificate of Education, A Level and AS Level, uk, council for the curriculum examinations and assessment, gce exam papers, gce a level and as level exam papers , gce past questions and answer, gce past question papers, ccea gce past papers, gce ccea past papers

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