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GCE MAY 2009 : AS 2 Test of Aural Perception - Revised

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Sp N ec e ifi w ca tio n Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education 2009 Music assessing Test of Aural Perception AU121 Assessment Unit AS 2: Part 1 [AU121] THURSDAY 28 MAY, MORNING TIME 1 hour. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer all five questions. INFORMATION FOR CANDIDATES The total mark for this paper is 54. Figures in brackets printed down the right-hand side of pages indicate the marks awarded to each question or part question. Three minutes reading time will be allowed before the recording is started. For Examiner s use only Question Marks Number 1 2 3 4 5 Total Marks 4990 Answer all questions. 1 You will hear an extract from a piece of vocal music. You will hear the extract four times with pauses between hearings. The text is as follows: 1 2 3 4 5 6 7 8 9 Stomp your foot upon the floor. Throw the windows open. Take a breath of fresh June air and dance around the room, And dance around the room. The air is free, the night is warm, The music s here and here s my home. Men must labour to be happy, ploughing fields and planting rows. But ladies love a life that s easy, churning butter, milking cows. Churning butter, milking cows, gathering eggs, feeding sows, Mending, cooking, cleaning, ironing, raising families, families. (a) Identify the metre of the music. [1] (b) Identify one line in which each of the following vocal textures is heard. 1. Unison 2. Homophony 3. Imitation [3] (c) Identify two percussion instruments heard in the extract. 1. 2. [2] (d) Identify three ways in which the setting of Lines 6 and 7 differs from the setting of Lines 1 to 5. 1. 2. 3. [3] 4990 2 Examiner Only Marks Remark (e) (i) During which period was this music composed? Examiner Only Marks Remark Circle your answer. Baroque Classical Romantic Twentieth century [1] (ii) Give one reason for your answer. [1] 4990 [Turn over 2 You will hear an extract from one of your set works. You will hear the extract four times, with pauses between hearings. (a) What is the overall form of this movement? [1] (b) During which period was the work composed? [1] (c) Comment on how the composer uses the orchestra to build the music towards a climax. [9] 4990 Examiner Only Marks Remark You will hear two extracts based on the theme given below. You will hear Extract A four times, followed by Extract B four times, with pauses between hearings. Examiner Only Marks Remark 5 Extract A (a) Which three of the following can be heard in the music? Circle your answers. ostinato drone ground bass melisma syncopation imitation [3] (b) Identify three other features which help to create the lighthearted mood of the music. 1. 2. 3. [3] Extract B (c) Which three of the following can be heard in the music? Circle your answers. falling sequence countermelody canon pizzicato syncopation pedal [3] (d) Identify three other features which help to create the solemn mood of the music. 1. 2. 3. [3] 4990 [Turn over You will hear an extract from one of your set works. You will hear the extract four times, with pauses between hearings. Examiner Only Marks (a) Identify the tonality at the start of the extract. [1] (b) Identify the tonality at the end of the extract. [1] (c) List the solo instruments in the order in which they present the following theme: 1. 2. 3. 4. [4] (d) Identify three harmonic features in the passage after the final presentation of the theme given above. 1. 2. 3. [3] (e) (i) From which type of work is this extract taken? Circle your answer. symphony solo concerto concerto grosso [1] (ii) Give one reason for your answer. [1] 4990 Remark You will hear an extract from a concerto movement. You will hear the extract four times, with pauses between hearings. (a) Identify two features of the music which show it to be the opening of a rondo form movement. 1. 2. [2] (b) Identify the solo instrument. [1] (c) Identify five features of the music which are characteristic of the Classical period. 1. 2. 3. 4. 5. [5] (d) From which movement of the work is this extract most likely to be taken? [1] THIS IS THE END OF THE QUESTION PAPER 4990 7 Examiner Only Marks Remark T80517/2

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Additional Info : Gce Music May 2009 Assessment Unit AS 2, Part 1: Test of Aural Perception - Revised
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