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GCE JAN 2011 : AS 2 Written Examination - Revised

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Centre Number 71 Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education January 2011 Music assessing Written Examination AU122 Assessment Unit AS 2: Part 2 [AU122] MONDAY 10 JANUARY, AFTERNOON TIME 1 hour 15 minutes. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer two questions. Answer Section A on the compulsory Area of Study and one other question in Section B on your chosen Area of Study. For Examiner s use only INFORMATION FOR CANDIDATES The total mark for this paper is 54, including a maximum of 3 marks for quality of written communication in your chosen area of study question. You are provided with an insert for use with Question 1 in this paper. Do not write your answers on this insert. All questions carry equal marks, i.e. 27 marks for each question. Question Marks Number Section A 1 Section B 2 3 4 Total Marks 6916 Section A Examiner Only Marks 1 Remark Compulsor y area of study: Music for Orchestra, 1700 1900 Haydn: Symphony No. 94 in G major, second movement, Bars 107 156 Answer all the following questions using the score provided. (a) What is the overall form of this movement? ___________________________________________________________ [1] (b) Which section of the movement is shown in this score? ___________________________________________________________ [1] (c) During which period was this work composed? ___________________________________________________________ [1] (d) Identify the tonality at the opening of this extract. ___________________________________________________________ [1] (e) Describe in detail the presentation of the theme and its accompaniment in Bars 107 114. _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [5] 6916 2 [Turn over (f) Identify three new features of the melody in Bars 115 130. Examiner Only Marks 1. ___________________________________________________________ 2. ___________________________________________________________ 3. _________________________________________________________ [3] (g) Identify the key and cadence in Bars 121 122. Key _________________________________________________________ Cadence __________________________________________________ [2] (h) Identify the chord in each of the following Bars. (i) Bar 140 beat 2 ___________________________________________ (ii) Bar 142 beat 2 ___________________________________________ (iii) Bar 145 beat 2 _________________________________________ [6] (i) (i) Identify bars in which there is an example of a tonic pedal. (ii) Name one instrument playing this pedal. Remark Begins in Bar _______________ Ends in Bar ________________ [2] _______________________________________________________ [1] (j) What is the musical term for the section of the movement in Bars 139 156? (k) Comment on the final appearance of the original melody in these bars. _____________________________________________________________ _____________________________________________________________ ___________________________________________________________ [3] 6916 ___________________________________________________________ [1] 3 [Turn over Section B Examiner Only Marks Remark Answer one question on your chosen Area of Study. Optional Areas of Study Chamber Music, 1750 1830 2 (a) Comment on the various roles of the piano in chamber music of the period 1750 1830. Refer to specific examples to illustrate your answer. or (b) Outline the main characteristics of Mozart s chamber music. Refer to specific examples to illustrate your answer. Music for Solo Piano, 1825 1890 3 (a) Choose and comment on three pieces composed between 1825 and 1890, one to illustrate each of the following types of piano music. noctur ne tude sonata or (b) Comment on character pieces in Schumann s piano music repertoire. Refer to specific examples to illustrate your answer. The Musical, 1900 to Today 4 (a) Comment on the contribution made by Rodgers and Hammerstein to the musical. Illustrate your answer by referring to specific musical examples. or (b) Comment on songs from a range of musicals in which composers have communicated emotion effectively. 6916 4 [Turn over Examiner Only _____________________________________________________________________ Marks Remark _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ 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_____________________________________________________________________ __________________________________________________________________ [27] 6916 12 [Turn over BLANK PAGE THIS IS THE END OF THE QUESTION PAPER 5853 13 [Turn over BLANK PAGE 5853 14 [Turn over BLANK PAGE 5853 15 [Turn over Permission to reproduce all copyright material has been applied for. In some cases, efforts to contact copyright holders may have been unsuccessful and CCEA will be happy to rectify any omissions of acknowledgement in future if notified. 111505 AS 2: PART 2 JANUARY 2011 For use with Question 1 107 Fl. [a2] f Fg. Cor. (C) [a2] ff Ob. f ff Timp. Tr. (C) f f Fl. Ob. Fg. Tr. (C) Timp. Cor. (C) Vl. I Vl. II Vla. Vc. Cb. 6916.02 [ ] f 6 111 Vl. 1 6 ff Vl. II f Vla. f Vc. f Cb. 6 6 3 3 3 3 1 [Turn over 115 Fl. Ob. Fg. Cor. (C) Tr. (C) Timp. Vl. I [Solo] p Vl. I pianissimo e dolce p ten. ten. ten. [1.] 6916.02 Vc. Vla. Vl. II Cb. Ob. Timp. 123 Tr. (C) ten. p Cor. (C) Vc. Fg. p Fl. p Vla. p Vl. II Cb. 2 3 131 Fl. Ob. Fg. Cor. (C) f f [a2] Timp. f Vl. I f Vl. II f Vla. Vc. Cb. f Tr. (C) 137 Fl. Ob. Fg. Cor. (C) Tr. (C) Timp. Vl. I Vl. II Vc. 6916.02 6 3 6 6 6 6 6 6 6 Vla. Cb. 6 f f f ten f ten [Turn over Fl. Ob. Fg. Cor. (C) Tr. (C) Timp. Vl. I pp ten. ten. ten. ten. pp p 1. p ten. ten. [ pp ] pp ten. ten. [ pp ] Vl. II Vla. [ pp ] pp pp Vc. p 150 1. pp Cb. p Vl. I Ob. Timp. 1. Tr. (C) Vc. Cor. (C) Solo p Fg. p Vla. Fl. p [Solo] p Cb. Vl. II Solo 143 pp pp pp pp pp pp Ermst Eulenburg GmbH & Co. Mainz and Ernst Eulenburg Ltd, London. Reproduced by permission. All rights reserved. 6916.02 111506 6916.02 4

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Additional Info : Gce Music January 2011 Assessment Unit AS 2, Part 2: Written Examination - Revised
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